Mikhail Kaufman
Directing
Biography
Mikhail Kaufman was a Soviet cinematographer and photographer. In the 1920s, after Mikhail Kaufman returned from the Russian Civil War, his brother director Dziga Vertov offered him the opportunity to participate in his newsreel series Kino-Pravda as a cameraman. Kaufman directed photography for several films, including Vertov's Man with the Movie Camera. The film is built around meta-reference and is full of innovative visual effects: in it, Kaufman acts as a cameraman and is seen shooting the film while walking on high bridges, hanging off the side of a train, climbing a smokestack and crawling underground with miners – all in order to get the best shot. Mikhail Kaufman directed three films: Moscow (1927), In Spring (1929), and An Unprecedented Campaign (1931).
Known For
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
Man with a Movie Camera
Dziga Vertov-directed Soviet newsreel made to commemorate the first anniversary of the death of Vladimir Ilich Lenin (21st January 1924 - 1925) drawn from 'The Final Journey', a Pravda feuilleton written on the occasion of Lenin's funeral by the man who had introduced Vertov to cinema, Mikhail Koltsov. Contains: First anniversary of Lenin's death: 1. Assassination attempt on Lenin and Soviet Russia's progress under his leadership / 2. Lenin's illness, death and funeral / 3. The year after Lenin's death
Kino-Pravda No. 21: Lenin Kino-Pravda. A Film Poem About Lenin
Through the travelogue format, it depicts the multitude of Soviet peoples in remote areas of USSR and details the entirety of the wealth of the Soviet land. Focusing on cultural and economic diversity, the film is in fact a call for unification in order to build a "complete socialist society".
A Sixth Part of the World
Documentary portrait of Dziga Vertov, father of documentary cinema.
World Without a Game
This documentary promoting the joys of life in a Soviet village centers on the activities of the Young Pioneers. These children are constantly busy, pasting propaganda posters on walls, distributing hand bills, exhorting all to "buy from the cooperative" as opposed to the Public Sector, promoting temperance, and helping poor widows. Experimental portions of the film, projected in reverse, feature the un-slaughtering of a bull and the un-baking of bread.
Kino Eye
Dziga Vertov-directed Soviet newsreel covering: Streetcar collision / Arms manufacturing plant resumes operation / Assembling an automobile / Bicycle and motorcycle races / A parade of Red Army armored units and an attack exercise.
Kino-Pravda No. 6
Dziga Vertov-directed Soviet newsreel covering: A bet is placed on the outcome of the Trial of the Socialist Revolutionaries / The verdict / People in streetcars and on the street / A crashed aircraft / Reconstruction of streetcar line 13 / Peacetime use of tanks – airport construction work.
Kino-Pravda No. 8
Dziga Vertov-directed Soviet newsreel covering: A peasant buys a receiver at the radio shop / Instructions to attach an antenna / A broadcast-station is developed / A concert is broadcast. Though only a third of this final issue of Kino-Pravda seems to survive, there still exists Aleksandr Bushkin’s time-lapse animation and the sequence in which, as Yuri Tsivian describes, “a cross-section of a photographically correct izba (Russian peasant’s log hut) is penetrated by schematically charted radio waves”—a testament to the magical properties and propagandistic uses of radio in reaching out to Russia’s distant peasantry.
Kino-Pravda No. 23: Radio Pravda
Dziga Vertov-directed Soviet newsreel covering: Hunger and harvest / Alliance between city and country / Agricultural and home industries exhibition: To the exhibition, construction work and preparations, exhibits, map of the exhibition, visitors
Kino-Pravda No. 17
Dziga Vertov-directed Soviet newsreel covering: Against war / Against Gods / Education / Agitation / Sports and gymnastics / Danger of war.
Kino-Pravda No. 15
The film is dedicated to the achievements of the Ukrainian SSR for the eleventh anniversary of the October Revolution.
The Eleventh Year
Kyiv, 1929. Shots of the city as it wakes up and its awakening echoes with the lyrical pictures of the rebirth of nature. Kaufman’s attentive camera pauses for a long time on the smiling faces of children, painting a lyrical picture, a confession of love for Kyiv.
In Spring
The film "All the Vertovs" tells about the Kaufman brothers-David, Mikhail and Boris. All three are world-class filmmakers. Each of them managed to achieve the highest level of proficiency in the profession, each had their own vision of the world and the gift to embody it on the screen in a unique, deeply individual manner.
All Vertovs
Dziga Vertov-directed Soviet newsreel covering: First anniversary of Lenin's death / Smycka of the city and the village: group of peasants visit Moscow / Lenin's effect on peasants and oppressed nations
Kino-Pravda No. 22: Lenin Is Alive in the Heart of the Peasant. A Film Story
Dziga Vertov-directed Soviet newsreel covering: Reports of the Pioneers: Excursion to the country, to the zoo etc.
Kino-Pravda No. 20: Pioneer Pravda
The film tells about the position of Earth in outer space. Modern scientific knowledge is contrasted with ancient ideas about the structure of the world.
Earth in Space
Documentary almanac directed by the great cinematographer Mikhail Kaufman about the life of the Soviet capital.
Moscow
Dziga Vertov documentary on flying.
Give Us Air!
Dziga Vertov-directed Soviet newsreel covering: Up the Eiffel Tower in Paris / Moscow / Auto race Petrograd – Moscow / Aspects of everyday Soviet life / Peasant from Jaroslavl' visiting Moscow / Ceremonial introduction of a newborn into a workers' collective
Kino-Pravda No. 18: A Movie-Camera Race Over 299 Metres and 14 Minutes and 50 Seconds in the Direction of Soviet Reality
A popular science film about the exploration of one of the planets of the solar system - Mars.