Mitsuru Meike

A man with a troubled past including incest with a younger sister and the murder of a woman travels to an isolated countryside town in Nagano. There a local who mistakes him for a famous television actor shows him the town's sites, including a strip bar in which the performers remove Heian era costumes. The film's narrative is in an allegorical and disjointed manner with references to Buddhist concepts.

Riho and Shinichi had broken up by the time they returned from their honeymoon. The cause was sex. Riho says that sex isn't like that, it's more of a gentle, careful caress. Shinichi is criticized for his lack of technique and suffers psychological damage, but at the same time, he senses that Riho longs for another, and cannot forgive Riho for such a thing.

Hosono, a film director who continues to make adult videos to make a living, spends his days desperately trying to realize his own project. However, one day, driven by anxiety and impatience, he steals a script from the screenwriter's home...

Yuji and Akiko are newlyweds. Yuji dreams of being a movie star. He lands the lead role in a Pink Eiga soft-core sex film. The director requires him to have sex with the actress. Akiko goes to her high school reunion and is raped by a drunken guy, and then hooks up with her ex-high school love. A dark and comedic look at contemporary relationships and the pitfalls of married life. The story was written by Locarno International Film Festival, Golden Leopard Prize Winner, Masahiro Kobayashi. (Pink Eiga)

Tomoko and Naomi have had a lesbian relationship since their high school days. They meet again a few years later, and this film depicts the course of their love. Tomoko's strong obsession with Naomi and her intense sexual desire excite the audience. The beauty of the last scene is a must-see!

Fearing dead-end futures, abused schoolgirl Alisa and neglected housewife Harumi plan a new life together, bankrolled by a bag of stolen cash. But with an incestuous father and a jealous mother-in-law in hot pursuit, their journey to the other side of the night becomes longer — and stranger — than they could’ve expected.

The countryside, Sawai village, beyond the single- rail terminal station . The fields are spread out here, and there is a huge shopping mall nearby. Chihiro who lives here is still a virgin because Arasa is greeted because she pursued her ideal boyfriend too much. Tachihiro, who thinks it's not good to keep on pleading, calls a humane harmless serious man, Kyohei, who works at the same village office, and invites him to a love hotel, but because they are virgins and virgins who only know sex seen in adult videos, they remain awkward It ends in failure. One day, in the village office, we will hold a marriage hunting party to revitalize the youth and to eliminate depopulation in the whole region . Since women may not be gathering, women at the government office will participate while falling at the end of the day. The small romance pattern in the government office is now crossing.

The story of two men, one middle aged one mid twenties, who make friends and exchange cigarettes and stories of their sex lives, unaware they have unwittingly exchanged partners. The story, told in flashbacks, as the two men travel through the night on a motorcycle, is loaded with highly charged eroticism. Sex and violence are juxtaposed against the drabness of the men's everyday lives, effectively blurring the line between what is real and what is fantasy. Founded on the well-known myth of furtive sexual gropers on the rush-hour Tokyo commuter trains, Tandem is a low-key masterpiece of Japanese Pink Cinema.

Rokuro Saito was hired as a gardener for the Kawarazaki family. The beautiful mistress of the house, Kyoko, who greeted Rokuro, was a widow with two daughters, Sachiko and Rei. Also living there were Rei's tutor, Kaori, a creepy male servant named Nanbara, and the maid, Misako. Rokuro was eager to take on the job, but Misako was cold and distant.

Perfect Blue: Yume Nara Samete (パーfectブルー 夢なら醒めて, Pāfekuto Burū: Yume Nara Samete) is a 2002 Japanese psychological thriller film directed by Toshiki Satō and adapted from the novel of the same name by Yoshikazu Takeuchi. The story centers on Ai, a teen pop idol transitioning to a recording career, whose life unravels amid fixation from a obsessive convenience store clerk, leading to themes of distorted self-perception, narcissistic delusions, and violent events.

Junichi is a drug dealer who has no place in society and wanders the streets. The only thing that makes him feel alive is running and sex. Kumiko is raped by the misanthropic Junichi, but for some reason she is attracted to him and falls in love with him. However, after being chased by the detectives, Junichi disappears from Kumiko's life and starts working at a factory in the town where she washed up...

A bar in Shinjuku 2-chome. Toru is the manager of this bar, but one day, the owner, Ishii, suddenly passes away. The bar is to close, and Toru receives a list of regulars from Takano, the accountant, and decides to start a journey to collect retirement benefits. Together with Kenichi, the bar's number one, they borrow Ishii's old car and set off to northern Kanto. First up is Sato, a company president with a foot fetish. Although married, he can't stop playing around with men, and whenever he comes to Tokyo, he requests Kenichi. In order not to let the people around him know, he gives Kenichi more money than the tab. Next is Yamamoto, a city council member in the local assembly. A born sadist, he likes to tie Kenichi himself or have a young bondage artist tie him up, and then watch it happen. Kenichi continues on his journey, but he has another goal: to meet Shouji, a man he used to date...

Kiriko is a beautiful woman working in a quiet hot spring town. The owner of the inn, Goro, is attracted to her beauty and asks her out, but she refuses. Meanwhile, Imai, a detective staying at the inn, recognizes Kiriko's face and investigates her past on his own.

When he is hit by a car on the street, the young man Daikoku foresees the monster Demking appearing at the end of the century. In preparation for the coming confrontation with the Demeking, he organizes a modern-day Seven Lucky Gods composed entirely of antisocial people. This is a utopian epic that, despite the ridiculousness of the story, is the most powerful depiction of the motifs seen in the first two films, which attempt to play on the sense of apocalypse through unrealistic imagination, while staying within a tenuous sense of reality.

Set in a metropolis in the 21st century, this unique erotic drama depicts youth colored by sex, drugs, and violence with a touch of science fiction.

There was a man, a novelist, who had unavoidably turned his hand to sensual novels for a living, but now made a living out of it. One morning while jogging, he picks up a lighter and cigarettes dropped by a bookstore owner, and decides to deliver them to the store. When there is no answer to the doorbell, he goes to the back of the store and looks in the slightly open window to find the owner tying up a female clerk and engaging in SM play.

Documentary filmmaker Kenjiro Fujii takes a look at the history of a distinctly Japanese brand of softcore pornography in this extensive examination of the "pinku eiga" genre (ピンク映画 Pinku eiga or Pinkeiga). For more than 40 years, so-called "pink" films have served as both a key source of revenue for the Japanese film industry as well as a launching pad for the careers of such mainstream filmmakers as Kiyoshi Kurosawa. After providing a detailed history of the still-profitable and popular genre through interviews with a variety of behind-the-scenes players and clips from such classic pink films as Fish Bait Boobies, director Fujii shifts his focus to the production of an upcoming pink film to offer a glimpse into the creative and stylistic evolution of the genre.

As a newspaper reporter listens to the confession of a wife who murdered her husband, the film shockingly depicts the process by which she discovers why she killed her husband, why she started working on street corners, and how she became deeply immersed in an affair that began as prostitution to relieve boredom...

Shuji, an unemployed young man, has been living a haphazard and lethargic life, cheating on his wife with his girlfriends and constantly asking his best friend for loans. Then one day, Shuji takes a train and arrives at a country town. There, he meets Sachiko, a woman who never smiles, and starts working as a live-in employee at the printing house where she works. Shuji has a lot of emotionless sex with Sachiko.

After a brief kidnapping, a young woman connects with the boyish member of a gang. They start traveling, soon encountering a nurse hoping to become pregnant. Along the way, they encounter other gang members around the city and country.