Directing
A man with a troubled past including incest with a younger sister and the murder of a woman travels to an isolated countryside town in Nagano. There a local who mistakes him for a famous television actor shows him the town's sites, including a strip bar in which the performers remove Heian era costumes. The film's narrative is in an allegorical and disjointed manner with references to Buddhist concepts.
Tomoko and Naomi have had a lesbian relationship since their high school days. They meet again a few years later, and this film depicts the course of their love. Tomoko's strong obsession with Naomi and her intense sexual desire excite the audience. The beauty of the last scene is a must-see!
Michiko and Yukio meet at a bar and spend the night together at Yukio's apartment. As Michiko continues to skip work by faking illness and Yukio doesn't even contact his part-time job, a strange love begins to grow between them as they indulge in their love affair.
Shuji, an unemployed young man, has been living a haphazard and lethargic life, cheating on his wife with his girlfriends and constantly asking his best friend for loans. Then one day, Shuji takes a train and arrives at a country town. There, he meets Sachiko, a woman who never smiles, and starts working as a live-in employee at the printing house where she works. Shuji has a lot of emotionless sex with Sachiko.
Riho and Shinichi had broken up by the time they returned from their honeymoon. The cause was sex. Riho says that sex isn't like that, it's more of a gentle, careful caress. Shinichi is criticized for his lack of technique and suffers psychological damage, but at the same time, he senses that Riho longs for another, and cannot forgive Riho for such a thing.
Rokuro Saito was hired as a gardener for the Kawarazaki family. The beautiful mistress of the house, Kyoko, who greeted Rokuro, was a widow with two daughters, Sachiko and Rei. Also living there were Rei's tutor, Kaori, a creepy male servant named Nanbara, and the maid, Misako. Rokuro was eager to take on the job, but Misako was cold and distant.
Akemi works part time to support herself and her lazy husband. One day she meets an old friend and the friend's husband. She becomes aggravated during their conversation when the couple suggest that Akemi's husband's irresponsible behavior is justifiable. As her frustration increases, she meets a woman who encourages her to experiment sexually, which in turn leads Akemi to a labyrinth world of sex and swapping.
Documentary filmmaker Kenjiro Fujii takes a look at the history of a distinctly Japanese brand of softcore pornography in this extensive examination of the "pinku eiga" genre (ピンク映画 Pinku eiga or Pinkeiga). For more than 40 years, so-called "pink" films have served as both a key source of revenue for the Japanese film industry as well as a launching pad for the careers of such mainstream filmmakers as Kiyoshi Kurosawa. After providing a detailed history of the still-profitable and popular genre through interviews with a variety of behind-the-scenes players and clips from such classic pink films as Fish Bait Boobies, director Fujii shifts his focus to the production of an upcoming pink film to offer a glimpse into the creative and stylistic evolution of the genre.
A bar in Shinjuku 2-chome. Toru is the manager of this bar, but one day, the owner, Ishii, suddenly passes away. The bar is to close, and Toru receives a list of regulars from Takano, the accountant, and decides to start a journey to collect retirement benefits. Together with Kenichi, the bar's number one, they borrow Ishii's old car and set off to northern Kanto. First up is Sato, a company president with a foot fetish. Although married, he can't stop playing around with men, and whenever he comes to Tokyo, he requests Kenichi. In order not to let the people around him know, he gives Kenichi more money than the tab. Next is Yamamoto, a city council member in the local assembly. A born sadist, he likes to tie Kenichi himself or have a young bondage artist tie him up, and then watch it happen. Kenichi continues on his journey, but he has another goal: to meet Shouji, a man he used to date...
Yuji and Akiko are newlyweds. Yuji dreams of being a movie star. He lands the lead role in a Pink Eiga soft-core sex film. The director requires him to have sex with the actress. Akiko goes to her high school reunion and is raped by a drunken guy, and then hooks up with her ex-high school love. A dark and comedic look at contemporary relationships and the pitfalls of married life. The story was written by Locarno International Film Festival, Golden Leopard Prize Winner, Masahiro Kobayashi. (Pink Eiga)
The story of two men, one middle aged one mid twenties, who make friends and exchange cigarettes and stories of their sex lives, unaware they have unwittingly exchanged partners. The story, told in flashbacks, as the two men travel through the night on a motorcycle, is loaded with highly charged eroticism. Sex and violence are juxtaposed against the drabness of the men's everyday lives, effectively blurring the line between what is real and what is fantasy. Founded on the well-known myth of furtive sexual gropers on the rush-hour Tokyo commuter trains, Tandem is a low-key masterpiece of Japanese Pink Cinema.
Perfect Blue: Yume Nara Samete (パーfectブルー 夢なら醒めて, Pāfekuto Burū: Yume Nara Samete) is a 2002 Japanese psychological thriller film directed by Toshiki Satō and adapted from the novel of the same name by Yoshikazu Takeuchi. The story centers on Ai, a teen pop idol transitioning to a recording career, whose life unravels amid fixation from a obsessive convenience store clerk, leading to themes of distorted self-perception, narcissistic delusions, and violent events.
When he is hit by a car on the street, the young man Daikoku foresees the monster Demking appearing at the end of the century. In preparation for the coming confrontation with the Demeking, he organizes a modern-day Seven Lucky Gods composed entirely of antisocial people. This is a utopian epic that, despite the ridiculousness of the story, is the most powerful depiction of the motifs seen in the first two films, which attempt to play on the sense of apocalypse through unrealistic imagination, while staying within a tenuous sense of reality.
Fearing dead-end futures, abused schoolgirl Alisa and neglected housewife Harumi plan a new life together, bankrolled by a bag of stolen cash. But with an incestuous father and a jealous mother-in-law in hot pursuit, their journey to the other side of the night becomes longer — and stranger — than they could’ve expected.
Spread over three time periods (Summer 10 Years Ago/Summer 5 Years Ago/This Summer), Lost Virgin tells the tale of good-time girl Chisato (Sasaki), hungry for new experiences yet ultimately in search of emotional fulfilment.
After attempting to meet someone new on a dating website, Chihiro starts talking to Makoto, who is asking around about a string of suicides. She agrees to meet with him, as she knew one of the girls that recently passed. After the two begin to connect a bit, Makoto gets an e-mail from Chihiro, saying she doesn't see a purpose to continue living.
Sanae, a former literary girl, became the secretary of Shunichi Wada, a respected mystery writer, through an introduction from an acquaintance. Wada is known for her humanistic style, but in reality she was an unusual lover of women and was extremely stingy with money.
The countryside, Sawai village, beyond the single- rail terminal station . The fields are spread out here, and there is a huge shopping mall nearby. Chihiro who lives here is still a virgin because Arasa is greeted because she pursued her ideal boyfriend too much. Tachihiro, who thinks it's not good to keep on pleading, calls a humane harmless serious man, Kyohei, who works at the same village office, and invites him to a love hotel, but because they are virgins and virgins who only know sex seen in adult videos, they remain awkward It ends in failure. One day, in the village office, we will hold a marriage hunting party to revitalize the youth and to eliminate depopulation in the whole region . Since women may not be gathering, women at the government office will participate while falling at the end of the day. The small romance pattern in the government office is now crossing.
Tomiko, a housewife, composes Tanka as a hobby. Tomiko's husband, Nobuo, who thought she was submissive, is surprised to find that Tomiko's tanka is radical. Nobuo takes the contents of her tanka seriously and suspects that Tomiko is cheating on her, so he ties her up with a belt and punishes her, but he becomes lustful at the sight of her tied up...
As a newspaper reporter listens to the confession of a wife who murdered her husband, the film shockingly depicts the process by which she discovers why she killed her husband, why she started working on street corners, and how she became deeply immersed in an affair that began as prostitution to relieve boredom...
