Marthe Mercadier

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A talk show presented by Michel Drucker

At Theater tonight is a TV show broadcasted from 25th August 1966 to 21st September 1985. The show is broadcast plays recorded in two or three days, during public performances at the Théâtre Marigny on the Champs-Élysées, or sometimes Edouard VII theater.

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Arsène Lupin is a French TV show which was co-produced with German, Canadian, Belgian, Dutch, Swiss, Italian and Austrian TV stations. It was only loosely based on Maurice Leblancs novels. Georges Descrières' portrayal of Arsène Lupin showed more similarity to Graf Yoster than to Maurice Leblanc's original. He behaved in the first place as a perfect gentleman who never got angry. He was always relaxed, because whatever could possibly had bothered him in daily life was taken care of by his butler. It wasn't questioned how he had come to his financial independence although the series sometimes discreetly implied that he was a professional criminal. Besides rescuing damsels in distress Lupin took on criminals, competing with their wit and intelligence. Either he stole paintings from rich people who had to be considered white-collar criminals or he acted as a detective who derailed criminal schemes. However, when he was attacked, he could defend himself effortlessly by using elegant jujutsu methods. Among the guest stars were German actors such as Günter Strack and Sky du Mont. Jean-Paul Salomé said in his commentary on the DVD version of his film Arsène Lupin he had like this series as a child. German TV, one the investors, would broadcast the show eventually between 18:00-20:00 o'clock because it was only allowed to show commercials within that very timeslot. For them to get a financial return on investment the show had to be appropriate for families and also for children who would watch it alone. Subsequently it was nearby to ask to defuse and flatten some of Leblanc's plots in order to avoid possible complaints that could force the station to broadcast the show beyond the "Vorabendprogramm".

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A new student, Manuela, enters a strict girls' boarding school after her mother’s death, where she finds comfort in a kind teacher, stirring complex emotions within her.

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Mistaken for bank robbers, two friends stumble into a group of beautiful girls and follow them to Morocco for a dance show.

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Hélène and Aldo Giovanni are a circus trapeze double act and a couple. Aldo is temporarily replaced by former-partner Alexandre when the former is injured. The two get into a fight and the following day Alexandre is discovered dead. Hélène suspects her husband is responsible for the murder.

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Inspector Bérurier, having inherited a mansion three years earlier, comes to collect rent from the tenant when the latter is murdered under mysterious circumstances. Béru calls Commissaire San Antonio to the rescue, and the two men discover that Laurenzi's hotel is home to a "brothel" whose director, Madame Albertine, soon reveals to the two policemen that Laurenzi was having an ongoing relationship with Helga, one of the boarders, and Mr. Max, a regular guest of the house.

Suppose lost and found objects could talk... But they can! At least four of them... : -A statuette of Osiris remembers how two ex-lovers, a model and a good for nothing who claimed to be an Egyptologist, met again one Christmas Eve. -A violin has things to say about Raoul, a humble policeman who lost Solange, a widowed grocer he loved, to a god-dam seducing busker also named Raoul. -A scarf was witness to an eerie romance between a young madman and girl he had saved from suicide. -A funeral wreath lets us know how it caused a young woman to believe her lover dead. After having told their respective story, the objects return to their customary stillness.

Identite Judiciare stars Raymond Souplex as wily French police inspector Basquier. The villain is Berthet (Jean Debucourt), a high-ranking government official. Basquier suspects that Berthet is a vicious murderer, but is unable to prove anything thanks to bureaucratic interference. Thus, the good inspector plays a waiting game a la Columbo, hoping for that one fatal slip on the part of the killer. Certain portions of Identite Judiciare proved a bit too intense for American audiences, and were accordingly snipped by the censors.

A subtle, down-to-earth and autobiographical depiction of an American screenwriter in Paris who befriends his chauffeur and has an affair with a British aristocrat.