Germán Cobos
Acting
Biography
Germán Sánchez Hernández-Cobos (7 July 1927 – 12 January 2015) was a prolific Spanish actor in a variety of European films. Son of the stage actor Fernando Cobos, he spent part of his childhood in San Sebastian. He began studying Architecture and in 1949 he joined the Teatro Español Universitario (TEU), when he had already developed a vocation for acting. After moving to Madrid, where he enrolled in the School of Dramatic Art and the Official School of Cinematography, he made his first screen role in 1951, in Juan de Orduña's film La leona de Castilla. Shortly afterwards he was hired as a young leading man in the comedy company of Lilí Murati, a Hungarian actress who had settled in Spain. He had successes in the theatre, both in comedies such as Tovarich and Una noche en su casa, señora, as well as in dramatic pieces, such as La muerte de Dantón. Despite this happy period as a stage actor, his true projection during the 1950s and 1960s was in the cinema, where he played tough leading man roles. His extensive filmography includes nearly a hundred films. After appearing in Rafael J. Salvia's Flight 971 in 1953, he subsequently made films such as El beso de Judas, La patrulla, La otra vida del Capitán Contreras and Cuerda de presos, directed by Rafael Gil and Pedro Lazaga. From 1955 onwards he spent a few years in Italy, where he appeared in Esclavas de Cartago and Susana pura nata and other commercial films. Back in Spain he played Sara Montiel's leading man in Carmen la de Ronda, directed by Tulio Demichelli in 1959. The following year he made a melodrama, Ama Rosa, by León Klimowsky, alongside Imperio Argentina. His stage appearances were more sparse. In the 1960s he starred in Los derechos de la mujer, then the comedy Guapo, libre y español and, from the 1980s onwards, Del rey Ordás y sus infamias, La amante de su señoría and La marquesa Rosalinda. Among the rest of his extensive filmography, the most notable are Un taxi para Tobruck, an important co-production that paired him with Hardy Kruger, Lino Ventura and Charles Aznavour, also filmed in 1960, as well as A las cinco de la tarde, by J. A. Bardem; La bella Lola, by Alfonso Balcázar, again as a partner to Sara Montiel; El valle de las espadas, by Javier Setó, both from 1962; La revoltosa, by José Díaz Morales (1963); Las Vegas, 500 millones, by Isasi-Isasmendi (1968); Marianela, by Angelino Fons (1972); Cría cuervos, by Carlos Saura (1975); El puente, by Bardem (1976); Solos en la madrugada, by José Luis Garci (1977); La ley del deseo, by Pedro Almodóvar (1987); El aire de un crimen, by I. Isasmendi (1987); Un paraguas para tres, by Felipe Vega (1992) and Boca a boca, by Manuel Gómez Pereira (1995). He spent some seasons retired, running a hospitality business in La Granja de San Ildefonso (Segovia). On television he participated in 1995 in the series Villarriba y Villabajo.
Known For
A caustic satire of many of the 'types' found in Spanish society.
No One Could Live Here
No description available.
Love at First Sight
Ana, an eight-year-old girl living in Madrid with her grandmother and two sisters, mourns the death of her mother.
Cria!
Pablo, a successful film director, disappointed in his relationship with his young lover, Juan, concentrates in a new project, a monologue starring his transgender sister, Tina. Antonio, an uptight young man, falls possessively in love with the director and in his passion would stop at nothing to obtain the object of his desire.
Law of Desire
No description available.
Arrayán
No description available.
Curro Jiménez, the Return of a Legend
For financial reasons, an aspiring actor begins working for a phone-sex enterprise. Through his new line of work, he develops relationships with two regular clients: Bill, an elderly homosexual, and Amanda, a mysterious femme fatale.
Mouth to Mouth
Mariana Pineda is a liberal activist in 19th Century Spain who gets arrested and tried for conspiracy in 1831.
Proceso a Mariana Pineda
During World War II, French Commandos join forces with a German officer in order to survive the African desert.
Taxi for Tobruk
Eduardo, a wealthy banker who has a pastime for hiring young street hustlers to keep his bed warm, spots Miguel, a handsome teen who has a penchant for women and motorcycles.
Hidden Pleasures
A local sheriff is unjustly accused of murder in a small town and forced to flee. He gets rid of his enemies one by one and tries to prove his innocence.
Wanted
The fake private detective Mike Spillone is hired by two old ladies to find out if Brigitte, the wife of their nephew Otello Bellomo, has a lover. Brigitte is a physician but the two aunts are unaware of the fact. While investigating, Mike and his assistant Johnny discover Brigitte with a prospective patient, the marquis De Vitti who was shot by the husband of the woman he tried to seduce. Afterwards Spillone finds her with her husband who he believes to be her lover.
Totò, Vittorio and the Doctor
A love story between a mythical Russian minister and an opportunist TV series actress.
Spanish Actress for Russian Minister
A young Milanese pastry chef, Susanna, is working in the pastry shop of her family. She has to defend herself from both a jealous boyfriend, and competition from other pastry chefs who want to know the recipe of the famous cream cake that bears her name.
Susanna tutta panna
Antonio is the leader of an underground armed group fighting in the village of Ronda against Napoleon's troops which have imposed French rule in 1808 Spain. Micaela is madly in love with Antonio but he is devoted to Carmen, the region's most beautiful gypsy who lives and sings at a local inn.
The Devil Made a Woman
Juan flees Madrid and an incestuous relationship with his sister, Ana, working at a mine on the Andalucian coast. When his friendship with Rosario, a local shop girl, becomes romance, Ana shows up wanting to rekindle their affair. He resists at first, but she stays, asserting that Juan is the only man she can ever love. Juan distances himself from Rosario. The mine has problems: high cancer rates in the area caused by poorly stored radioactive waste. A foreign safety engineer, Petersen, tries to connect with Ana, is rebuffed, but lets her stay in his sea-front bungalow. Juan seeks her out to demand she leave, only to argue with Petersen. Death, desire, and longing play out.
Against the Wind
Adaptation of a novel by Pedro García Montalvo that tells a story of destructive passion conditioned by social components that takes place during the 1940s.
La viuda del capitán Estrada
A workshop employee decides to take advantage of a long weekend to go to Torremolinos to have fun and chat up foreign tourists.
Foul Play
Sold as slaves to a wealthy Roman, Lea and Esther, two Carthaginian sisters, are offered as gifts to the ambitious daughter of a proconsul and end up involved in spite of themselves in a dangerous game of power.
The Sword and the Cross
An old priest, who has old ideas, is intended to exercise the apostolate in a neighborhood in the suburbs of Madrid. There the revolutionary climate and anti-religious character of the congregation thwarts all his attempts to attract them. The Archbishop admonishes him and asks to renew his methods, using the example of a young priest of a modern parish. The old priest tries to apply in his environment what he has seen in the parish model, setting off a chain of events.