Lilyan Tashman

Maggie, a headlining comedienne with the Follies, takes a fall off the stage into the orchestra pit and lands on the drum of musician Al Cassidy. One thing leads to another, they fall in love and get married. Al becomes a famous songwriter and Maggie stays home and has children. One day Al is hired to write a big number for Selma Larson, one of the Follies' most beautiful stars, and falls for her.

Jim Wilson is separated from his wife Bella, so when his maiden Aunt Selina -- who thoroughly disapproves of divorce -- comes to visit, Wilson is compelled to locate a temporary wife. His friend, Kit Eclair, is happy to fill in, but during a party, his home is quarantined for smallpox. To complicate matters, a burglar is hiding from a cop in Wilson's home, and wacky Anne Brown is busy trying to hold a seance.

In the prologue Sharon Kimm and Mickey Reid are childhood friends in a tenement neighborhood but are separated when Sharon is placed in an orphanage. In the story we see Sharon as a young Hollywood star whose quick rise to fame leaves her self-centered, superficial, and a spendthrift. Ironically, the film that skyrocketed her to fame was written by Mickey. But her success is brief; and when it comes crashing to earth, Mickey is there to pick up the pieces.

A documentary film about dancing on the screen, from its origins after the invention of the movie camera, over the movie musical from the late 20s, 30s, 40s, 50s, and 60s, up to the break dance and music videos from the 80s.

After a tumultuous first marriage, Millie Blake learns to love her newfound independence and drags her feet on the possibility of remarriage. The years pass, and now Millie's daughter garners the attentions of men - men who once devoted their time to her mother.

Officer in the Imperial Russian Army, Petroff, is in love with Sonia, a schoolteacher who casts her lot with revolutionaries. During a time of suppression, she is exiled with her brother to Siberia. There Petroff is sent in the discharge of his official duties and secretly renews their romance. When the Bolsheviki overthrow the government, Sonia is freed and aids in the escape of Petroff, who incurs the enmity of Egor, the revolutionary leader, because he is a royalist. Together they escape across the frozen wastes in a sledge, pursued by wolves and Egor, who has used patriotism as a cloak to conceal personal ambitions.

Mary is an impetuous romantic who marries British aristocrat Lord Philip Rexford on a whim. Their marriage is successful, though, and they grow closer over the years. Then, a trip to the Italian Riviera unexpectedly reunites Mary with her former beau, Tommie. After some vicious gossip makes Rexford distrust her, he begins work on a divorce. Mary must now choose between the man she has married and the man she once loved.

Paul and Suzanne Giraud are happily married and living in a quiet neighborhood. When Suzanne notices that their new neighbors are expressive dancers in revealing outfits, she demands Paul speak to them about their lack of morality. Paul discovers that the woman is Georgette Lalle, an old flame.

Arthur Randall becomes prosperous after divorcing his wife, Laura, and she now attempts unsuccessfully to win him back. Randall's son becomes ill, and he engages Joan Laird and her mother to care for the boy. Society misunderstands, and Joan is branded as a parasite. Laura kidnaps the boy, Bertie, and Joan gives chase. Laura's car goes over a cliff, and she is killed. Bertie survives the crash, however, and he and Joan attempt to find their way to a refuge. They become lost in the hills, and Joan manages to keep Bertie from dying until rescue comes.

British comedian Reginald Denny plays a professor who is escorting three different women and needs to make a choice.

During the Russian Revolution, a young nobleman and his peasant maid flee from their homeland to Constantinople where they marry and begin a challenging new life.

Happiness Ahead is a persumed lost 1928 silent film drama directed by William A. Seiter and starring Colleen Moore and then husband and wife Edmund Lowe and Lilyan Tashman.

Chorus girl Teena Johnson may be "hard-boiled," but she's no golddigger. Thus, when the father of her wealthy sweetheart Kyle Stannard tries to buy her off, Sally refuses the money. She sticks by Kyle even after he is disinherited and forced to go to work. The financial strain on the young couple's marriage eventually takes its toll, and before long they separate, with Sally returning to the chorus line to square her husband's debts.

Nellie Horton, when mistreated by her father, is taken in charge by Thomas Lipton. She grows up in poverty not knowing her true identity as the heiress to her mother's millions. Upon the death of her benefactor, she becomes a model in a fashionable shop. There she falls into the hands of her mother's unscrupulous nephew, who contrives to do away with her in order to obtain her fortune. ....

The House That Shadows Built (1931) is a short feature, roughly 48 minutes long, from Paramount Pictures made to celebrate the 20th anniversary of the studio's founding in 1912. It was a promotional film for exhibitors and never had a regular theatrical release and includes a brief history of Paramount, interviews with various actors, and clips from upcoming projects (some of which never came to fruition). The title comes from a biography of Paramount founder Adolph Zukor, The House That Shadows Built (1928), by William Henry Irwin.

Broadway showgirl Mary Dugan is charged with murder in the knifing death of her wealthy lover and goes on trial for her life. When her defense counsel appears to bungle his job, Mary's brother Jimmy, a newly-licensed attorney, jumps into the case to defend his sister. Jimmy's courtroom style is unconventional, but he seems to be holding his own against the prosecuting attorney—until a surprise testimony changes the course of the trial...

A dynamic duo in silk and ermine entertain hick businessmen looking for a good time while in Manhattan.

A delightful pre-code cocktail recipe. Take three couples (add gin and tonic), their several divorces and the seven children/stepchildren of their intermarriages and blend thoroughly, and you have a mixture a too-young-to-believe Frederic March will try to straighten out.

The daughter of a count and the son of a shoemaker, both Hungarian, fall in love in America. As they're about to marry, the young woman is called back to Europe. When her betrothed goes after her, difficulties ensue.

Jackie is the perpetually adolescent mother of two grown children - daughter Lee and son Jeff - who are in their early 20's. In spite of the fact that fourth husband Robert is a good provider, good step-dad, and all-around good sport about Jackie's rather wild ways, Jackie is intent on divorcing him although she seems to bear the man no resentment. It just seems that her only reason is that it's time for a change, much like an impulse to buy a new hat. Both children are upset about her decision since they have great affection for Robert. However, daughter Lee has just arrived home from school and decides to accompany her mother to Reno to look after her. On the train west, Lee meets a young mining engineer, Tom, who is headed to a job interview in California. The two hit it off and a romance buds.