
Fernando de Fuentes
Directing
Biography
Fernando de Fuentes Carrau (December 12, 1894 – July 4, 1958) was a Mexican film director, considered a pioneer in the film industry worldwide. He is perhaps best known for directing the films El prisionero trece, El compadre Mendoza, and Vámonos con Pancho Villa, all part of his Revolution Trilogy on the Mexican Revolution.
Known For

Alberto Medina is a famous composer whose car breaks down while he is on a trip. While looking for help, he finds the Valverdes' house and is welcomed in by Emilia, the mother of the family, who is known for taking in tramps.
School for Tramps

No description available.
The Red Grasshopper

Two brothers known in town for their womanizing, drinking and rowdiness meet their matches when two girls who like them decide to tame the two machos.
Los hijos de María Morales

The 1910 Mexican Revolution is on its way when six brave peasants, known as "Los Leones de San Pablo", decide to join Pancho Villa's army and help end the suffering in their community by assisting in the struggle. Together, they will endure the tragedies and hardships of a civil war.
Let's Go with Pancho Villa!

16th-century swashbuckler; evil nobleman usurps another man's title and properties and forces his daughter to marry a political ally. But Cruz Diablo will have revenge!
Cruz Diablo

After her lover commits suicide, Diana involves her fiancé and his nephew in a scheme to help her disappear with the corpse.
La Devoradora
A 1933 film.
La calandria

No description available.
Hipólito, el de Santa

Upon her arrival to the village San Ignacio, Gabriela meets Raúl, owner of a residence that her grandfather administrates. He doesn't reveal his real identity and they fall madly in love. Tania, Raúl's sister-in-law, secretly loves him and she decides to separate them by simulating a car accident from which Gabriela temporarily becomes paralized. Aware that they will marry, Tania makes the girl believe that Raúl is marrying her out of compassion, causing Gabriela to disappear from the residence...
The Intruder

Experimenting in hypnotic regression to past lives, Dr. Edmund Redding of the Cowan Institute in Pasadena has discovered that Ann Taylor is a reincarnated Aztec woman. Via her recovered memories, she is able to lead Redding and his associates to a hidden chamber in the Great Pyramid of Yucatan, where they hope to find the lost treasure of the Aztecs. Instead, they find two mummified bodies - one of a modern man, quite dead, and the other of an ancient Aztec, quite alive. They are able to return safely to Pasadena with both finds, but a rival professor, Janney, kills Redding and steals the body of the modern man-mummy. This he subjects to a resurrection experiment, which works - only the mummy proves to be a werewolf. Two supernatural menaces roam the city that night. This film is composed of footage from two unrelated Mexican horror movies, LA CASA DEL TERROR and LA MOMIA AZTECA, plus new footage shot in the U.S. by Jerry Warren.
Face of the Screaming Werewolf

A woman hardened by her past now runs a ranch she acquired through manipulation and bribery.
Doña Bárbara

Alfonso, Eduardo and Cristina get lost when visiting a forest. A strange monk finds them and takes them to an ancient convent. There, the three amigos suffer personality changes, specially Cristina who tries to seduce Alfonso in a strange coincidence to a story told by an old monk. After some efforts to escape, Alfonso is trapped inside a jail and more strange and macabre situations happen.
The Phantom of the Monastery

Casimiro, night watchman at a wax museum of horrors, is even more sleepy than his usual laziness makes him - because his boss, the Professor, is secretly draining blood from him while he dozes to use in experiments in raising the dead. These haven't worked so far, and the bodies have been waxened and placed on display in the museum to cover his crimes. His big chance seems to come, however, when he learns that the mummified body of a modern man has been found in an Egyptian sarcophagus. The professor and his two henchmen steal the body and take it back to his lab - where the experiment flops again.
House of Terror

Bernardo is in love with Adela and although she does not belong, he has always helped her family although they only care about money and not the virtues of man.
By the False Door

Llorona is a figure unique to Mexican folklore -- the wailing spirit of a woman who lost or killed her child and now returns to seek revenge and haunt the living. With its framing story and flashback structure, this film sets forth a couple of variations of the story.
The Crying Woman

John is a rogue that convinces two friends to be trusted with your money, ensuring that you will place in Switzerland in very good condition, but his plan will encounter some difficulties.
El dinero tiene miedo

Two good friends — the owner and general manager of a ranch — fall in love with the same girl at the same time. The owner tries to 'buy' the girl without knowing she is in love with the manager.
Allá en el Rancho Grande

Adaptation of Dostoyevsky's novel about a student who plans a conceptual murder and then butts heads with a police detective.
Crimen y castigo

Carmen is in poverty because his dad died. She's start working in a beauty salon in México City. There's she meet Frank, the son of a important oil company president. Then, she meet Oscar at the Beauty Saloon too, who sell her to a cabaret in Shangai. After that she became spy of the Chinese Empire.
Las águilas frente al sol

After a long absence, a man returns to his village and recounts all his adventures with a touch of nostalgia.