William Wegman

The Tonight Show Starring Johnny Carson is a talk show hosted by Johnny Carson under The Tonight Show franchise from 1962 to 1992. It originally aired during late-night. For its first ten years, Carson's Tonight Show was based in New York City with occasional trips to Burbank, California; in May 1972, the show moved permanently to Burbank, California. In 2002, The Tonight Show Starring Johnny Carson was ranked #12 on TV Guide's 50 Greatest TV Shows of All Time.

A late-night live television sketch comedy and variety show created by Lorne Michaels. The show's comedy sketches, which parody contemporary culture and politics, are performed by a large and varying cast of repertory and newer cast members. Each episode is hosted by a celebrity guest, who usually delivers an opening monologue and performs in sketches with the cast, and features performances by a musical guest.

The Rosie O'Donnell Show was an American daytime television talk show hosted and produced by actress and comedian Rosie O'Donnell. It aired for six seasons from 1996 to 2002. Topics often discussed on the show include Broadway, children, extended families and charitable works, people and organizations. The show was based out of Studio 8G at NBC's Rockefeller Center studios in New York City, NY, USA and was produced and syndicated by KidRo Productions, Telepictures Productions and Warner Bros. Television.

A nice guy has just moved to New York and discovers that he must share his run-down apartment with a couple thousand singing, dancing cockroaches.

An avant-garde omnibus that features works by off-the-wall artists in many different disciplines.

Mother Goose tries to teach her son, Simon Goose, how to rhyme using some of her famous nursery rhymes.

William Wegman and his dogs - Fay Ray, Batty, Chundo, and Crooky - teach children the alphabet.

The New Wave is the seminal compendium of independent video work in the early 1970s. Written and narrated by Brian O'Doherty, this overview of the emerging video field includes examples of guerrilla television and "street" documentaries, early explorations with image-processing and synthesis, and performance video. This historical anthology includes excerpts of tapes by the following video pioneers: Stephen Beck and Warner Jepson, Peter Campus, Douglas Davis, Ed Emshwiller, Bill Etra, Frank Gillette, Don Hallock, Joan Jonas, Richard Serra, Paul Kos, Nam June Paik, Otto Piene, Willard Rosenquist, Dan Sandin, James Seawright, Steina Vasulka, TVTV, Stan Vanderbeek and William Wegman.

"In the piece we see the two dogs staring at the camera in a dark room. Their eyes are intently following something off camera. Sometimes their head movement is pull into the action as they crane to follow the whatever it is in various left right and up down directions. At one point the action seems to stop and the dogs begin to blink in syncopation. At this point Hooka settles down into a lying position but Man Ray remains riveted. Towards the end piece the dogs crane to look behind them and at one miraculous moment their motions counter each other. At the end we see the object of their attention…in my hand, a tennis ball."

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In Reel 1, Wegman creates deadpan one-liners and ironic sight gags from materials that include his own body, everyday objects such as balls and dolls, and his dog Man Ray. The humor derives from the wild incongruity of expected and actual behavior or events. Inanimate objects are personified; extended actions lead to absurd anticlimaxes. In Stomach Song, Wegman sits in a chair, his bare torso facing the camera. As he gruffly hums a song, his torso becomes a face, with nipples as eyes, navel as mouth. Raising his arms, the "facial" features change gender and he hums in falsetto. Other segments find him blowing a feather from his nose and creating pendulous female "breasts" by folding his elbows to his body. The ever-obliging Man Ray drags a microphone in his mouth, laps up milk that Wegman has drooled onto the floor, and, in an oddly poetic exercise, runs through a darkened room with a flashlight in his mouth.

Animated short

Pursuit of a dog biscuit inside a glass bottle creates the type of narrative suspense that draws us into the action on the screen.

A bottle of nerve manna, a disappearing golf ball and some rocks . . . it all adds up to the Hardly Boys' toughest case yet. The Hardly Boys have returned to Rangeley Lake for another relaxing summer at the Hardly Inn. Fishing, boating, tennis and their friend Chip Mason await them, but the boys soon find themselves enmeshed in a perplexing mystery that puts to the test their sleuthing skills and secret dog powers. What are the Nurse and the Caretaker up to?! And what happened to Gladiola Mason? She invited hem to lunch and now she's disappeared!

From 1970-1977 William Wegman created some of the most innovative and important works in the history of video. These early pioneering tapes were created using minimal technology and a few studio props, including Wegman’s canine companion, Man Ray. Consisting of 130 works, some no longer than a television commercial, blurred the boundaries between high and low art as well as art and commerce, and have become a major chapter in the histories of contemporary art and film. This exhaustive compilation has been assembled by the artist with restored material and it contains all nine original reels as well as two later reels. Classics such as Pocketbook Man, Milk/Floor, Stomach Song, Cape On, Stick and Tooth, Spelling Lesson, Dog Duet, Man Ray, Do You Want to? Are included.

A little girl blows a very big bubble and the bubble bursts.

Willam Wegman brings together his famous family of weimaraners to celebrate the 12 days of Christmas in a witty and delightful festival of decorating, crafts, cooking, gift wrapping, fruitcake, and more. Watch as Batty, Crooky, Chundo and Fay celebrate the season as only they can.

Artists Michael Smith and William Wegman — both of whom use conceptual humor as an art-making strategy — collaborated on this satirical commentary on photography, the process of image-making, and the interchange of "high" art and "low" culture. The tape is structured as an instructional guide that advances the "slice of life" method, imparting not only technique, but attitude and approach to the subject of photography. Wegman plays the world-weary artiste, a professional photographer who takes the innocent and earnest Mike under his tutelage. The business of art, the "reality" of the photographic image, and its pervasive role in contemporary culture are among the issues that receive irreverent treatment in this comedic collaboration.

Single-channel digital video, transferred from Sony CV 1/2-inch video tape, black-and-white, sound