José Luis García-Berlanga

Follows the professional and personal lives of the staff of the fictitious Hospital Central in Madrid.

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No description available.

After the death of General Franco, the Leguineche family leaves their estate of Los Tejadillos, where they have remained for decades in voluntary exile, with the purpose of returning to Madrid to actively participate in the social events of the aristocracy and to get closer to the closest circle of the Spanish monarch. The obsession of the old marquis is centered on getting in touch with the most illustrious surnames, to ascend socially and to resume the pomp and courtly life that his family lost a long time ago. To this end, he decides to move into an old palace he owns, located in the center of the capital, but not before overcoming the difficulties posed by his wife, who deeply hates both her husband and her son. To regain control of the palace, the Marquis of Leguineche tries to handicap his wife, arguing an incurable mental illness, and then undertake a reform of the place in order to adapt it to aristocratic life.

Angela is a young waitress who turns her back on society when she meets and falls in love with Pablo, a reckless criminal delinquent. Along with Pablo’s gang of car thieves, the pair embark on a drug and disco-fueled robbery spree as they hurtle toward oblivion.

Six teenagers decide to spend the night at an old abandoned school where 27 years ago a horrible massacre occurred. The kids run afoul of the vicious crazed security guard who committed the brutal killings.

Persecuted by her controlling ex-husband, Rosa plots an escape

During the Spanish Civil War a platoon of mismatched Republican soldiers cross the front-line to steal the bull that the enemy is going to fight on the local holiday of the nearby village. In addition to ruining the Nationalist faction's celebration they want the animal in order to butcher it and feed their famished troops. They get caught in the process and have to go through a series of funny and pathetic incidents before they can get back to their side.

Veronica, recently divorced with a son, begins to organize her life and adapt to the new situation. Her problems are soon relegated to the back ground when Carlos, her masseuse, is murdered. Knowing himself in danger, Carlos left a final message on her answering machine: she had to retrieve a package hidden in a railway station toilet. From that moment, Veronica will not know peace.

Saturnino, a young archaeologist, bourgeois and wealthy, lives in a luxurious mansion. He receives a visit from his old teacher, Don Felipe, accompanied by his daughter and a monumental mummy he has just discovered in one of his excavations in the Upper Nile. The Mummy, was in his time a princess and has on his bandages a curse, that when it breaks ... it will be dedicated to chasing and raping all the men it finds in its path.

How does the vision of the brilliant Spanish filmmaker Luis García Berlanga (1921-2010) remain relevant in a time whose popular culture has little to do with his own? Since to understand the secrets of an artist it is essential to know the person behind, his family, his friends, his collaborators, as well as prestigious filmmakers and actors trace a collective portrait of a creator as singular as he is universal.

The early days of the future genius of Spanish cinema Luis García Berlanga, from his birth in Valencia in 1921 to his departure to Madrid in 1947 to become a filmmaker.

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No description available.

No description available.