John Akomfrah

Stan Tracey: The Godfather of British Jazz is a portrait of one musician’s lifetime achievement. In a career spanning 60 years as pianist and composer, Tracey (1926 – 2013), recalls his life with unprecedented honesty. The film combines a mix of archive, landscape and interviews with musical giants such as saxophonist Courtney Pine, doyenne Cleo Laine and jazz eminence Humphrey Lyttleton. Stan Tracey’s obituary, published in the Guardian, 6 December 2013 can be viewed here. smokingdogfilms.com

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.

This groundbreaking documentary unlocks the hidden psychology of J.M.W. Turner through his 37,000 private sketches, drawings, and watercolours – an extraordinary archive that reveals the man behind the masterpieces. For the first time on television, these pages – Including erotic sketches previously thought to have been destroyed – are used as a window into Turner’s inner world, exposing his private thoughts, creative obsessions and emotional life. Rarely writing about himself, Turner left behind few clues to his personality. But in his sketchbooks, his restless imagination and vulnerabilities come vividly to life. They guide viewers through Turner’s life and art, revealing how his 37,000 sketches not only chart his creative evolution but also provide an unprecedented psychological portrait of a man both visionary and vulnerable.

This feature-length big screen documentary tells the riotous inside story of the infamous sex, drugs and rock 'n' roll repertory cinema which inspired a generation during Britain's turbulent Thatcher years.

Black filmmaker John Akomfrah believes that, for too long, being English has meant being white. In an attempt to show Englishness from the point of view of mixed-race English people, he visits Liverpool, one of England's oldest multicultural communities.

The Black Audio Film Collective’s seventh film envisioned the death and life of the African American revolutionary as a seven part study in iconography as narrated by novelist Toni Cade Bambara and actor Giancarlo Espesito. The stylized tableaux vivants that memorialise Malcolm’s life referenced the early 20th century funeral photography of James Van der Zee’s The Harlem Book of the Dead and the elemental static cinematography of Sergei Paradjanov’s The Colour of Pomegranates.

Documentary commemorating the 50th anniversary of Martin Luther King's March on Washington, a pivotal moment in the Civil Rights Movement in the United States. The film tells the story of how the march for jobs and freedom began, speaking to the people who organised and participated in it. Using rarely seen archive footage the film reveals the background stories surrounding the build up to the march as well as the fierce opposition it faced from the JFK administration, J Edgar Hoover's FBI and widespread claims that it would incite racial violence, chaos and disturbance. The film follows the unfolding drama as the march reaches its ultimate triumphs, gaining acceptance from the state, successfully raising funds and in the end, organised and executed peacefully.

Speak Like a Child, the feature film debut of documentary director John Akomfrah, explores the intense friendship that evolves between three troubled teenagers growing up in an isolated children's home on the Northumbrian coast. The desolate beauty of the coastline is captured in stunning panoramas, while strong performances by the young cast help to create a lyrical and poignant drama.

A homage to Russian film giant Andrei Tarkovsky, this work integrates excerpts of soundtracks from Tarkovsky’s films with a slideshow of landscapes shot by Akomfrah and an evocative sculptural installation. Working with long time collaborator, sound artist Trevor Mathison, Akomfrah creates an environment thick with longing and the evasive and yet inescapable presence of death. At the Graveside of Tarkovsky is a mixed media installation with sound and single channel HD colour video.

The Black Audio Film Collective’s acclaimed essay film, 'Handsworth Songs', examines the 1985 race riots in Handsworth and London. Interweaving archival photographs, newsreel clips, and home movie footage, the film is both an exploration of documentary aesthetics and a broad meditation social and cultural oppression through Britain’s intertwined narratives of racism and economic decline.

An examination of the hitherto unexplored relationships between Pan-African culture, science fiction, intergalactic travel, and rapidly progressing computer technology.

Interviewees discuss the memories, tastes and experiences that they associate with Africa for a personal vision of the continent.

Goldie, the godfather of drum and bass takes us on a roller coaster ride through his frenetic life. A journey that takes us from Wolver Hampton to Tokyo, Miami to Hong Kong; through his years in council care and his life as a musician and international pop star. Along the way we meet his family, his collaborators and his celebrated friends, David Bowie and Noel Gallagher.

The tumultuous life of the controversial 1960s black revolutionary (and convicted murderer) Michael X is illustrated by a kaleidoscopic melding of sound and images. The radically discordant free jazz soundtrack provides a surreal counterpoint to the mix of newsreel and staged footage in this exhilarating experiment in documentary storytelling.

A person’s culture is something that is often described as fixed or defined and rooted in a particular region, nation, or state. Stuart Hall, one of the most preeminent intellectuals on the Left in Britain, updates this definition as he eloquently theorizes that cultural identity is fluid—always morphing and stretching toward possibility but also constantly experiencing nostalgia for a past that can never be revisited.

Louis Armstrong is one of the most recognizable figures in jazz, with his incomparable trumpet playing and beaming smile. This video profiles Armstrong from his humble beginnings in New Orleans through his career as America's Ambassador of Good Will. Film clips, vintage photographs and interviews with family, friends, fellow musicians and Armstrong himself are woven together to tell the story of this legendary personality.

A two part documentary that details the contribution of black and Asian people to television history from the birth of television in 1936 to 1992. Interviewees include: Pearl Connor, Thomas Baptiste, Lenny Henry, Norman Beaton, Horace Ové, Carmen Munroe, and Stuart Hall.

John Akomfrah’s seminal Riot traces the riots in Liverpool during July 1981 in a climate of economic recession under Thatcher’s regime. Akomfrah captures this turning point in Britain’s struggle towards multicultural democracy through interviews revealing the ghettoisation and racial abuse in Toxteth that escalated with stop-and-search policing tactics following the “sus” laws.

Part documentary, part personal essay, this experimental film combines archive imagery with the striking wintry landscapes of Alaska to tell the story of immigrant experience coming into the UK from 1960 onwards.

Through juxtaposing and layering archival footage with text, music and photographs, The Unfinished Conversation crosses the memory landscape of Stuart Hall, the Jamaican-born British cultural theorist, to reflect on the nature and complexities of memory and identity.