Viktor Bodó

No one is happier than Ondris, who is celebrating his bachelor party and wedding, as his fondest dream has come true: he has won the hand of his beloved, his father's ward, Jadwiga, who was educated in Germany, and has been able to lure this irresistibly attractive but dangerously mysterious woman home. On the one hand, there is the playful but explosively intense physical and emotional passion of a young puppy, and on the other, the sincere, feminine longing for loving devotion and a joyful marriage, which at first may still inspire hope. But soon the threads begin to become entangled...

Márta, a 40-year-old neurosurgeon, falls in love. She leaves her shining American career behind and returns to Budapest to start a new life with the man she loves. But she waits for him at the Liberty Bridge in vain - he does not appear at their rendezvous. Márta starts to search for him desperately, but when she finally finds him, the love of her life claims that they have never met before.

This epic story takes place between 1820 and 1860 during the Habsburg Monarchy, and portrays the life one of the greatest Hungarian aristocrats - Count Széchenyi - who was born with extra-ordinary mental and spiritual talents. In the years following the fall of Napoleon the young count Széchenyi irresponsibly seduces his brother's wife, and the consequent scandal ruins his career as an army officer. After the sudden death of his humiliated lover Count Széchenyi drastically changes his character from that of a shallow young man into a responsible nobleman seeking to conquer his fate by creating great achievements in his remaining life.

A pirate radio, the girl next door, and a test of friendship.

"A bus came..." consists of five loosely connected sketch films; the only thing that connects them is that each one is connected in some way to a bus route in Budapest. The mini-films, which are very different in mood and style, were made by Ferenc Török (Shoes), Árpád Schilling (No Comment), Viktor Bodó (Quarter Hour), György Pálfi (Táltosman vs. Ikarus) and Kornél Mundruczó (St. John of 78) with the professional and friendly support of Miklós Jancsó, who also provided the basic idea for the film.

One day of a Hungarian stock trader.

Jeanne's beautiful breasts spill out from her torn clothes, and her gouged internal organs lie beneath. The contrast between death and eroticism is captured in a profound image. The opera that unfolds in the underground ward comes to a powerful catastrophe with jazz-like dissonance. Are they the living or the dead, shedding blood and singing in high spirits? The director comments, "This film will be the beginning of a new contemporary opera film“.

A new National Theatre is built, and the director hires a famous Danish director for the premiere performance. The actors rehearse, the tractor and the construction workers work on the almost finished building. Everything seems to be on track, including the train, unfortunately, on the siding of the bridge next to the theatre. It's a little too loud and it's echoing into the main hall, so rehearsals are squeezed into a room that isn't very big. Bridge cushions are coming, even though it's cold and a bit like Christmas, but most importantly, the art is happening and the lead actress is indeed a queen. She falls in love with her partner and destroys him at the end of the performance. The role takes shape, only sometimes it is eerily similar to the real life of the artists. Will they live to see the premiere?

Goat is sent to a reform school in Satcha for 13 months. He has to fight his way up the adolescent hierarchy from the very first days. His peers force him to sneak out with them one night into town, where he is tied to a bench. There he meets the pretty Aggie, with whom he falls in love. After a disturbance at the institute, a new director is appointed, the ambitious and ambitious Lehota, whose militaristic approach transforms not only the institute but also the life of the town. Nothing can stop the escalating violence, or Lehota's career...

In the 20th live broadcast of Frau Plastic Chicken’s TV show entitled Nexxt, the first guest comes from the sixties: it is the hero of Burgess’s novel A Clockwork Orange, the notorious murderer Alexander Grushkin, that is, Little Alex. With the help of Egodoki, Frau PC has the Ludovico Technique applied on him, and beside the broken Alex she has Rex Madison, the protagonist of American Psycho brought in, with handcuffs on. The self-assured gigolo breaks down at the appearance of Maggie, his first love, and it is he who wins the confessional show led by Mrs Cardinal Paula Aquarius, which incurs pardon to be given. Rex, freed from his shackles, shoots the majority of those present, rapes PC and leaves together with Alex by helicopter. The show continues on the moon.