P. Jairaj

A big-game hunter's son and a Hindu boy brave the jungle in order to deliver a baby white elephant to an Indian temple.

Well known for his believes in fairness, justice, and fair play, Raja Prithviraj holds sway over a large rural territory in India. His word is the law, and no one would dare to cross swords with him. Prithviraj lives with his only daughter, Tejeshwani, in their exclusive palace. Years later, Tejeshwani has now grown up, attends college, on occasion with her pet cheetah, meets with handsome young fellow collegian, and after several misunderstandings and confrontations, both fall in love with each other. When Prithviraj comes to know of Arjun, he invites him to his palace, insults him, and asks him never to see Tejeshwani again. Watch what Arjun and Tejeshwani do to change her father's mind, knowing fully well that no one in their community will stand up against the Raja.

A ruthless gangster named Don is killed during a scuffle with the police. Since only DSP D'Silva knows of this incident, he recruits Vijay, who is a spitting image of Don, to replace the original Don and infiltrate his gang. D'Silva plans to nab the entire gang, but when he dies during a raid, the secret that Vijay is not Don is also buried with him.

A loving husband and father's joyful family life is rocked to its core upon the discovery that he has a young son borne from a past extramarital affair.

The film takes place in 19th Century British India and is the story of the fight for independence from the British in the years spanning from 1825 to 1875. It tells the story of two men who led the war against British Rule, Sanga and Bharat both of whom call themselves Kranti.

Singh is a farmer and lives a poor lifestyle along with his wife, and two sons, Ram and Laksman. The region is drought stricken, while in contrast there is plenty of water being pumped to bath the dogs of Thakur Vikram Singh. When Ram decides to divert some water for their parched fields, Vikram kills his father. An enraged Ram goes to avenge his death, manages to kill Vikram's brother, but is seriously injured, loses his memory and ends up with a gang of bandits and is renamed Thanedar Singh as he was dressed in the clothes of a police inspector. Lakshman gets separated from his mother and is found near a river bank by Police Commissioner Bhalla, who adopts him. Years later the two brothers are fated to meet again albeit as strangers and mortal enemies as Lakshman is a incognito CBI Officer, while Ram is dreaded bandit Thanedar Singh who is unable to recall his childhood, and loses control whenever he hears the sound of a water-pump.

This first co-production of the Soviet and Indian cinematographers is dedicated to the Tver merchant Afanasy Nikitin who in 1466-1472 blazed the trade way from Europe to India. The film is based on Nikitin’s travel notes. Starring in the film are popular Russian actor Oleg Strizhenov and India’s 1950s movie star Nargis.

Suraj, an NRI, moves back to India, only to realise that the caretaker of his property, Kalicharan, is now running a drug racket on his land. He helps the police force to track down Kalicharan.

Radha lives with her widowed dad and is of marriageable age. Accordingly her details her provided to a marriage-broker, Avtar, who also doubles as a Ved (Village Doctor). He brings the proposal before Shriram and his wife, Sita. They approve of Radha and show her photograph to Shriram's brother, Dr. Madhu, who agrees to marry her. The marriage is celebrated with great pomp and ceremony in the entire village. It is then that the Shriram, Sita, and Madhu find out that Radha has a serious illness - a fact that was known to Avtar - but not communicated to them. This illness prevents her from being intimate with Madhu, and the only cure is when she has a child of her own. Will this marriage be annulled?

A simple man believes he has found the love of his life when he meets a beautiful woman, only to discover a shocking secret about her.

Three love stories that take place simultaneously but do not intersect, because the characters do not interact with each other, even though they all live in the same neighborhood. Govinda, a gloomy Airai boy who was cruelly separated from his beloved girlfriend, Chalvi, who was expelled from the village. Johnny Braganza, a waiter who has just been released from prison after being unjustly accused of falsifying the accounts of the hotel owner, Ferrara, who successfully seduces Johnny's girlfriend, Stella. Now he is setting up a car garage at the same intersection.

Shahjehan (a raw Rehman in one of his first releases) is approached by a Rajput chieftain, Jwala Singh, narrating the plight of his foster daughter, Ruhi (Ragini), who is blessed with unheard of beauty. This gives rise to an army of suitors, who indulge in violence to prevent her from getting married by scaring her to-be grooms. Her beauty, confined to four walls of Jwala's haveli becomes part of folklore, and street gossip, through the poetry of Sohail (Saigal) who accidentally catches her glimpse, and falls in love with her.

A newly married woman begins to sleepwalk, and her husband suspects she is inadvertently connecting with a lover from a past life.

José Ferrer and Horst Buchholz star in this fictionalised account of events leading up to the assassination of Indian spiritual leader and independence campaigner Mahatma Gandhi.

In a small industrial town near Bombay lives Bholanath, who works at the local mill, and is the proud husband of Gauri, a daughter, Champa, and above all his son, Ramaiya, who is a graduate in the arts faculty, - the only one in this town who has attained this degree. But times are hard, and jobs are difficult to come by. When Bholanath loses his job, Ramaiya decides to find employment, and does so as a menial worker in the same mill his dad used to work. Ramaiya is very popular with his co-workers and they soon elect him as their new union leader. This puts Ramaiya in conflict with the Management of the Mill, headed by the owner, Kapoor, who has ordered that Ramaiya be eliminated post haste. But Ramaiya is determined to address the workers' grievances, and he gets himself framed for theft; has the police on the lookout for him, and so Ramaiya goes into hiding.

Gautam is a man who loves a woman but is crushed when he sees her with someone else. In his fit of rage, he accidentally kills a child. Will this turn of events change his life completely?

On a dark, stormy night, a young woman appeared near the orphanage. Holding her child close to her chest one last time, she left him at the door and disappeared as quietly as she had come. Only the moon and stars were silent witnesses to her deed, the cry of a desperate soul. "Munna" means "baby" in Hindi. That is what the owner of the orphanage named the foundling. Years passed. One day, a wealthy childless couple came to the orphanage, wishing to adopt one of the boys. Their choice fell on Munna. However, upon learning that the child's mother was alive, they changed their minds and left, leaving a gold amulet around the boy's neck. That night, Munna could not sleep: pain and longing weighed heavily on his little heart. The boy ran away from the orphanage and set off for Bombay in search of his mother. He was determined to find her.

A retired policeman sees a killer he thought had been dead for twenty years, and the next night he is killed. The killer is blackmailing the head of a bank, and forcing him to participate in a robbery of his own bank. He is replaced by the son of the policeman, who is hunting for his fathers killer. A rarity in 70's Bollywood since it does not contain any musical interludes.

A simple man is caught in a web of deceit. He is blackmailed into participating in his bank’s robbery.

Thakur Virendra Singh lives a wealthy lifestyle in India along with his wife and a son, Kumar. His relative Bihari is envious, and successfully switches his son, Kishan, with Kumar, and also ends up killing Virendra. In this manner, Kumar grows up a wealthy lifestyle, while Kishan lives a poor lifestyle, shunned by his father and his mother, who has lost the use of her vocal chords. Bihari takes Kishan to his brother in Bombay, and leaves him there to lead a life of crime. 20 years later, Kishan has grown up and is now a master burglar. He meets with another burglar, Mary, and both decide to be fifty fifty partners. However, Mary has other plans, she ditches Kishan and joins forces with Diwan Shamsher Singh to masquerade as the long-lost daughter of Ranimaa of Chandpur. Mary does not know that it was the Diwan who has done away with Rajkumari Ratna, and he will not hesitate to kill Mary - or anyone else who dares to stand in his way and the treasure of Chandpur.