
Shivraj
Acting
Biography
Character actor Shivraj, who was one of the most recognisable faces in the Hindi cinema of the 1950s and the 60s. “He was an essential element of many films even though he may not have been the most important aspect,” recollects film and music expert Pavan Jha. If the film were to be compared to a car and the hero-heroine to its engine, then Jha likens the veteran actor to the nuts and bolts of the vehicle — not talked about much but of immense value. Shivraj is known for Devdas (1955), New Delhi (1956) and Amar Akbar Anthony (1977). He died on 3 June 2017 in Mumbai, Maharashtra, India. Daughter named Ritu Baruah. She is married to Rajeev Baruah.
Known For

Professor Brij Mohan Agnihotri is a confirmed bachelor. Period. No amount of pleading or even begging him to get married, has had no effect on him whatsoever. His reputation gets around, and he gets a young man named Rajesh, to wishes make him his mentor, to which Brij agrees. On a visit to his friend out of town, Brij meets with his beautiful daughter, Punam, and falls head over heels in love with her. Throwing all caution to the winds, he changes his appearance, and attempts to woe Punam, only to find that Punam is attracted to his student, Rajesh. Now the professor has to decide whether to get rid of his pupil altogether, or to reverse their roles and make him his mentor.
Shagird

Amar and Prem, college friends, and Asha and Shobana form friendships. Marriages are arranged, but dowry demands a US ticket. Prem returns, becomes office predator, and Asha endures harassment to pay off debts.
Doli

Three brothers, each raised in different religious households, reunite after many years in a chance encounter. They set out to take revenge on those responsible for separating them.
Amar Akbar Anthony

Dil-E-Nadaan (The Innocent Heart) is an Indian Hindi film directed by C.V. Sridhar, released in 1982. The film stars Rajesh Khanna in the main lead role as Anand and Shatrughan Sinha as his friend, as the second lead character of the film.[1] This film was remake of the 1978 Tamil film Ilamai Oonjal Aadukirathu, directed by C.V. Sridhar, where Kamal Hassan and Rajnikanth played the lead male roles. After the success of the Tamil version, C.V. Sridhar decided to remake it in Hindi and directed it himself.
Dil-E-Nadaan

A self proclaimed misogynistic writer rescues an injured woman who suffers from amnesia but claims to be his wife. In the process of finding out her real identity, he falls in love with her.
Anamika

Brothers Dharam and Govinda live with their widowed mother. Dharam marries Pavitra while her lookalike sister falls in love with Govinda and this creates a misunderstanding between the brothers.
Mera Lahoo

After his father’s death, Navendu devotes his life to raising his step-siblings and honoring his promise to care for his stepmother. However, as the siblings reach adulthood, the family bond is tested. Each must choose between the Road of Sacrifice and the Road of Selfishness, leading to a dramatic conflict between duty and personal greed.
Do Raaste

When Amba gets her son Rajendra arrested for sexually assaulting their servant's daughter, Rajendra's wife wreaks havoc into their lives as she vows to avenge him.
Amba

Radha lives with her widowed dad and is of marriageable age. Accordingly her details her provided to a marriage-broker, Avtar, who also doubles as a Ved (Village Doctor). He brings the proposal before Shriram and his wife, Sita. They approve of Radha and show her photograph to Shriram's brother, Dr. Madhu, who agrees to marry her. The marriage is celebrated with great pomp and ceremony in the entire village. It is then that the Shriram, Sita, and Madhu find out that Radha has a serious illness - a fact that was known to Avtar - but not communicated to them. This illness prevents her from being intimate with Madhu, and the only cure is when she has a child of her own. Will this marriage be annulled?
Chhoti Bahu

Widowed Mrs. Lal lives with her two sons, Ram and Ratan; an unmarried daughter, Sheela; Ram's wife, Parvati and her children. While Ram is employed in a mill, Ratan is studying engineering in Calcutta. When Ratan returns, he is offered a job at the same mill, falls in love with a Typist named Manju, much to chagrin of Malti, the daughter of the mill-owner, Sewakram. When Ratan finds out that Sewakram has been defrauding the employees, he decides to form a union, a move that is opposed by Ram, who is very devoted and loyal to Sewakram.
Paigham

Amrit's generosity and kindness initially lands him in the bad books of a dancer; then in prison; and then as false son-in-law of a very wealthy man.
Bade Dil Wala

Inspector Shiv escapes after he is falsely implicated, causing distress to his family. While his wife goes insane, his son becomes a gangster and they are only reunited years later by a twist of fate.
Dus Numbri

As his dying wish, Seth, a wealthy businessman, is determined to meet the love of his grandson and heir, Prem. Unfortunately, Prem's girlfriend, Rita, is detained on out-of-town business, so the young man hires Kammo to play the part. Prem receives his grandfather's blessing on the union, but when Rita returns to unveil the truth, Seth stands by Kammo as his final choice. Now, Prem either must return to Rita or trust his grandfather's decision.
Dulhan Wahi Jo Piya Man Bhaaye

Bijli's life crashes when her lover Raju dies tragically in an accident. She is in for a bigger shock when she meets Vicky.
Do Musafir

Shekhar is a poor orphan who along with his trusted lieutenant Birju runs a garage. Shekhar dislikes women, has lost his faith in God and enjoys to spend time with his friends Bill and Harry. One night, When Birju introduces him to Kanchan, a runaway, he refuses to have to do anything with her, but when he finds out that her uncle, Shivraj, has offered a reward for her return, he decides to befriend her and both fall in love. The two get married and are blessed with a son. Their harmonious life enters trouble when Shekhar is given a suitcase by his friend, Bill, who eventually ends up dead. Shekhar finds stolen diamonds inside the suitcase and decides to keep them, much to Kanchan's displeasure. After being betrayed by one of his own in pursuit of the diamonds, Shekar finds out that two gangs, headed by Munne Khan and George Shekhar have abducted Kanchan and his son. How far will Shekhar go to set things right and rescue his family?
Deewaangee

Raja Saheb (Ashok Kumar) is a rich man, strict father to sons Virendra (Sunil Dutt) and Mahendra. One day, Mahendra has a big fight with his father and dies of shock afterwards. Virendra leaves home and falls in bad company with Pran. Later, Virendra falls in love with a poor girl (Nutan), eventually deciding to marry her. At home, a lonely Raja Saheb falls ill. When Virendra tells his father about his love, his father reveals his own past: He was in love with a poor girl, who died leaving a daughter (Padmini) behind, who dances on the roads to earn a living. Virendra decides to bring his sister home.
Bhai Bahen

A humorless and pompous businessman goes wild when he falls in love. Now if only his domineering mother could understand his new lease on life.
Junglee

Gauri, an orphan, is falsely accused of theft and lands up in a reformatory run by Ashok. Due to her rebelliousness, she gets into trouble. But, gradually she comes into her own with Ashok's help.
Seema

Wealthy Jaishankar meets and falls in love with Aarti, successfully woos her and agrees to meet with her dad to discuss their marriage. On the way there he ironically runs over him, killing him instantly. Guilt-ridden, he attempts to make amends to look after Aarti, her brother, Pappu, and sister, Mala, but conceals the fact that he was responsible for their father's death. Things get worse after Aarti not only discovers the truth, but also witnesses him getting intimate with a cabaret dancer, Rita. Then Jaishankar is first disowned by his father after the family find out that he had sired a son from Rita, and then subsequently arrested by the Police for killing Rita.
Aya Sawan Jhoom Ke

Anita is a weird girl, who either loses her memory or pretends to not remember.