Directing
Raag revolves around the dehumanizing situation of commercial sexual exploitation of women in India. Madhu, who belongs to the Bedia community from the Bundelkhand region, vows to bring change through education.
Amrit's generosity and kindness initially lands him in the bad books of a dancer; then in prison; and then as false son-in-law of a very wealthy man.
Abandoned as a child, Brahmachari lives in a mortgaged house with twelve young orphans. He saves a woman from dying, and she changes his life forever. But first she has to deal with her own affairs.
At an orphanage, Kailashnath identifies Vijay as his biological son and takes him home. Years later, a man named Ashok arrives and claims to be Kailashnath's real son.
Surendra is an army officer, and has had numerous affairs with a number of attractive young women. One day he meets with beautiful Anuradha, and falls in love with her. Anuradha too loves him, and she is introduced to his mom. Anuradha has another admirer in Ranjeet, who informs Surendra and his mom, that Anuradha is deceiving them, and is the mother of a baby boy. Surendra and his mother are shocked, and will have nothing to do with Anuradha. Then the child, in question, is kidnapped, and held for ransom. It is then Surendra comes to know the shocking truth behind the abduction, which will change his life forever.
The story of two brothers, Ravi and Rohan Yadav, separated due to unforeseen circumstances created by Ravi's employer.
The wealthy patriarch of a Mumbai family learns more than he wants to about his own origins after his refusal to accept his sons' chosen spouses drives them and his own wife away.
Anoop loves Roopa D'Souza, and will do anything to marry her. But Roopa has some doubts about him. Eventually, he does manage to convince her that he is worthy of her love, and she consents. Shortly after that Roopa's mom, Rosy, passes away; Roopa is involved in an accident, and hospitalized. When Roopa returns home, Anoop comes to visit her, and is shocked to find her in bed with Ravi. Roopa refuses to clarify, and it is up to Anoop to wait for Roopa to change her mind, or to marry someone else.
To wed his sweetheart, a man must try and prove himself to her eccentric paternal uncles.
Classmates Laaj (Waheeda Rehman) and Shyam elope to Bombay with Laaj's necklace, which they hope to pawn to pay for their travels. On the train, a crafty journalist named Pran (Dev Anand) overhears the lovers' plan and follows them in search of a story. When Shyam snatches the necklace and runs off, it's Pran to the rescue. What follows is a song-filled caper of intrigue, adventure and romance.
Deepali is the only daughter of a wealthy but deceased industrialist, Lakhanpal. While on a holiday in Northern India, she meets with and gets friendly with Pritam. Unknown to her, Pritam has fallen head over heels in love with her, and wants to marry her. After Deepali returns home, Pritam follows her, meets with her maternal uncle, Choudhary, and creates a very good impression of himself. As a result, Choudhary is convinced that Pritam will make a good husband for Deepali. When Deepali finds out, she is enraged, as she has seen Pritam only as a friend, and her true love is another eligible young man by the name of Ajit, who Deepali has decided to make her life-partner, regardless of any and all consequences.
Kulwant Rai's horse carriage runs over a child, and as a result, she loses her vision.
Amar, a young and an honest man, is desperately in search of work in order to make ends meet for his mother and himself. Eventually, he gets a chance to work with the underworld.
Based in Nagpur, India, Radheyshyam has three daughters of marriageable age, but is unable to affor any dowry to even marry off one daughter. To make matters worse, his eldest daughter has the father of a prospective groom arrested by the police, for demanding and accepting a dowry. This causes an unremoveable stigma against the entire family, and the three daughters take responsibility for this, and decide to run away individually, without even telling each other.
