Ann Harding

Climax! is an American anthology series that aired on CBS from 1954 to 1958. The series was hosted by William Lundigan and later co-hosted by Mary Costa. It was one of the few CBS programs of that era to be broadcast in color. Many of the episodes were performed and broadcast live.

The story of a young intern in a large metropolitan hospital trying to learn his profession, deal with the problems of his patients, and win the respect of the senior doctor in his specialty, internal medicine.

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Burke's Law is an American detective series that ran on ABC from 1963 to 1965 and was revived on CBS in the 1990s. The show starred Gene Barry as Amos Burke, millionaire captain of Los Angeles police homicide division, who was chauffeured around to solve crimes in his Rolls-Royce Silver Cloud II.

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

A television anthology series hosted by Alfred Hitchcock featuring dramas, thrillers, and mysteries.

The 20th Century Fox Hour is an American drama anthology series televised in the United States on CBS from 1955 to 1957. Some of the shows in this series were restored, remastered and shown on the Fox Movie Channel in 2002 under the title Hour of Stars. The season one episode Overnight Haul, starring Richard Conte and Lizabeth Scott, was released in Australia as a feature film.

Cavalcade of America is an anthology drama series that was sponsored by the DuPont Company, although it occasionally presented a musical, such as an adaptation of Show Boat, and condensed biographies of popular composers. It was initially broadcast on radio from 1935 to 1953, and later on television from 1952 to 1957. Originally on CBS, the series pioneered the use of anthology drama for company audio advertising. Cavalcade of America documented historical events using stories of individual courage, initiative and achievement, often with feel-good dramatizations of the human spirit's triumph against all odds. This was consistent with DuPont's overall conservative philosophy and legacy as an American company dating back to 1802. The company's motto, "Maker of better things for better living through chemistry," was read at the beginning of each program, and the dramas emphasized humanitarian progress, particularly improvements in the lives of women, often through technological innovation.

This show started in New York City, with Broadway actors and actresses. It then moved to Hollywood, California, where Hollywood actors and actresses headed the cast.

The DuPont Show with June Allyson is an American anthology drama series which aired on CBS from September 21, 1959 to April 3, 1961 with rebroadcasts continuing until June 12, 1961. The series was hosted by actress June Allyson.

Lux Video Theatre is an American anthology series that was produced from 1950 until 1959. The series presented both comedy and drama in original teleplays, as well as abridged adaptations of films and plays.

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This syndicated anthology series staged a different play every week covering all genres, dramas, comedies, musicals, fantasies, mysteries, et al, utilizing some of the best talent appearing on Broadway.

General Electric Theater is an American anthology series hosted by Ronald Reagan that was broadcast on CBS radio and television. The series was sponsored by General Electric's Department of Public Relations.

Schlitz Playhouse of Stars is an anthology series that was telecast from 1951 until 1959 on CBS. Offering both comedies and drama, the series was sponsored by the Joseph Schlitz Brewing Company. The title was shortened to Schlitz Playhouse, beginning with the fall 1957 season.

Tom Rath is a suburban father and husband haunted by his memories of World War II, including a wartime romance with Italian village girl Maria, which resulted in an illegitimate son he's never seen. Pressed by his unhappy wife to get a higher-paying job, Rath goes to work as a public relations man for television network president Ralph Hopkins. Drawn into poisonous office politics, Tom finds he must choose his career or his family.

Blind detective Duncan Maclain gets mixed up with enemy agents and murder when he tries to help an old friend with a rebellious stepdaughter.

Ambassador Joseph Davies is sent by FDR to Russia to learn about the Soviet system and returns to the US as an advocate of socialism.

A New Yorker hobo moves into a mansion and along the way he gathers friends to live in the house with him. Before he knows it, he is living with the actual home owners.

Looks at the stereotype-breaking films of the period from 1929, when movies entered the sound era, until 1934 when the Hays Code virtually neutered film content. No longer portrayed as virgins or vamps, the liberated female of the pre-code films had dimensions. Good girls had lovers and babies and held down jobs, while the bad girls were cast in a sympathetic light. And they did it all without apology.