Seth Bomse

Chronicles the rise of Samuel Bateman, the self-proclaimed heir to Warren Jeffs’ Fundamentalist Church of Jesus Christ of Latter-Day Saints (FLDS), through the eyes of one couple who infiltrated his inner circle.

Drawing on unpublished diaries, memoirs and letters, The Great War tells the rich and complex story of World War I through the voices of nurses, journalists, aviators and the American troops who came to be known as “doughboys".

Explore the rise of cyber conflict as the primary way nations now compete with and sabotage one another. As fear mounts about how potential cyberattacks will affect 2020 elections in the U.S., the film features interviews with top military, intelligence and political officials and includes on-the-ground reporting from the frontlines of the cyber wars.

The film stars musician Willis Earl Beal, who spends his time “surrounded by beautiful women, legendary musicians, a stone-cold-hustler, a righteous preacher, and a wolfpack of kids,” while working less on his music and more on the state of his soul.

The self-help industry is worth $11 billion a year. It’s an industry that captivates those seeking happiness, release from suffering and those longing for a path and a leader to follow. James Arthur Ray for many who followed him was that leader to guide his flock. But as the story unfolds, as told by Ray himself and also by his followers, we learn that that path was fraught with danger and perhaps even greater suffering.

This was a very human account of the lives and deaths of Marie Antoinette and Louis the XVI focusing primarily on Marie. It is an account of their lives from birth to death and the circumstances leading to the downfall of the French monarchy.

For her latest industrial exposé, Rachel Boynton (Our Brand Is Crisis) gained unprecedented access to Africa's oil companies. The result is a gripping account of the costly personal tolls levied when American corporate interests pursue oil in places like Ghana and the Niger River Delta. Executive produced by Steven Shainberg and Brad Pitt, Big Men investigates the caustic blend of ambition, corruption and greed that threatens to exacerbate Africa’s resource curse.

The untold story of Robert Stigwood, the impresario behind “Saturday Night Fever” and its record-breaking disco soundtrack.

Max leaves his lakeside town to live with his father on the fringe of suburban Arizona. Both fever dream and quiet trip, Pavilion creates a deep and ethereal world, showing us an innocent way of life coming apart at the seams, constructing an indelible image of the enigma of youth.

It influences elections and sways outcomes -- gerrymandering has become a hot-button political topic and symbol for everything broken about the American electoral process. But there are those on the front lines fighting to change the system.

In the summer of 2019, a middle-aged couple are subjected to cyberstalking threats and bizarre deliveries including a bloody pig mask and funeral wreath. As the harassment intensifies, the police and FBI close in on a Silicon Valley giant and some very unlikely suspects. "Whatever It Takes" tells the extraordinary story of eBay, a Fortune 500 company founded on the principle that "people are basically good”, and how members of their security team ended up in federal prison after trying to protect the CEO from a corporate raider.

Frontline examines several questionable shootings by the New Orleans Police Department in the wake of Hurricane Katrina.

In a multi-part series, News War, FRONTLINE examines the political, cultural, legal, and economic forces challenging the news media today and how the press has reacted in turn. Through interviews with key figures in print, broadcast and electronic media over the past four decades — and with unequaled, behind-the-scenes access to some of today’s most important news organizations, FRONTLINE traces the recent history of American journalism, from the Nixon administration’s attacks on the media to the post-Watergate popularity of the press, to the new challenges presented by the war on terror and other global forces now changing — and challenging — the role of the press in our society.

In June 2007, as the American military surge reached its peak, a band of National Guard infantrymen who call themselves “The Bad Voodoo Platoon” was deployed to Iraq. To capture a vivid, first-person account of the new realities of war in Iraq for FRONTLINE and ITVS, director Deborah Scranton (The War Tapes) created “a virtual embed” with the platoon, supplying cameras to the soldiers so they could record and tell the story of their war. The film intimately tracks the veteran soldiers of “Bad Voodoo” through the daily grind of their perilous mission, dodging deadly IEDs, grappling with the political complexities of dealing with Iraqi security forces, and battling their fatigue and their fears.