Directing
Film director Mikel de Garay and the attractive young producer Andrea Bilbao, who hide an obscure past, are going to make a film based on the latest novel by Rosendo Carballo, a successful writer with homosexual tendencies who has put an end to his marriage of convenience and is sharing his life with a young gay man. Rosendo is going to meet with Mikel and Andrea, and three friends of the writer, Fernando, Beatriz and Nacho, join the group. Conflict arises unexpectedly when the characters start to play a dangerous game: digging around in their respective pasts in the hope that this will produce a catharsis.
In this experimental short film, a man reflects with the sphere of the world in his hands and, as if he were a visionary, watches the calamities that devastate us. Through him we perceive a critical vision of the world in our era. Wars, catastrophes, destruction and death. Powerless in the face of so much adversity, he evokes the figure of Mahatma Gandhi as a symbolic image of peace: "There is no way to peace, peace is the way."
A documentary about the filmmaker Juan Pinzás.
Julián, a car salesman, must reach the sales objective (the hundred points of the main title) to fill the whims of his loving wife.
Two pairs of young desnoyed 'yuppies' meet at the house of one of them for the weekend. Wanting to break with the usual monotony, they decide to play a game of chess, but with an incentive, the winner will sleep with the other's wife.
A young girl invokes the spirits. "The Rite" introduces us to the mysterious and unknown world of the afterlife.
No description available.
A table in a restaurant, a high-class man who progressively loses his studied composure as he eats and drinks, a waiter who serves him ...
Three girls, of different walks of life, bond in a holiday resort as they deal with prostitution, gambling addiction, a junkie boyfriend, a ruthless pimp and a summer romance that is not meant to last
Surrealist tale about ambitions and self-demand, in a world of triumphalism, humiliation, longing and frustration
A man a woman. The secrecy of certain relationships. The subconscious world of the human being.
Julian Ruiz, a real estate salesman and amateur filmmaker, wrote in the company of Anne, his romantic wife, a script that could mean his professional film debut. Mayte, Secretary of sales of real estate, is in love with Julian and, in turn, Jorge Padilla, the head of both, who is married to Josephine, a consumer who buys everything even without knowing it serves, is attracted by Mayte.
A young woman submits to superstitious practices. Can sorcery end the life of a human being when it is desired?
A tribute to cinema and to all those who take part in the production of a film, always with the desire to convey feelings and emotions. Dedicated to Jean-Luc Godard.
The marginalization of women. Her daily struggle at home. A contrast with the woman presented by the media
The filmmaker Juan Pinzás goes on a physical and also inner journey, in search of some lost images that he filmed in the 80s. The journey takes him from Madrid to Galicia and on the search for these images he meets with various characters who will help him in his undertaking, such as the actors Paul Naschy and Javier Gurruchaga whose personal worlds will be examined in the film. Finally in Vigo, his home city, of which he presents a remarkable portrait, he finds an old film in Super-8mm with the missing images. The catharsis is produced with the viewing of the old film which turns out to be a tribute to cinema and this means the end of the filmmaker's introspective journey.
Legend has it that, a long time ago in Galicia (Spain), witches were transformed into hornets to harm men and change the destiny of their lives.
Sonia, the daughter of a prominent publisher, is about to fulfill her lifelong dream of marrying Rosendo, a promising writer with homosexual tendencies, who pines for his fiancee far less than he does for the brand new literary award launched by his future father-in-law. The wedding shindig will bring its share of unexpected surprises. This is a film is part of the DOGME 95 Movement, described as follows: 'the goal of the Dogme collective is to purify film-making by refusing expensive and spectacular special effects, post-production modifications and other gimmicks. The emphasis on purity forces the filmmakers to focus on the actual story and on the actors' performances. Given these restrictions the story and the action of DIAS DE BODA ('WEDDING DAYS') seem much more immediate and the lapses in fluidity of the story can be forgiven - to a point.
