Juan Pinzás

Film director Mikel de Garay and the attractive young producer Andrea Bilbao, who hide an obscure past, are going to make a film based on the latest novel by Rosendo Carballo, a successful writer with homosexual tendencies who has put an end to his marriage of convenience and is sharing his life with a young gay man. Rosendo is going to meet with Mikel and Andrea, and three friends of the writer, Fernando, Beatriz and Nacho, join the group. Conflict arises unexpectedly when the characters start to play a dangerous game: digging around in their respective pasts in the hope that this will produce a catharsis.

Legend has it that, a long time ago in Galicia (Spain), witches were transformed into hornets to harm men and change the destiny of their lives.

Sonia, the daughter of a prominent publisher, is about to fulfill her lifelong dream of marrying Rosendo, a promising writer with homosexual tendencies, who pines for his fiancee far less than he does for the brand new literary award launched by his future father-in-law. The wedding shindig will bring its share of unexpected surprises. This is a film is part of the DOGME 95 Movement, described as follows: 'the goal of the Dogme collective is to purify film-making by refusing expensive and spectacular special effects, post-production modifications and other gimmicks. The emphasis on purity forces the filmmakers to focus on the actual story and on the actors' performances. Given these restrictions the story and the action of DIAS DE BODA ('WEDDING DAYS') seem much more immediate and the lapses in fluidity of the story can be forgiven - to a point.

Julian Ruiz, a real estate salesman and amateur filmmaker, wrote in the company of Anne, his romantic wife, a script that could mean his professional film debut. Mayte, Secretary of sales of real estate, is in love with Julian and, in turn, Jorge Padilla, the head of both, who is married to Josephine, a consumer who buys everything even without knowing it serves, is attracted by Mayte.

Based on the novel "Adopted son" of Álvaro Pombo. Pancho, a seventy years old man lives isolated in a Galician country house, not far from the sea, which is served by an old maid. Suddenly, the past bursts in his life with the unexpected visit of a man who twenty years before had been his secretary. Soon after, a boy, the son of the man, moves to the house. The return of the past will have unforeseeable consequences.

The filmmaker Juan Pinzás goes on a physical and also inner journey, in search of some lost images that he filmed in the 80s. The journey takes him from Madrid to Galicia and on the search for these images he meets with various characters who will help him in his undertaking, such as the actors Paul Naschy and Javier Gurruchaga whose personal worlds will be examined in the film. Finally in Vigo, his home city, of which he presents a remarkable portrait, he finds an old film in Super-8mm with the missing images. The catharsis is produced with the viewing of the old film which turns out to be a tribute to cinema and this means the end of the filmmaker's introspective journey.

Natalia, a successful painter, and Hugo, a writer in a creative rut, are going through a rough patch in their relationship. After Hugo moves out in an attempt to finish his novel, Natalia is determined to do whatever it takes to reunite with him.

Three girls, of different walks of life, bond in a holiday resort as they deal with prostitution, gambling addiction, a junkie boyfriend, a ruthless pimp and a summer romance that is not meant to last

Julián, a car salesman, must reach the sales objective (the hundred points of the main title) to fill the whims of his loving wife.

The filmmaker Julián Pintos and his alter ego find themselves confined to their isolated home in the countryside during the pandemic ravaging Europe in the 21st century and embark on a strange journey of initiation, in which they will meet the mysterious Silver Mask (Myriam) and the two disturbing theatre masks, muses of comedy and tragedy, split into Esther and Diana. The characters are trapped in an enigmatic time tunnel and their only escape is to find the heart of Europe, recalling their respective pasts linked to the Old Continent and bringing to the surface the deepest ghosts and fears that each of them hides.

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The marginalization of women. Her daily struggle at home. A contrast with the woman presented by the media

A look at the education received in the Franco era in Spain, through a woman who lives anchored in her past.

First-ever Spanish Dogma Film. An acid psychosocial-sexual comedy tells the story of a group of friends from university who, ten years after finishing their journalism studies, decide to meet up again in one of their friends' homes to revisit past times. Up until now, they have all done well in life and should be happy, but they aren't. A weekend will be more than enough to bring out the best and the worst in each of them and to create conflict.

A young woman submits to superstitious practices. Can sorcery end the life of a human being when it is desired?

In this experimental short film, a man reflects with the sphere of the world in his hands and, as if he were a visionary, watches the calamities that devastate us. Through him we perceive a critical vision of the world in our era. Wars, catastrophes, destruction and death. Powerless in the face of so much adversity, he evokes the figure of Mahatma Gandhi as a symbolic image of peace: "There is no way to peace, peace is the way."

Julián Pintos, alter ego of the director Juan Pinzás, in his dreamlike universe, makes an introspective journey from the belly of his mother to the belly of Europe without severing the umbilical cord. Julián will be lost between the child he was, that man he now is, his mother's love and the duality of the woman he loves. All this in the entrails of the two European capitals through which he wanders, Berlin and Madrid, which with their past and present stir up Julián's dreams and anxieties.

“New York Shadows” is a psychological drama avant-garde that tackles the tribulations of Julian (Juan Pinzás) a Spanish filmmaker who comes to New York to visit the locations of filming his new movie and meet the American actress Jennifer (Lindsey Ireland) to star in the film. Suddenly something strange happens to the filmmaker who is caught in the story of his own script sharing disturbing illusions with the characters he has created.

No description available.

No description available.