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A story about love which can defeat even the Devil itself.
An experimental portrait of Fernando Fernán Gómez, one of the most renowned Spanish artists of all time.
A joyful tale filled with music. The rise of radio. The jazz big bands. The legendary clubs and ballrooms. The soundtracks of the great musical films and TV shows. Sex and romance, gangsters, luxury cars and palm trees. From Barcelona to New York, with a stop in Cuba. The birth of Las Vegas. The sound of the maracas. Chihuahuas everywhere. The incredible life story of Xavier Cugat (1900-90).
Julio, an only child belonging to a wealthy family, murders a prostitute who tries to seduce him. He, in childhood, suffered severe trauma and this causes serious problems with women. Because of this, runs away and stays in a boarding house in Madrid, where he meets Monica, the daughter of the owner, who maintains relationships that seek to build on for help in their desperate situation. As his obsession for killing is increasing.
A set of nine stories whose central theme is eroticism. The different directors of the film deal from philosophical aspects to others that are almost pornographic, but always with a common denominator: sensuality.
The Spanish author Enrique Jardiel Poncela (1901-1952) was one of the best comedy writers of all time, a novelist and newspaper columnist, misunderstood, even censored, both by the Second Republic government and Francoism, an outsider ahead of his time; also a filmmaker and screenwriter in Hollywood, architect of a revolutionary theatrical building and scenographer, cartoonist and illustrator. An implausible genius.
Spain, 1961. Life in the small village of Torrelobatón, in the province of Valladolid, was turned upside down when the cinematic magic circus of a future Hollywood blockbuster, produced by Samuel Bronston, the rogue mogul of his own film empire, came to town: its inhabitants became participants and witnesses of the shooting of “El Cid,” a film directed by Anthony Mann, starring mythical actors Charlton Heston and Sophia Loren. Those days, legends came alive.
At the height of her fame in 1954, actress Ava Gardner transplanted herself from Hollywood to the country of Spain. As she lovingly stated in her autobiography, “I don’t know if it was the climate, the men, or the music, but as soon as I set foot in Spain, I had a crush on this country.” In this documentary by Sergio Mondelo, the filmmaker explores the motivations behind this move and contrasts Gardner’s glitz and glam lifestyle with the hardships faced by the Spainish people under Franco’s rule.
A documentary about pop culture and youth in Madrid, 1966.
