Directing
Half of the movie was edited from "Il diario proibito di Fanny" (Italy 1969) directed by Sergio Pastore. The rest is new material directed by Heinz Gerhard Schier in 1970/1971 for Gopa-Film Baden-Baden.
A mysterious murderer has already killed seven people using the deadly venom of a snake from Martinique which causes immediate death with the victim's face turning into a horrible mask. A young and ingenious police lieutenant is called on the case
In Copenhagen, a blind pianist hunts the culprit in string of murders, each linked by the presence of a yellow shawl and a black cat.
The death of Sebastian's father engenders in him pathological fears and hallucinations. His death wishes seem to cause horrible accidents, which he is unable to control. When his older brother dies, he feels that he has caused it. He undergoes hypnosis, but his apparent supernatural powers continue. As his own life nears its end, he becomes even more violent and sadistic.
Concetta Li Cause, deprived of her husband Oreste by the Mafia, is coveted by Bologna Marcello and Charles postman. Besides the two, there are other suitors because the widow is rich; but Cosa Nostra deploys its resources to prevent the woman from finding a new partner.
A woman from Czechoslovakia escapes her homeland after the occupation by the armies of Warsaw pact to Italy to tell the tale...
A bandit kidnaps the belle of a village and hides with her and his gang in a monastery. The priest refuses to marry them, and then chases the gang after they have left.
Married to a doctor and mother of two daughters, a woman continually rethinks her relationship with a sailor.
Originally this was just another Italian drama, but because of the Naples Earthquake, the producers added some stock earthquake footage and changed the title to Terrible Earthquake. Larry Anderson
Short documentary about the life and times of Italian filmmaker Sergio Pastore.
Written and directed by Sergio Pastore in 1969. Il diario proibito di Fanny is an anthology film starring Giovanna Lenzi as four different women, all named Fanny. The film touches upon all the hot-button issues of 1968: illegal immigrants from the Eastern bloc, the Prague Spring, the Italian star cult and even abortion.
