Carlos Reichenbach

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Transposition of the myth of Faust to modern Brazil. The heir to a bankrupt cigarette factory, amidst a personal crisis, leaves everything behind and heads for a supposed paradise he has seen in a tourist agency, where he believes he could find self-knowledge. In his search, he is inspired by a Mephisto-like character.

There's the continent ruled by a repressive government and there's an island where political activists of the continent take refuge on running away from the continent's police. This island is their last stand – there they live in a way not possible in the continent – free love, no possessions, brotherhood… In the continent, a killer is sent to the island to kill the revolutionary leaders. The killer is a woman , Ana (Neide Ribeiro). She will go there as a journalist sent there to interview the leaders of the movement. On arriving to the island, she will find out that things were much different from what she expected. Will Ana be involved by the "island of forbidden pleasures." Will she fulfill her mission?

In a holiday camp, couples live situations of sex and love, in three segments: Alice, Angélica and Ana.

Segment "Prólogo": interviews and scenes with some of the most important filmmakers of the "Boca do Lixo" of São Paulo. Segment "A Badaladíssima dos Trópicos x Os Picaretas do Sexo": shenanigans of a troubled fictional film production. Segment "Amor 69": Actress Maria Vargas is expected to appear nude in a scene, but ultimately refuses to do so.

Through the recovery of found Super-8mm footage captured by his brother during the 70´s dictatorship, André tries to revive the memories of his father, who’s been waiting for his missing son for over 30 years.

Three stories. 'Rainha do Fliper' (Pinball's Queen) Reginéia is the pinball's queen, exploited by her pimp Giba. Out of the blue, her former boyfriend Tenório comes to the arcade place seeking out Reginéia. 'Uma Aula de Sanfona' (One Class of Accordion) Bank clerk Nanci and her friend Cristina have come from Ribeirão Preto and share an apartment in São Paulo. Nanci has an argument with her lover Valdemar, and goes to her room blaming her upset on the accordian lessons that her neighbor, Durval Pereira, is giving on the floor above, but what is his secret? 'Belinha, a Virgem' (Belinha, the Virgin) The wedding day of the virgin, Belinha is rapidly approaching,. But the wedding is against the will of her fiancé's mother. When her future mother-in-law asks the parochial priest to check whether Belinha is virgin or not, the girl uses her sculptural body to resolve the situation.

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Theodoro, a country boy goes to São Paulo from Florianópolis to work as a driver. He starts to work for rich and domineering Mariana. When her husband, Renato travels in Europe on business, he takes her for a trip to Campos do Jordão, where she has a vacation manor. It will not be long until the two begin a torrid love affair. However, he also enchants with her daughter, Ana Paula and sister, Luisa. Involved with all three, he discovers that his life may be in danger, because he finds out that two previous family drivers, Alfredo and Renato were killed in the house.

A naked stranger emerges from the sea to perform miracles in a nearby town and become a modern messiah whose deeds will affect the whole world.

After his wife leaves him, Júlio starts an affair with his secretary.

Country family strikes rich and move to the big city, but something changes.

A short film about the meeting of a Trappist monk and a Zen Buddhist master.

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Carlos Reichenbach talks to Eugenio Puppo about some of his shorts films "Esta Rua Tão Augusta", "Sangue Corsário" e "M da Minha Mão" and specially the film "Lilian M: Relatório Confidencial". Explaining production details and revealing internal informations the film is a reconstitution about Reichenbach's works whitin turmoil moments of the country and his own career.

Aurélia is a young black woman who works at a factory and lives in a working-class neighborhood in São Paulo, whose boyfriend Fábio gets involved with a racist neo-nazi group.

Man runs away with the daughter of a couple murdered by his father, head of a gang, attracting his persecution.

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A widow named Sandra is on a trip from the city to reclaim her remote beach house from squatters. She picks up a hippie couple along the way, eventually inviting them to become housesitters at her coastal getaway.

Seventy critics and filmmakers discuss cinema around the conflict between the artist and the observer, the creator and the critic. Between 1998 and 2007, Kléber Mendonça Filho recorded testimonies about this relationship in Brazil, the United States and Europe, based on his experience as a critic.