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Erwin Leiser

Directing

Known For

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Der Club

1985
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5 nach 10

1981
The Followers
10.0

Combining archival footage with dramatized episodes based on real accounts, this film examines everyday life in Nazi Germany through the experiences of ordinary citizens. Directed by Eberhard Itzenplitz and Erwin Leiser, it traces how conformity, opportunism, fear, and routine compromise drew “ordinary” men and women into complicity with the regime, revealing the banality of evil at work in daily life.

The Followers

1985
Mein Kampf
7.9

Using exclusively archival footage, Erwin Leiser traces the rise and collapse of the Third Reich, from Adolf Hitler’s early years to the devastation of Europe and his suicide in 1945. The film draws heavily on material produced and preserved by the Nazi propaganda apparatus to confront the mechanisms, imagery, and consequences of totalitarian power.

Mein Kampf

1960
Eichmann and the Third Reich
9.0

Released during the trial of Adolf Eichmann, this documentary uses archival footage and contemporary interviews to examine the crimes of the Third Reich and the bureaucratic machinery behind the Holocaust. Directed by Erwin Leiser, the film situates Eichmann’s prosecution within a broader historical context, confronting German audiences with visual evidence of antisemitism, deportation, and mass murder, including commentary from figures such as Fritz Bauer.

Eichmann and the Third Reich

1961
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7.0

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Ich lebe in der Gegenwart - Versuch über Hans Richter

1973
Message to Man
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In January 1989 the first Message to Man International Film Festival took place in Leningrad. This film, made during the festival, is a record of its events, guests and participants, such as the American director Leo Hurwitz, the Latvian director Ivars Seleckis, and the ballerina Natalya Makarova, among others. It also shows the “engine room” of the festival: the work of the main office and the PROKKa professional cinematographers’ club, guests being greeted and seen off. A charity evening with Natalya Makarova, a memorial service to commemorate the victims of the war and excerpts of documentary films presented at the festival are also featured.

Message to Man

1989
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A documentary about the events at the German Film and Television Academy Berlin (dffb) in November 1968, which led to the termination of the training contracts of 18 students. While Director Heinz Rathsack dictates to his secretary Helene Schwarz the letter lifting the ban from the premises against 18 students, the students plan a general assembly inside the dffb despite the ban.

Wochenschau I: Requiem für eine Firma

1969
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Otto John - Eine deutsche Geschichte

1995
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"Mein ganzes Leben war Kunst". Ein Film über Otte Sköld

1995
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Ein Schlips steht Kopf

1995
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A portrait of the American poet, biographer, journalist, and editor, Carl Sandburg (1878-1967). He won three Pulitzer Prizes: two for his poetry and one for his biography of Abraham Lincoln.

Sandburg, Yes!

1959
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Elie Wiesel. Im Zeichen des Feuers

1986
For Example Fritz Lang
7.5

A interview with Fritz Lang where he talks about his career in Germany and troubles with the Nazis.

For Example Fritz Lang

1968
Pimpf war jeder
8.0

A dozen of men meet after 50 years. Once they all studied in the same high school class in Berlin, but the war broke out the year before they were to graduate. And they all joined Hitler Jugend. It was an order. Half of the men of their generation would die, the others helped shape the new Germany.

Pimpf war jeder

1993
Germany Awake!
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Documentary about film as propaganda in the Third Reich.

Germany Awake!

1968
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9.0

Film about Auschwitz and the extermination of the European Jews.

Zehn Brüder sind wir gewesen

1996
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Feindbilder

1995
Wähle das Leben
7.0

A documentary film created using authentic footage that shows the terrifying effects of nuclear weapons, using Hiroshima as an example.

Wähle das Leben

1963
1937 - Kunst und Macht
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In 1937, art and power collide in a rare clash that will change the face of Europe for decades to come. At the beginning of the year, the Spanish town of Guernica was bombed by the German air force. On June 30, Goebbels issued his decree "to segregate German folk art", the campaign against modern art. On July 18, Hitler inaugurated the "House of German Art" in Munich, one day later the exhibition "Degenerate Art" was opened. Erwin Leiser interviews art historians, dealers and contemporary witnesses such as Willy Brandt, tracks down lost paintings and shows the "Degenerate Art" exhibition reconstructed in Los Angeles - without propagandistic slogans.

1937 - Kunst und Macht

1992