Horacio Valcárcel

The series tells the adventures of a group of youngsters between ages 9 and 17, while on summer vacation in a small coastal town on the Spanish Mediterranean Costa del Sol.

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A story about a little boy who grows a pair of wings on his back, giving him the appearance of an angel. The boy draws the attention of his community including doctors, scientists and schoolmates. The wings are surgically removed but eventually they grow back.

After his son dies, an elderly man comes back to Spain from the US and hopes to find out which of his granddaughters is true, and which one is bastard.

Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

Andrés, a dowdy Spaniard, goes to Paris on holiday, hoping to meet a pretty French girl. His wishes may come true after meeting Ninette, his landlord's sensual and possessive young daughter.

Julia, an only child of an affluent, bank owning family living in Madrid, escapes from her family to get over her grief that her boyfriend has been imprisoned. Julia is a well educated woman, having studied in Switzerland and England, who wants to become a writer. Julia drives to a little village in Asturias called "Corralbos del Sella" and there she stays in a mansion "llendelabarca" of an old childhood friend "Pilara" she had spent many a happy summer with. Also living there is Pilara's mother in law Tia Gala, and her grandson Juanito. Julia's relationship with caretakers, teacher and priest makes Julia, a woman of the spanish capital, perhaps for the first time to not feel so alone.

Revolution in Spain, around the events of 2 May 1808, when the people of Madrid rise up in rebellion against French occupation.

This movie doesn't have any coherent plot. It's the portrait of the lives of different people in the hard years of post-war in Spain (the 40's), and how they manage to survive in a country desolated by the war. Like other films: La colmena or Roma (Fellini) it shows us lots of characters and some moments of their lives.

A group of nuns find an abandoned baby girl at the doorstep of their convent.

Private detective Germán Areta el Piojo investigates the life of a gay man who has apparently abandoned his partner. When they both turn up dead, it seems one killed the other before committing suicide, but Areta is not convinced.

TVE broadcasted this program on the occasion of the first centenary of the history of cinema, a feature film was broadcast weekly that, due to its characteristics, was of interest within the cinematographic world, directed and moderated by José Luis Garci, with the assistance of three experts , belonging to the world of cinema and literature, which debated following the screening of the chosen film.

Manuela de Fora, an elegant woman, widow of Pajares, lives with the sole obsession of marrying well her two daughters from her second marriage, Concha Blanca Jara and Amparo. She also has Juanito, son from her first marriage, but she despises him for wanting to be a merchant, like his father. Who really appreciates the laborious Juanito is his uncle Juan, a man of austere habits that blames his sister Manuela for wasting money to pretend being of high social position.

The small Asturian village of Cenciella, Spain, at the beginning of the twentieth century. The quiet life of Urbano and Estrella, a kind and naive couple in love, is seriously altered when they get involved in the fierce struggle between the local political factions.

A 50-year-old playwright (Jesus Puente) bemoans his fate from his secluded home in Northern Spain in this depressing drama. Side plots include an actress and former acquaintance who comes to visit and his amorous diversions with a 20-year-old local woman.

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Private detective Germán Areta el Piojo gets a terminally ill client who wishes to see his long lost, runaway daughter before he dies.

After the Spanish Civil War breaks out, the Prado Museum is being evacuated. One of the guards finds a painting by the master, Goya, and takes it to prevent damage to the work of art. In the interim, he meets a young lady with whom he falls in love. Assisted by her and her family members, the soldier attempts to save Goya's masterpiece intact amidst the war and violence.

Dr. Molinos, a prestigious cardiologist, and his wife Isabel are going through a serious marital crisis. They live in Oviedo, in the oppressive Spain of the 50s, in the company of two maids: Escolástica and Jovita. His only daughter, Maribel, entered a convent of nuns. The unexpected love felt by Dr. Molinos for Julia, a young doctor who is much younger than him, makes him feel alive again.

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