
Tazuko Sakane
Directing
Biography
Japan's first female director. Was mentored by director Kenji Mizoguchi and worked as assistant director and editor for several of his films.
Known For

In late 19th-century Tokyo, Kikunosuke Onoue, the adopted son of a legendary actor, himself an actor specializing in female roles, discovers that the praise he receives is only due to his status as his father's heir. Devastated, he turns to Otoku, a servant of his family, for comfort, and they fall in love. Kikunosuke becomes determined to leave home and develop as an actor on his own merits, and Otoku faithfully joins him.
The Story of the Last Chrysanthemum

Ayako becomes the mistress of her boss in order to pay her father's debt and prevent him from going to prison for embezzlement.
Osaka Elegy

A geisha in the Gion district of Kyoto feels obliged to help her lover when he asks to stay with her after going bankrupt and leaving his wife. However, her younger sister opposes this, thinking that they should both find wealthy patrons to support them.
Sisters of the Gion

Stage director Shimamura, who is bringing western theatre to Japan, falls in love with outspoken actress Sumako Matsui, and leaves his family to be with her, while trying to keep his Art Theatre solvent.
The Love of the Actress Sumako
Tōjin Okichi is a 1930 film by Kenji Mizoguchi based on the novel by Gisaburo Juichiya. Only 4 minutes have survived. The fragment has been published on DVD coupled with The Downfall of Osen (1935) by Digital MEME in 2007.
Mistress of a Foreigner

In early post-war Osaka, three women—war widow Fusako, her Korean expat sister Natsuko, and Kumiko, Fusako's sister-in-law—descend into prostitution, all for their individual reasons.
Women of the Night

A servant girl is seduced and abandoned by her lover, a man from a higher social class, forcing her to navigate a harsh world as an itinerant performer to survive and raise their child.
The Straits of Love and Hate

Taki no Shiraito is a very independent young woman with a famous water juggling act in a travelling carnival troupe. She falls in love with an orphaned carriage driver Kinya Murakoshi, and pledges to put him through law school in Tokyo. She always encloses money in her letters to him, until one hard winter there is no work to be found.
The Water Magician

Fujio is beautiful, talented, well-heeled, and engaged to up-and-coming diplomat Munechika. She has promised him a gold watch, a family heirloom, as an emblem of their engagement. However, she becomes enamoured with Ono, a student employed to tutor her in English, who is attracted by her beauty and wealth. Ono himself is bound by an engagement to Sayoko, daughter of his mentor, Professor Inoue.
Poppy

A sad love film where the action takes place in Kyoto, in a trading house. Considered a lost film.
The Feast of Gion

Japan's first feature film directed by a female. The film was about the naïve, premature emotions between a young geisha-to-be and a youth destined for Buddhist priesthood; it concluded with their separation.
New Clothing

In 39 interviews with actors and actresses, writers, producers and staff members, interspersed with film excerpts and stills, Shindō recounts the life and career of his friend and mentor Mizoguchi.
Kenji Mizoguchi: The Life of a Film Director

The only surviving film directed by Tazuko Sakane. A propaganda film to encourage Japanese young woman to move to Manchuria to become the wives of Japanese emigrants, so-called brides of the Continent. Villagers played roles different from their actual lives; single women from "school of training future brides" were recruited to act in the film.