Gilson Moura

Carlão is a taxi driver who experiences a drama of conscience after fleeing bank robbers leave a suitcase with stolen money in his car: he doesn't know whether to hand it over to the police, running the risk of being accused of being an accomplice in the robbery, or whether to use the money to solve his problems.

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Opposite Lives tells the story of Miguel (Leo Rosa), a young rich man of a traditional family, and Joana (Maytê Piragibe), a student and tourist guide who lives in a slum. Although dating an elegant and rich fashion designer, Erínia (Lavínia Vlasak), Miguel and Joana fall in love for each other and they decide to get married.

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Rancho da Maromba is the vacation destination for Luiza, Dado, Mocotó, Juli and the gym class, who travel to the colony in the forests in search of adventure, nature and fun.

In love since childhood, Flô and Arnaldo join forces in the fight for the abolition of slavery. They will have to face challenges and prejudices to be able to live their love.

When Cunda, a man living deep in the Brazilian rainforest, is bitten by a snake, he has a hallucination of four chimpanzees. Once he recovers, he is shocked to find the four chimpanzees waiting for him at home, and, believing them to be special, decides to take them to the city in order to sell them.

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In the 1930s, novelist and politician Graciliano Ramos is accused of being a communist sympathizer. He is then arrested and sent to the Ilha Grande prison, where he experiences the disturbing treatment reserved for common prisoners.

Movie director in his forties and in existential crisis falls in love with an unknown teen girl he sees walking down the streets, without knowing she's the daughter of the woman he's having a relationship with.

After witnessing the assassination of her parents, Luzia is raised by a cowboy and starts behaving like the men of Brazilian "Sertão". As a grown-up, she sets out to find her parent's murderer, but ends up discovering love.

In the miserable Northeastern Brazil, a ruthless land Baron wants to throw a poor farming community out of their land.

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After an extended period directing original screenplays, dos Santos returned to the creative engagement with literature that was the wellspring of his early masterpieces, offering a combinatory adaptation of five stories by the renowned Brazilian novelist João Guimarães Rosa. Openly embracing a mode of magical realism, dos Santos' celebrated film tells the story of a farming family defined by the absence of its father who abruptly abandoned his wife and children, sailing away down the river, including his son who continues to communicate with his father, speaking daily to him from the river bank. While offering an evocative vision of rural Brazil as a timeless land of mystery and solemnity, The Third Bank of the River is also bitingly satiric in the remarkable depiction of religious belief when the family moves to the city and its youngest member, a mesmerizing little girl, is revealed to be a kind of saint, capable of miraculous acts. -Harvard Film Archive

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Monica, a naive schoolgirl from a suburb of Rio de Janeiro, meets Virginia, a former neighbor, now living in Copacabana. Influenced by her, she decides to take on a double life: in the morning she is the suburban girl, in the afternoon she attends a brothel in the South Zone. One day she meets Flávio, a friend and eventual lover of Virginia. Flávio falls in love with the purity of Monica and wants to drive away her friends, for considering Virginia a bad company for her beloved.

Erotic comedy in four episodes loosely inspired by the 'Black Book of Love' by Marquês de Sade, whose stories were merged and reassembled with different treatments in each episode.