Khavn

Somewhere in Manila, a crime boss rules with an iron fist. To his most loyal henchman he gives the task of guarding his woman. Before long, she falls in love with the henchman, and the star-crossed lovers decide to leave town. Fighting ensues. It is while on the run that they finally get to know each other for the first time.

Drawing from his personal adventures, film director, Elwood Perez veers away from standard-issue plot conventions in this paradoxically moral tale of a young man en route to becoming a creative artist.

In this whimsical historical fresco, a counterpoint to today’s urgent political issues, the figure of the Filipino revolutionary Rizal is revisited in the light of early silent films.

Lost cinema. Lost culture. Lost country. Lost people. How to recreate the past with nothing? Cinema of the impossible. The silent past is a horror film. The smell of nitrate in the morning. How many ghosts can the cinema contain? 75 films. 22 years. What is the numerological significance? Too late. Never too late.

Girls are hidden in a dark room.

Documentary profiling the directors involved in the loose Philippine New Wave filmmaking movement.

Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is a terrorist after all, then he might just as well be one. Not an instant product, but an experimental feature in which diary material is brought together to form an intriguing puzzle.

The directors want to shoot a film about a man known as the son of god. But what starts out as a practical joke, extends to become a curious portrait of what could either be a petty fraud or the world’s most secret miracle. A film crew tracks his bizarre pilgrimage as magic and religion, faith and doubt, real and unreal blur and melt to the point that one of the director becomes one of the characters. The film traverses all descriptions, before ending as both an affirmation of faith for the faithless and a criticism of faith for the overly faithful.

EDSA XXX takes us on a wild ride through the ups and downs, twists and turns in the life of one man’s downfall and the rise to fame of another. The present leader KULOG NEGRO has led the country to progress; his rallying call is championing poverty for the benefit of tourists and film festivals. But the well-meaning leader is a mere puppet in the political arena and someone has just decided that he has to go.

Farewell, to all I love. To die is to rest, writes Jose Rizal, and where his poem ends, "Ultimo" begins. It is a black-and-white silent film, with scenes from the director's meanderings in La Palma (Canary Islands, Spain) inspired by Rizal's poem, which was written a day before the hero's execution in 1896. It explores identity and nationhood as viewed through a post-colonial lens.

A strange and dysfunctional family sits down three times a day to a meal of soil.

A bunch of 10-year-old kids rob pedestrians and kill without a mercy. But after a failed bank robbery, the dangerous game comes to an end with twenty years of imprisonment. After two decades, they are released but soon begin to disappear one by one.

This is not a film by Khavn. A crime-thriller retro-road movie based on the Kuratong Baleleng Rubout Massacre of 1995.

Filmmaker John Torres describes his childhood and discusses his father's infidelities.

A black comedy film, which focuses on two film workers, Raffy, the clapper, and Dido, a utility boy. Both share the same dream: to direct their own films someday. Their lives as mere "small production people" took a different turn when, together with the people in the unit van they were riding,had an encounter with armed men. Their co-workers were killed, and the two of them were forced to drive the unit van out of fear until it ran out of gas. The van contains equipment for movie production like cameras, lights and film stocks. They ended up in a secluded barrio not yet reached by modern technology, and therefore, the townsfolk knew nothing of the movie industry.

The year is 1979, the Skylab satellite is falling to Earth. In the days leading up to the crash, two troubled boys wait for doomsday, only to realize that darker forces are threatening them.

Kulob is everyone who believes in nothing

A reinvention of the Greek myth of Orpheus and Eurydice, set in contemporary Manila as a rock musical.

What follows is a black-and-white silent film set in the 1890s during the brewing Filipino revolution against Spanish colonialism. A series of tragic and comic sequences tells the Three Ages of an Indio (“common man”) as he progresses from boy bell ringer in a village church to teenage revolutionary to adult theater actor rehearsing a popular Spanish play.

1901, Balangiga. Eight-year-old Kulas flees town with his grandfather and their carabao to escape General Smith's Kill & Burn order. He finds a toddler amid a sea of corpses and together, the two boys struggle to survive the American occupation.