Roberto Rodríguez
Directing
Biography
Roberto Rodríguez Ruelas (January 7, 1909 – January 4, 1995) was a pioneering Mexican film director, producer, and sound engineer. Alongside his brother, Joselito Rodríguez, he was instrumental in introducing sound to Mexican cinema. In 1931, while working as sound engineers in Hollywood, the Rodríguez brothers were invited by President Pascual Ortiz Rubio to return to Mexico to produce sound films. This collaboration led to the creation of Santa (1932), recognized as the first Mexican film with synchronized sound. Throughout his career, Roberto Rodríguez directed numerous films, notably the "Caperucita Roja" trilogy in the early 1960s, which featured actress María Gracia in the titular role. His contributions significantly advanced the Mexican film industry, particularly in the realm of sound technology.
Known For

Those involved in the making of an amateur porn video end up getting slashed to death with a cane sword. It's up to the brave policewoman Eugenia aka The Scorpion (Maribel Guardia) to stop him.
The Female Scorpion

The classic story of the Red Riding Hood spiced up by a couple of funny characters like the dog Duke, companion to the girl in her adventures, and the stinky Skunk, henchman to the Wolf.
Little Red Riding Hood

Orphan girl grows up to take revenge on the men who killed her parents.
La tigresa

A poor family hits the lottery.
El billetero

Card-sharks blackmail a dissolute young man into participating in a big robbery; his brother takes the rap for him.
Viviré otra vez

Alfonso, Eduardo and Cristina get lost when visiting a forest. A strange monk finds them and takes them to an ancient convent. There, the three amigos suffer personality changes, specially Cristina who tries to seduce Alfonso in a strange coincidence to a story told by an old monk. After some efforts to escape, Alfonso is trapped inside a jail and more strange and macabre situations happen.
The Phantom of the Monastery

Pedro has had many lovers but he only loves one of them, but this romance stop going on for his flirts with other women.
Dicen que soy mujeriego

A political revolutionary fights against injustice, his adoring wife by his side. But only in her death does he realize the depth of her love for him and their country. A dramatic romance from the 23 film library of the most iconic classic Mexican film and recording star, Pedro Infante.
The Woman I Lost

Good son takes the blame for father's peculations and goes off to work in the rain forest to pay off Pops' debt. Meanwhile, daughter and bad son neglect their aging parents, whose fortunes decline precipitously.
Todos son mis hijos!...

In Caracas, a massively built dock-worker has beef with munitions-smuggling gang, and meanwhile he's recruited to perform as a lucha-libre wrestler.
El poder negro (Black power)

An astronaut from an interstellar colony returns to Earth to determine why they lost contact.
Origin

Following the death of their miller father, his eldest son inherits the mill, the middle one a donkey, and the youngest a cat. While initially disappointed, the lad soon learns not only that the cat can talk but is quite resourceful.
Puss n' Boots

No description available.
Mis secretarias privadas

Hortensia is almost ready to take her vows at the convent... but she gets distracted by her stepmother's boyfriend. Things do not go well.
Lo que no se puede perdonar!..

After drinking a special concoction made of various types of alcohol, the once-timid Ramon (Pedro Infante) suddenly turns into a brawler and extroverted ladies' man. With his newfound confidence, Ramon attempts to win the heart of the woman (María Antonieta Pons) he loves. Full of enjoyable songs and funny scenes, this entertaining Mexican musical centers on a wealthy man who finally realizes that money can't buy him love.
Viva Mi Desgracia

Alberto and Leonor have a son, they find out that one of the masked men who attacked them was her nephew, things get difficult for them when they find out about a testament left by her grandmother.
La barranca sangrienta

During a lull in the Mexican Revolution when Francisco Madero became president and attempted to implement land reforms, two former revolutionaries are pitted against each other for the love of the same woman.
La Bandida

Two middle-aged no-goodniks are trying to marry two young ladies; two age-appropriate young men concoct a scheme to prevent it, which involves one of them masquerading as the young ladies' aunt.
The Girls Aunt

Foreign mining concern resorts to illegal tactics to buy up land; two brothers are orphaned and dispossessed and they become outlaws in revenge.
Sangre en Rio Bravo

Two young girls escape from an orphanage to go look for their mommies.