Arnold Fanck

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In the mountains, Diotima meets Karl and fall in love and have an affair. Karl's friend Vigo mistakenly believes she's in love with him, causing rifts in all relationships.

Struggle for the Matterhorn (German: Der Kampf ums Matterhorn) is a 1928 German-Swiss silent drama film co-directed by Mario Bonnard and Nunzio Malasomma and starring Luis Trenker, Marcella Albani, and Alexandra Schmitt. The film is part of the popular cycle of mountain films of the 1920s and 1930s. Art direction was by Heinrich Richter. Based on a novel by Carl Haensel, the film depicts the battle between British and Italian climbers to be the first to climb the Matterhorn. Trenker later remade the film as The Challenge in 1938.

At the end of the 18th century, the wealthy French scholar Saussure comes to a small Alpine village and offers 1,000 pieces of gold to anyone who can lead him to the summit of Mont Blanc. The young farmer's son Jacques Balmat wants to take on the dangerous task, even though his father has told him from an early age about the mighty mountain spirits who guard a legendary treasure of gold on the mountain peak.

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Teruo gets caught up in a conflict between tradition and modernism after returning to Japan from Germany after having spent a number of years there studying. Now, he is supposed to marry Mitsuko, the daughter of his adoptive father, to whom Teruo has long been promised. But Teruo, who has gotten to know the freedoms of the western world, would rather marry the woman he loves and behaves brusquely to Mitsuko.

Dr. Johannes Krafft climbs a 12,000-foot mountain over and over again to search for his wife, who was lost on their honeymoon. Another couple makes the dangerous climb with him.

A reportage cross-cutting film about the development of Africa from 1900-1936, using archive footage and film material from earlier African expeditions.

An expedition goes in search of a party lost in the Arctic a year earlier. (The English-language version of S.O.S. Eisberg.)

A fascinating chronology of 100 years of mountain film history in the Alps. This documentary focuses primarily on films shot on the Matterhorn, the Eiger, and the Grandes Jorasses, considered until the 1930s as the "last problems of the Alps," and shows the evolution of mountain filmmaking through numerous excerpts from documentaries and feature films – notably on the Matterhorn in 1901. The genre, appropriated as a means of mass exaltation by "fascist" regimes during the Second World War, was reinvented in the 1950s by Gaston Rebuffat, Marcel Ichac, and Lionel Terray in the Mont Blanc massif, avant-garde figures of French mountain cinema, who reintroduced, beyond performance, the values ​​of the mountains – and in color – poetry, humor, and sharing among people from all walks of life.

Hannes is employed at the Mont Blanc Observatory; the only outside connection is a pilot and Hella over the radio. Hella ascends the mountain but her father dies along the way.

An expedition goes in search of a party lost in the Arctic a year earlier.

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No description available.

After a mountaineer is killed attempting to climb a difficult mountain, his son dreams of conquering the peak that has defeated his father. But his mother makes him promise never to attempt it. Events eventually force her to release him from the promise, and he ascends the mountain successfully.

The cloud phenomena of Maloja are so well-known that some of them have names, such as the Maloja snake, a cloud bank that winds its way through the Alpine pass like a river. Clouds pass overhead, Fanck films them, just sufficiently to get the idea, among the crags of the Engadine, and gradually he connotes the wider scene, peopling the solitude and stillness below with a person or two, boating.

The exploits of village girl Hannes and her attempts to master skiing and ski-jumping aided by the local expert.

A young Italian girl living in the Dolomites falls in love with a member of a tourist party skiing on the nearby mountains.

Short film about seals, the hunt for them and how they are processed afterwards.