Rob Nilsson

Follow the lives of a group of teenagers living in the upscale, star-studded community of Beverly Hills, California and attending the fictitious West Beverly Hills High School and, subsequently, the fictitious California University after graduation.

The story of the Miami Police Department's vice squad and its efforts to end drug trafficking and prostitution, centered on the unlikely partnership of Sonny Crockett and Ricardo Tubbs - who first meet when Tubbs is undercover in a drug cartel.

Rachel Burke is a criminal profiler, one of the best, actually. She, along with a sophisticated team of specialists on the FBI's Violent Crimes Task Force in Atlanta, investigates crimes throughout the country. Together, they solve the toughest of cases while trying to live their lives as best they can.

American Playhouse is an anthology television series periodically broadcast by Public Broadcasting Service in the United States.

An agoraphobic psychologist and a female detective must work together to take down a serial killer who copies serial killers from the past.

After the birth of his grandson, Bobby Roth undertakes a cinematic investigation as to what constitutes being a "good man" in today's world. This voyage of discovery leads him to interview more than fifty of his friends, both men and women who he considers to be "good people," about their views on everything from how they were parented to their thoughts on feminism, change, and regrets they might have. Their answers both surprises and enlighten both the viewers and Bobby, himself.

Just as sex, drugs, rock & roll, hippies, and Vietnam enter our consciousness, so it does for Ben Sweet, the shy, 18-year-old son of conservative businessman, Sy. Ben enters UC Berkeley in 1966 to avoid the draft, but finds himself smack in the middle of a home-grown revolution.

A small boy is hurt by a horse on his father's ranch and he refuses to even be near one ever again. When a storyteller called Seven arrives with his huge imposing horse Amanda, everything changes.

Juanita Hutchins works at Texas bar, but she aspires to be a country songwriter. When she's not looking after her impulsive daughter, Candy, or vouching for her promiscuous friend, Doris Steadman, she's trying to maintain some semblance of a romantic life. As Juanita prepares to make the leap to Nashville, her former boyfriend, Slick Henderson, returns to town, further complicating her situation.

After learning his stepfather has throat cancer, a lazy pool hustler takes on a high-stakes contender.

A beautiful orphan of mysterious parentage is asked by her adoptive family to help find a husband for their niece, but when two suitors both fall for the orphan girl, the niece instigates a scheme to discredit her in the eyes of her guardians. Based on the novel by Louisa May Alcott.

In one final attempt to achieve victory, an aging professional runner is training vigorously for a very tough marathon race.

An in-depth look at documentarian Rob Nilsson.

Worlds collide in this unconventional essay film, when filmmaker, film historian, and archivist Daniel Kremer seamlessly edits Michelangelo Antonioni's legendary but controversial counterculture art film Zabriskie Point (1970) into the same narrative universe as Stanley Kramer's madcap epic comedy extravaganza It's a Mad, Mad, Mad, Mad World (1963). In creating these new sequences, Kremer comes to recognize that the exercise effortlessly draws cultural and historical parallels in twentieth-century American life that echo in present-day America. The editorial mashups weave a tangled web of social and cinematic history that root our notions of Americana in the mythology of the desert. As Kremer expounds in his narration on these often astonishing and sometimes shocking associations, his very personal ties to the subject matter become manifest.

Jess Koster is a young attorney in Los Angeles, who is being stalked by the serial killer she is prosecuting.

For Natia, firing bullets at her sister's head and narrowly missing is all in a days work. After taking over the family business, her sharp shooting act is the only thing keeping the declining Orbeliani Circus afloat. When a stranger and his dog drifts into her home town of Batumi, Georgia from the Black Sea, peddling his own act, Natia wonders if a change of fortune is finally on the horizon. As the circus's prospects begin to rise so do suspicions that the stranger is not who he seems. A fateful interaction forces changes upon Natia and she must leave her family to protect them from what she is becoming. Soon, she is traveling to a different city-by-the-bay, San Francisco, where confrontation and opportunity release a violent darkness rooting within her. Fighting against her loneliness and the rules of this new world, she is befriended by a troubled young artist with an innocent soul. Will this tenuous love lead her out of the darkness? Or, are they merely two halves of broken whole?

"What do you do when the spark touches down-brief and hot?" So begins award-winning director Rob Nilsson's (Permission to Touch, MVFF 2015; A Bridge to a Border, MVFF 2014) provocative meditation on the Möbius relationship of fiction to reality, and the notion of creative control. In Love Twice, Luz and Ken are star-crossed lovers in screenwriter Sal's script, until their desire takes shape, inscribing itself into a movie of their own design. Risking his sanity to save the screenplay, Sal struggles to regain control of his characters and satisfy the demands of his producer Lester (legendary Velvet Underground founder John Cale), driving a wedge between the lovers with a desperate attempt to seduce Luz.

In a futuristic desert hamlet, a ruthless town boss lynches a falsely accused Native American teen, setting the stage for revolt and a clash with a troubled, drunken sheriff.

The bittersweet story of young lovers caught up in a political struggle waged by farmers against the grain trade, the banks, and the railroads. Set in 1915–16 North Dakota, a largely forgotten era of American history.

Spoddy (Disend), a small-time car thief and master auto mechanic, hates cars and harbors contempt for most people, especially the losers of this world. Directed by Rob Nilsson, this film employs the aesthetic of Direct Action Cinema, which Nilsson developed to allow cast and crew maximum freedom to work as a jazz ensemble, improvising dialogue and action in situations articulated by the director.