Zoe Berriatúa

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

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Father Vergara—an exorcist, boxer and ex-convict—lives in a remote village in Spain. Hoping to be lost and forgotten, Vergara’s demons catch up to him.

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A group of six police officers solve disappearance cases that everyone else has already given up on.

In a future after a climate disaster, Pilar discovers the hidden truth behind the Sanctuary, a shelter designed to protect pregnancies from contamination.

Juana is a nun with a strong character marked by a paranormal experience. A mysterious order from the Archbishopric will take her to an old church in old Madrid, built on a network of passageways of unknown origin. There, Juana will discover that in the bowels of the building there is something prior to the legends that are explained about that place. And the Evil that lives there has begun to infect the exterior.

The story revolves around Goya's womanising and the mysterious death of the Duchess of Alba at the end of the 18th and beginning of the 19th Centuries, at a time when Madrid was wobbling through a difficult time and setting the scene for the following Prim vs Crown uprising.

Why do people no longer see this type of stories nowadays? How can this notion be awakened? Which films should begin to feed back from the past and balance them with the current horror?

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Early 80's, Sara is a good-family girl, she has never been with a man, does not drinks, does not take drugs. Following her love, she enters in "El Calentito" a bar where the group "las Siux" is singing.

Spain, under Philip IV (1621-1665). The film is based on a novel by Gonzalo Torrente Ballester. The King is stunned to see the naked body of Marfisa, the most beautiful prostitute of the town and Court. After that, he also wants to see the Queen naked. However, the King, despite the opposition and the scandal of the Church, will not stop until he reaches his wishes.

Six teenagers decide to spend the night at an old abandoned school where 27 years ago a horrible massacre occurred. The kids run afoul of the vicious crazed security guard who committed the brutal killings.

A large, multinational company is badly shaken when three of its employees commit suicide. Sofía Cuevas, one of the company’s top executives, is chosen to prepare an in-house report to try and shed some light on the events.

Coslada, near Madrid, Spain, October 2015. Hundreds of extras are trapped in a huge stage where they pretend with hysterical joy that they are celebrating a party that will be broadcast on television on New Year's Eve. But more than a week later, the clash between several staff members threatens to prolong indefinitely such a maddening nightmare.

Víctor is a film director who is overcome by his own misfortunes. He is an alcoholic, unemployed and terribly depressed, largely because of the death of his wife. However, Victor is still the best in one thing: telling fantastic stories to his nine-year-old son, Ingmar. These stories are each of the scripts he dreams of directing in the future, when he gathers all the necessary resources. Victor and Ingmar share a present full of sadness and precariousness, but also full of robots and locations of films they have seen together. Despite forming a great team, their problems will multiply when others begin to question their role as a father.

Martín (Zoe Berriatúa) is a teenager living in the San Blas district of Madrid. He is upset with his father Arturo (Imanol Arias) because he blames him for his mother's death. With the help of his girlfriend África (Elena Anaya), who will become his stepsister, he tries to get revenge on him.

After a serious car accident, David decides to care for his best friend Javi at a remote house. It doesn’t take long until the animosity insidiously builds between them. As the two of them begin arguing, the truth about their toxic, homicidal relationship bubbles to the surface, and madness soon takes hold.

With humor, prolific director Víctor Matellano tells the story of one of the most iconic and problematic cult films of Spain's "fantaterror": Los resucitados by Arturo de Bobadilla. A story of ambition, frustration and the everlasting will of the most passionate cinephiles.