Guel Arraes

The daily lives of a typical Brazilian middle-class family, that are always very close and tries, in their way, to survive the financial and relationship difficulties.

Cousins ​​Charlô and Otávio once had a romance, but today they detest each other. However, fate plays a trick on them: they will receive a large inheritance, on the condition that they live together.

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Brava Gente was a television series aired by TV Globo in Brazil between 2000 and 2003, initially as a special year-end. The program was adapted from stories and national stories, and plays by famous playwrights, screenwriters and signed by a number represented by several actors and actresses. The genres of the stories varied each week with the style of each director or author. Brava Gente in the stories ranged from comedies and dramas. In all 53 episodes were shown, broadcast on Tuesday nights.

The cheerful and outgoing Jordana lived alongside Silas for 20 years, helping him become wealthy. Despite this, he abandons her to run away with the opportunistic Carla. After the separation, Jordana faces financial difficulties. She then meets Dona Mena, an eccentric and lonely old woman abandoned by her family. Jordana takes care of Dona Mena and, when she dies, inherits four bronze cupids containing a million dollars. The problem is that the cupids disappear without a trace. The cupids become the subject of a fight between Dona Mena's nephews, Loreta and Carlito. The two are the villains of the story. Jordana, however, ends up falling in love with Carlito. In the final chapters, Jordana manages to recover the cupids and rebuild her life. She has the help of her friend Vieira.

Featuring a diverse range of topical subjects, ‘Encontro’ is a multifaceted space that fosters audience interaction. It airs Monday through Friday.

The story revolves around the conflicts within Silvana and Oliva's family—her mother and paternal grandfather—who are fighting for custody of Zeca after the child's father dies.

The lively João Grilo and the sly Chicó are poor guys living in the hinterland who cheat a bunch of people in a small town in Northeastern Brazil. When they die, they have to be judged by Christ, the Devil and the Virgin Mary before they are admitted to paradise.

Unhappy in her marriage, Rachel decides to separate from her husband, the businessman Virgílio. Determined to turn her life around, she moves from Petrópolis to the southern zone of Rio de Janeiro with her daughter, Clara, and goes to live in her mother Laura's house in Ipanema. There she falls in love with the charming, but gruff, Heitor, owner of a mechanic shop. He lives with his sister, Irene, in an old townhouse, one of the main settings of the telenovela.

Partners Juba and Lula are up for any challenge. Living together, they embark on adventures and radiate vitality. Everything changes when they meet and fall in love with young reporter Zelda Scott.

The series is based on the award-winning Brazilian film City of God, which itself was nominated for Oscars in four categories, including Best Director for Fernando Meireles. Based on the story of two friends, Laranjinha and Acerola, who live adventurous and dangerous lives in a Rio de Janeiro slum, 'City of Men' brings into sharp relief the condition of children and adolescents in these areas, realistically yet with a dose of humor.

Moira, Anete and Caio are employees of a public office who do nothing in the office, which has lost some government attention over the years. Until a new boss arrives, Tales, with his intern Leda, and makes the old employees suffer with new and many jobs to do.

TV Pirata was a weekly Brazilian comedy show aired on Rede Globo between 1988 and 1990, being re-aired monthly in 1992. Some of the writers later went on to form the comedy troupe Casseta & Planeta. The show was first aired in April 1988 to fill a gap on Rede Globo's Tuesday night prime time line-up and its comedy was inspired by sketch comedy shows such as Saturday Night Live and Monty Python's Flying Circus with a no-nonsense approach to Brazilian comedy; however, it mixed a new style of comedy with elements of Brazilian culture such as football, politics, pop culture, telenovelas, economics and celebrities. No well-known figure or member of any economical or social class was spared from the show's cutting edge humor. The premise of the show was a TV studio being invaded by pirates who took over the programming department and put a tape on the air with some "unusual" programming. Another new element to Brazilian audiences was the performers, who weren't the usual comedic actors, but dramatic actors doing more comedic roles.

After 20 years missing, João Grilo returns to Taperoá to join his old friend Chicó and, after his story of resurrection spreads, he is disputed as an electoral candidate by the two most powerful politicians in the city. The four-chapter miniseries original version of O Auto da Compadecida 2.

Pedro sees his life crumble as he is abandoned by his wife, Marina. His emotional crisis is secretly witnessed by Victoria, a neighbor who has always been in love with him. Shy, she hears everything that goes on in the apartment next door through the kitchen wall, but has no courage to declare her love for Pedro.

After leaving her daughter Jessica in a small town in Pernambuco to be raised by relatives, Val spends the next 13 years working as a nanny to Fabinho in São Paulo. She has financial stability but has to live with the guilt of having not raised Jessica herself. As Fabinho’s university entrance exams approach, Jessica reappears in her life and seems to want to give her mother a second chance. However, Jessica has not been raised to be a servant and her very existence will turn Val’s routine on its head. With precision and humour, the subtle and powerful forces that keep rigid class structures in place and how the youth may just be the ones to shake it all up.

A photographer gets involved with a family as he seeks for a new model in a small town.

Set in the 1950s, the plot follows the fictional creation of the first Brazilian TV station.

In the concrete jungles of lawless futuristic Brazil, enemies spout slam poetry in duels as their movements remind us of parkour. The adrenaline rush breaks into three timelines: the past introduces teenager Riobaldo and handsome Diadorim, the present depicts a bloody clash and reveals sexual identities, and the future exposes Riobaldo’s deal with the devil.

Recife, 1900. Malvina, daughter of a wealthy merchant, falls in love with Gabriel; however, on her wedding day he abandons her at the altar. Disconcerted, she commits suicide and then returns as a dark spirit. However she brings with her all the dead in the city. At first, the residents are happy, but then they discover that the natural course of life should continue to be followed.