Lars Kjeldgård

Langt fra Las Vegas is a Danish sit-com, which was first aired on the Danish TV channel TV2 Zulu. It revolved around life at a newly started TV morning show, Jump Start, and focused on the life of the main character, Casper. Langt fra Las Vegas consisted of 53 episodes, aired over 5 seasons with each episode lasting 25 minutes. It ran from 2001-2003.

Court drama about a Copenhagen law office and the cases and personal entanglements of its small group of attorneys.

Late one evening Alex suddenly abandons his girlfriend, Simone, to pursue the beautiful Aimee. In his encounter with Aimee time and place dissolve for him and he becomes a stranger to Simone, to whom he cannot return.

What does a desperate mayor of culture do when he is handed a stack of millions with instructions to make it a success? What does a cultural city consultant do when he thinks all projects are equally good, and ends up spending all the money without anyone getting anything? What does a rejected artist do when he wants to create a cultural city wall? What does an alternative artist group do when they think it's all petty bourgeois crap?

When kitchen fitter Niller comes to install Sus's new suite, their immediate attraction to one another proves a sweet escape from both of their problematic relationships.

Morten Arnfred's warm comedy Lykkevej (Move Me) begins with Sara (Birthe Neumann) being left by her husband of a quarter century. Sara gets a job and moves into a new home on a street populated by eccentrics. Neighbor Robert (Jesper Lohmann) showers in his backyard, has been in mourning since his wife's death, and annoys his neighbors by keeping junk on his front yard. Sara and Robert tentatively strike up a relationship, while a couple on the street, Sus and Bo (Ditte Grbl and Asger Reher), have their own marriage issues to deal with. Move Me was screened at the Gothenburg Film Festival.

My Larsen is a documentarian in her early thirties. Self-centered and assertive, she likes to challenge and provoke her surroundings. She takes on an unusual assignment to make a film about the conservative township of Ravnsborg, but she learns there is a dark side to life in this small town. Someone is trying to cover up a terrible secret and they will stop at nothing, even murder, to keep My from discovering the truth.

Fauli plays himself as the overlooked film director who never gets recognition. He is frustrated to a maniacal degree that everyone seems to win prizes which in his opinion rightfully belongs to him. Thus, he looks up Thomas Vinterberg and trashes him for winning this year's Natsværmerpris (awarded by the Natfilm Festival).

Kamilla, a young Danish girl leaves for Las Vegas to get married. During the ceremony she changes her mind and runs away. She is picked up by Rock, a 40 year-old loner on a motorcycle. A meeting with Rock's aunt sends them in pursuit of Rock's father. During the trip, Rock has been carrying a mysterious package, and shortly before arriving in Seattle, Kamilla discovers what the package contains...

Jan thinks he is Swedish-Danish, but after his mother's death he discovers he was adopted. As his world begins to fall apart, he decides to find his birth parents. The hunt leads him to Portugal - in a taxi - where more surprises await him.

Rasmus is a commissioning editor prepared to go to lengths to keep people happy - which is just what he has to do, because Rasmus has a problem. He can't say no. To his ex-girlfriend who wants a baby or his new girlfriend, who wants things clear cut, or his author pal, who wants to write for a limited audience, or his new boss, who wants to publish sex guides.

Camilla and Louise are digging in the desert sand of Israel. They are looking for relics of the past, but while doing so, self-deception and life-lies appear. This mars their conception of life and shakes their relationship.

Tommy Seebach Mortensen; or just Tommy Seebach to the whole nation; were born in Copenhagen in 1949 and passed away far too early in 2003. "Tommy" received four stars out of six by Politiken,[6] Berlingske Tidende[7] and Ekstra Bladet;[8] B.T. awarded it six stars out of six.[9] Dagbladet Information described it as "... a story of an artist who became a victim of the musical genre which he himself had helped innovate, and who, instead of gaining the broad recognition he had longed for his entire life, ended up with a status somewhere in between national heritage and kitsch clown..."[10] Politiken called the film "worthy, worth seeing and moving", Ekstra Bladet "a moving portrait of a man caught between the music, his family and the bottle".