Gert Fredholm

The terrorism from a juvenile gang culminate when the gang leader kills a gang member who want to leave the gang.

Martin deserts from the barracks with one of the army's pistols. He wants to go home to his girlfriend Sussie, who, however, has found someone else while he has been away. Martin is a lively and energetic guy, but he's rootless and provocative, and can't seem to settle down anywhere. He is on the run from the military and, more or less unconsciously, in the process of destroying himself. He doesn't really know what to do with the revolver, but he doesn't want to get rid of it, and only when he is hit by a shot from it does he realize what he has messed up.

Two men disappear at the same time, with one of them committing suicide using dynamite. The police try to figure out which one died and what happened to the other.

Svensson is a wealthy, aging blusterer who has just had a rather unusual funeral for his late wife and is now on his way to Spain with his cracker of a young mistress. But his trip is delayed when a lawyer turns up with a paternity suit. With a young undertaker as the new chauffeur at the wheel of his Jag, he sets off to confront the woman who claims to be the mother of his unknown daughter, turning his life and that of his companion upside down in the process.

This is a film about the stuff dreams are made of, yet, there is nothing elevated in this concept, on the contrary. The characters around the bar Strudsen (the ostrich) are doing what ostriches do, hiding themselves from the threats of life and keeping their dreams to themselves. Scriptwriter Benny Andersen being a poet is rendering a loving portrait of a number of persons, who fail to try to make their dreams come true, possibly not being sufficiently dissatisfied with their life after all. The manager would like a bar of his own but dare not admit to it, the butcher would like to be an opera singer, the window cleaner (sorry, window polisher) is secretly in love with the bar lady, but dare not show it and the pianist willingly listens to all the different dreams being presented to him. This film was the best accomplished movie from Henning Carlsen since his debut with 'Sult'.

Jens Christian is a streamlined career man and newly appointed chairman of the Refugee Board. Work is the center of his life, and everything is going well until an adopted son announces his arrival and an unusually difficult asylum case lands on his desk. Suddenly, the right choice is no longer clear to Jens Christian, who is torn between obligations and emotions.

The mysterious Mr. Steinmetz has acquired the ability to create things and beings by will alone. Only, after a while his creations invariably disappear. He therefore approaches a famous brain surgeon, Max Holst, who he hopes can help him with this problem. When Max refuses, Steinmetz brings his doppelgänger into being to replace him.

Little Virgil lives in a henhouse with his best friend Oscar, a one-legged rooster. Virgil's worst enemy is Orla, the local bully-boy. When a circus comes to town, Virgil hires on as the Human Cannonball's apprentice. The role is a perfect fit, and ugly, evil Orla finally gets his comeuppance.

Rasmus defends his Ph.D in Danish literature entitled "The Romantic Idiot", but with his special qualifications there are not many jobs around. To reduce his study loan he settles for a temporary teaching job at an adult education programme in the provincial town of Korsør. Here, Rasmus meets a complex group of people and takes part in their lives. He falls dramatically in love with one of his pupils, Signe, who dreams of having a child with her partner, Camilla. Playing the role of a romantic idiot in Korsør just isn't plain sailing for Rasmus.

A portrait of Flemming Quist Møller's life, both as the man, the musician and the artist. Throughout the narrative, we encounter his work with film, music, theater, plays, satire drawings, book illustrations, paintings, screenwriting; we experience that he, as a communicator and narrator, is always on the side of the weak, working with the simple, straightforward and human.

The classic chase. The mechanics of escape and repression. About identity loss, role-playing, and alienation, as they say.

Svante has disappeared and a journalist seeks Benny to hear about his relationship with Svante. In retrospect be seen Benny and Svante with Svante lived with Mrs. Jensen in Copenhagen. When Benny and Svante last meeting would Benny sure to Svante show was released. Benny seek police to report Svante missed and have given a description of Svante. For several years, we follow Benny hunt for Svante including through interviews with Nina. Police seek out the places where Svante traded and the nerve clinic he was hospitalized.