Acting
Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.
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La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on AquĂ no hay quien viva, which ended when Telecinco bought MiramĂłn Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactorĂaDeFicciĂłn and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.
A caustic satire of many of the 'types' found in Spanish society.
When a man is found dead, the investigation shatters his widow's perfect facade and exposes a hidden double life in this thriller based on real events.
Four women will have to deal with the problems of their daily lives, while trying to hide a dark secret that will make their whole world reel.
Dafne and her friends are a bunch of thirty-somethings living dissatisfied lives. Frustrated in love and sex, they work in lousy jobs, trying to find themselves, and some love, in Madrid.
A series of standalone stories satirizing absurd misfortunes are stitched together by the story of clockmaker Carlo.
Teresa, the director of a real estate bank, wants to sell one of the many empty flats that they own to a couple, without being aware that the buyers have an unexpected relationship with the property.
A month before he's to marry Carmen, Antonio finds a photograph of a man with his arm on her shoulder. The photograph triggers jealousy: he questions Carmen, Carman's friend Cinta, and his friend Luis who introduced him to Carmen. Cinta tells Antonio the man's first name. Carmen tells him that the man meant nothing to her, and that the photograph was taken before she met Antonio. She loves Antonio and sets out to wipe the photograph from his mind through exuberant sex, but her ploy backfires and Antonio remains fixated. Slowly he finds out about the man, and about Carmen's past. Will jealousy consume this couple or can they find a way to kill the green-eyed monster?
The Last Supper is a cinematographic experiment carried out in a single day by a group of technicians and actors who come together to shoot a dinner with friends in real time.
