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Anna Livia Ryan

Acting

Known For

The Playboys
6.3

A young woman, Tara Maguire (Robin Wright) scandalizes her provincial Irish village in the 1950s by having a baby out of a wedlock, and refusing to name the father. She has a rare beauty and every man in town desires her, especially Sergeant Hegarty (Albert Finney). The arrival of a dramatic troupe stirs things up even more, especially when she falls in love with one f the "Playboys", Tom Casey (Aidan Quinn).

The Playboys

1992
Agatha Christie's The Pale Horse
6.1

Writer Mark Easterbrook has a vested interest in solving the murder of a priest. That's because Mark himself is under suspicion. But to save his reputation and put the real killer behind bars, he'll have to go through a mysterious list of names that's suddenly turned up and may hold the key to the murderer's identity.

Agatha Christie's The Pale Horse

1997
Stiff Upper Lips
5.6

Stiff Upper Lips is a broad parody of British period films, especially the lavish Merchant-Ivory productions of the 'eighties and early 'nineties. Although it specifically targets A Room with a View, Chariots of Fire, Maurice, A Passage to India, and many other films, in a more general way Stiff Upper Lips satirises popular perceptions of certain Edwardian traits: propriety, sexual repression, xenophobia, and class snobbery.

Stiff Upper Lips

1998
Three Wishes for Jamie
7.5

Adapted from Charles O'Neal's 1949 book, this follows the lighthearted adventures of a late 19th Century young man named Jamie McGrew, the three wishes granted to him in a dream by a fairy queen, and the unusual way they come true. His first is for travel (he goes from Ireland to a life of horse trading in Georgia); his second, to marry the girl of his dreams; the third, a son with the gift of poetry and the ability to speak in the ancient Gaelic tongue.

Three Wishes for Jamie

1987
Innisfree
6.2

Documentary tribute to "The Quiet Man" by John Ford. A special tribute that, away from traditional documentary, traces the outline of a cinematographic work of other person and offers a portrait of a society that fascinates the director.

Innisfree

1990