
Rosita Arenas
Acting
Biography
Rosa "Rosita" Arenas (born 19 August 1933) is a Mexican actress whose film career was most prominent during the 1950s and 1960s. She was born in Caracas, Venezuela, the daughter of Spanish actor Miguel Arenas. At age 16, she was named Reina de la Primavera (Queen of the Spring), and subsequently made her film debut in Anacleto se divorcia (1950). She received more important roles in ¡¿Qué te ha dado esa mujer?! (1951), with Pedro Infante and Luis Aguilar, and El señor fotógrafo (1953), with Cantinflas. She also tried her hand at singing; in Los chiflados del rock and roll (1957), she sang the songs "Se me hizo fácil", "Serenata huasteca", and "Qué manera de perder".
Known For

No description available.
Valeria y Maximiliano

A poor mechanic is conned into taking the place of a wealthy business magnate so the rich man can take off to work on some major wheeling and dealing. Sure enough, the impostor is trapped in a series of circumstances beyond his control that lead him right to the altar. Once he is wed -- or rather, once the rich businessman is unknowingly wed by proxy, the tycoon returns from his trip with the subsequent surprises in store for all concerned.
Casi Casados

A tough young man, who helps to kick poor people out of their houses, falls in love with a girl. She lives with her father in the building about to be demolished.
The Brute

Pop, Bro and Sis all take a vow never to (re)marry after Mom walks out on them.
Los solterones

No description available.
Senda de gloria

A young woman inherits a mansion, only to discover that it is haunted by witches and evil spirits.
The Curse of the Crying Woman

Spoofy adaptation of The Three Musketeers, follows the original very closely.
Los tres mosqueteros y medio

A sinister legend comes to life when a ghostly figure haunts the countryside, spreading fear and chaos. The Black Whip confronts the supernatural threat head-on, battling both earthly enemies and a terrifying phantom.
The Black Whip vs. The Hanging Ghost

Cantinflas, a traveling photographer, is captured by some gangsters while trying to get some flowers for his girlfriend. The gangsters have confused him with the assistant of Dr. Penongo, a scientist who has discovered the formula of a new atomic bomb. Meanwhile, Penongo has suffered a car accident and has lost his memory ...
El señor fotógrafo

A mad doctor builds a robot in order to steal a valuable Aztec treasure from a tomb guarded by a centuries old living mummy.
The Robot vs. The Aztec Mummy
Unanimously flunking his professional medical exam, Apolonio dabbles with more enthusiasm than idea in ballet, theater, painting and sculpture before establishing himself as the "doctor of the madwomen". Supported by his unconditional girlfriend Maruca, the young man prescribes music to the deranged ladies who visit him to be treated in his magical therapeutic chair.
The Doctor of the Crazy Women

Experimenting in hypnotic regression to past lives, Dr. Edmund Redding of the Cowan Institute in Pasadena has discovered that Ann Taylor is a reincarnated Aztec woman. Via her recovered memories, she is able to lead Redding and his associates to a hidden chamber in the Great Pyramid of Yucatan, where they hope to find the lost treasure of the Aztecs. Instead, they find two mummified bodies - one of a modern man, quite dead, and the other of an ancient Aztec, quite alive. They are able to return safely to Pasadena with both finds, but a rival professor, Janney, kills Redding and steals the body of the modern man-mummy. This he subjects to a resurrection experiment, which works - only the mummy proves to be a werewolf. Two supernatural menaces roam the city that night. This film is composed of footage from two unrelated Mexican horror movies, LA CASA DEL TERROR and LA MOMIA AZTECA, plus new footage shot in the U.S. by Jerry Warren.
Face of the Screaming Werewolf

A musical band of teens travel by plane to a scheduled event where they will perform in scenario have an accident and get lost in the middle of the desert.
Cambiando el destino

Neutron, a superhero/wrestler, goes up against a mad scientist and his army of monsters.
Neutron vs. Dr. Caronte

This musical comedy tells the story of two men whose friendship (whose beginning is told in "A toda máquina") is affected by assumptions love triangles and misunderstandings between the two, however, the value of that friendship overcomes all difficulties.
¿Qué te ha dado esa mujer?

Rejected suitor goes all-out in his efforts to break up an engaged couple.
Dios sabrá juzgarnos

A scientist discovers through hypnosis a mummy who watches over the jewels of an Aztec god for all eternity.
The Aztec Mummy

After discovering his wife in flagrante with another man, a gold prospector kills them both, then takes his daughter to live in the countryside, removed from corrupting influences. Fifteen years later...
Fierecilla

The evil scientist Dr. Caronte plots to revive the brains of three dead scientists and use them to obtain the formula for the super-powerful neutron bomb. The resulting creation needs blood lots of blood, sending Caronte's midget assistant Nick and his legion of mutant monsters out to get fresh victims. However, the masked atom-superman Neutron vows to put a stop to Caronte's deeds.
Neutron the Atomic Superman vs. the Death Robots

A scientist hypnotically regresses a woman to a previous life, a Mayan princess, who leads him to a secret tomb where the princess was buried - and the mummy of an ancient warrior, cursed to live after death and guard the treasure buried with her. Edited by Jerry Warren from the Mexican horror film LA MOMIA AZTECA, and following its general plot but with 36 minutes of new, American-made footage added and English narration in lieu of dubbed dialogue for the Mexican footage.