Bu Wan-Cang

Melodramatic film about a child prodigy.

A Shaw Brothers production

A Shaw and Sons production.

The film tells the story of Yang Naifan (Ruan Lingyu) who runs from her arranged marriage to be with her true love, Li Zuyi (Jin Yan). The film details the poverty she must endure for breaking with tradition.

Bai Le De and Hu Lun tung are military cadets. After graduating, Hu Lin Tung is appointed captain of Guangdong headquarters and goes away. Later, Bae Le De is also appointed to a post at the same place. Hu Lun Ting falls in love with Luo Hua, daughter of the local commander.

This is a 1952 Hong Kong drama film directed by Bu Wancang, Kuang-Chi Tu, Wang Yin and Shankun Zhang. It stars Chou Man-Hua and Li Li-Hua.

Painter Wang Zijian is saved from drowning by Aying, the daughter of a fishing folk. Their relationship becomes an intimate one. When Wang's father presses him to marry his boss's daughter Du Jiazhen, he runs away in defiance. Du sows discord between the lovers and drives Aying insane. Wang returns hoping to remedy the harm done to Aying but is too late to save her from drowning herself in the sea.

A romance film by the Shaw Brothers studio.

Diaochan (aka Diau Charn and Sable Cicada), one of the Four Beauties of China, is supposed to be so stunningly lovely that the moon was shamed to hide behind clouds. Despite being the only Beauty among the four who is not a real historical figure but one conjured by storytelling imagination and embellished by public fascination, her story was nonetheless incorporated by author Luo Guangzhong into his popular and influential novel Romance of the Three Kingdoms. Her tale is one of Machiavellian intrigue, in which she schemes with her godfather Wang Yun to restore moral order to the land, sowing discord between the corrupt Minister Dong Zhuo and his adopted son Lu Bu, a man of martial and military prowess.

A light-hearted comedy about a struggle between a maverick actress and her stubborn and conservative brother-in-law, which represents a debate between individualistic values and family obligations. Apparently the happy enlightenment of Li represents a triumph of the latter over the former. Li, Zhang and Lei Zhen, who plays the role of Li's husband, all showcase their distinctive personalities in their portraits of the characters.

The life and story of Lin Zexu and the First Opium War.

This movie is based on the famous Chinese folklore that is more than one and a half millennium old. The same folklore was what the Disney animation Mulan is based on, and similarly, it was what many Chinese movies/operas/plays based on.

No description available.

Zhao’s husband goes to the capital to take the imperial examination but doesn’t come back. Due to famine, Zhao has to leave her hometown and find her husband, playing her lute for a living.

No description available.

Ostensibly a romantic comedy about mistaken identity, this film stars Kitty Ting Hao in two roles, the first as poor flower girl Fangfang and rich relation of a family in Hong Kong, who arrived in Hong Kong to see if she can feel better with the warmer climate. She meets Xihong, played by Kelly Lai Chen, who is the son in the family in Hong Kong. He is, of course, smitten with her, but when the secret is out, will he still feel the same?

To get over a breakup with his actress girlfriend, a playwright goes on holiday to a lakeside resort, where he meets a strangely mismatched couple, a man and his much younger wife. He and the wife begin an affair, during which she introduces him to some of the darker aspects of romance.

No description available.

Based on the famous 18th century Chinese novel with the same name. Set during the 1700s in China, a prominent family loses its good luck when one of the sons loses the jade chip that was embedded in his mouth.

The film focuses on a mother (Chen Yanyan) burdened by guilt after abandoning her newborn daughter in a long lane 17 years earlier, so that she could adopt a son to fulfil the traditional belief that only a male heir could continue the family line. However, when her adopted son (King Hu) becomes a disappointment, the mother’s regret deepens. On her deathbed, she confesses her secret to her husband (Wang Yin), who resolves to find their lost daughter.