Jean-Pierre Bouyxou

The story opens with Celestine eluding arrest with a friend as the police raid a brothel. While hiding out in the hayloft of the Count de la Braquette's estate, she meets the hayseed handyman Sébastien and the butler Malou, who reward her favors with the offer of employment. In a manner recalling Terence Stamp's effect on the household in TEOREMA, Celestine's open and relaxed attitude toward sexuality has a transformative effect on the isolated, moribund inhabitants of the mansion, imbuing them with gift of renewed life for the men and women alike, that remains even after a third act twist that forces her to betray them.

A mute noblewoman's vampiric heritage compels her to drain the life force from all of her lovers.

Lui, a struggling author with a heart condition, and his wife Elle, a retired psychiatrist, find their idyllic life shattered when Elle begins to succumb to the effects of dementia.

A gang of pirates rape the two sole survivors of a ship wreck. The violated girls are rescued by the strange inhabitants of a supposedly haunted island, where they are granted supernatural powers to strike revenge against the pirates.

The SS puts a slutty nightclub singer in charge of a train car full of prostitutes whose "services" are reserved solely for Adolf Hitler.

On the coast of France, the police are raiding the streets and taverns at night in search of girls to send to the colonists in North America. A ship takes these girls to America, where they are placed in carts leaving for territories where colonists and soldiers are expecting them.

A young woman discovers that the pesticide being sprayed on vineyards is turning people into murderous lunatics.

Adventure, crime and mystery combine with comic book dialogue and some sadistic sex for good measure. Playfully perverse, pistol-packing fun with Yoko and the alluring Francoise Blanchard.

During WWII, Bruno gave away many people to the Gestapo. Now, 25 years after, with a new face given by plastic surgery, he is back and becomes friend with his victims' relatives and friends...

A notorious gang leader named Mr. Winter who specialized in extreme forms of prostitution is forced out of Hong Kong due to increasing gang warfare. He settles down in Paris and starts to kidnap and coerce women into prostitution to rebuild his empire, but his extreme behavior threatens to quickly undo his work.

A teen runs away from her home after attracting the sexual attention of her stepfather only to fall into prostitution.

A young woman inherits the house of Jean Michel but she is haunted by strange dreams and numbers. She has no idea that this is the beginning of the 'the night of clocks', which opened for those who have sinned, the dead which are not dead...

Reel 29 of Gérard Courant’s on-going Cinematon series.

Who is Jean Rollin? A man who has spent his childhood in the middle of some of the greatest intellectuals of the twentieth century. An artist who has worked with Marguerite Duras for his first film. A director's career singular and unique in French cinema, with films overtly fantastic, surreal, poetic - disconcerting. A filmmaker has always murdered by the critics but starting, finally, to enjoy some recognition in France, while many fans worship him already in Europe and the United States. Jean Rollin signs a marginal and unknown work marked by death and nostalgia, and whose main obsession is the time, that of the wandering and dreams. Jean Rollin died in December 2010 at the age of 72. This documentary is the portrait of a real artist, the last surrealist, a poet who created his very own dreamworld. A tribute for a unique director, with testimonials from his closest collaborators.

In nineteenth-century California, two children listen to the adventures of a grandfather who fought against the Yankee invaders. At that time a mysterious man, dressed in masked black, appeared.

The film is a series of images, shown in short takes (anywhere from a few frames to 30 seconds), of more or less fetishistic imagery (something Bouyxou was particularly fond of). After a credit and title sequence written on naked human flesh, the viewer sees the brilliant Molinier standing sanctimoniously in front of a screen. Soon he is joined by a woman, and he fondles her breasts while retaining his signature grin. Molinier seems to almost be the 'ringmaster' of the incidents, with almost every minute episode cutting back to him. His presence is one thing that makes this film remarkable; the same sort of aura that exists in Moliniers famous self-portraits and cut-ups is present here, on screen. (esotika.blogspot.com)

A bourgeoisie client is transformed into a mouse and cannibalized by a prostitute in flagrante delicto with the camera changing focus in time to her breathing.

One of the very few films made by Etienne O'Leary, all of which emerged from the French underground circa 1968 and can be very loosely designated 'diary films.' Like the contemporaneous films by O'Leary's more famous friend Pierre Clementi, they trippily document the drug-drenched hedonism of that era's dandies. O'Leary worked with an intoxicating style that foregrounded rapid and even subliminal cutting, dense layering of superimposed images and a spontaneous notebook type shooting style. Yet even if much of O'Leary's material was initially 'diaristic,' depicting the friends, lovers, and places that he encountered in his private life, the metamorphoses it underwent during editing transformed it into a series of ambiguously fictionalized, sometimes darkly sexual fantasias. - Experimental Film Club

The film is a modern-day telling of the Greek mythological tale of the Gorgon and was inspired by the 1964 classic Hammer Horror film of the same name and the 1981 cult classic Clash of the Titans.

Work in progress, lengthened or shortened according to the irregular course of its development and its damage. Experimental film (erasures and drawings on blank or used film, various collages).