Gloria Jean

The Colgate Comedy Hour is an American comedy-musical variety series that aired live on the NBC network from 1950 to 1955. The show starred many notable comedians and entertainers of the era, including Eddie Cantor, Dean Martin and Jerry Lewis, Fred Allen, Donald O'Connor, Bud Abbott and Lou Costello, Bob Hope, Jimmy Durante, Ray Bolger, Gordon MacRae, Ben Blue, Robert Paige, Tony Curtis, Burt Lancaster, Broadway dancer Wayne Lamb and Spike Jones and His City Slickers.

Lock-Up is an American legal drama series that premiered in syndication in September 1959 and concluded in June 1961. The half-hour episodes had little time for character development or subplots and presented a compact story without embellishment.

A talent agent sells his girlfriend to a nightclub – as two separate acts. The deception and constant costume changes are too much for his girl, and the men who have fallen for the different performers.

After his girl leaves him for someone else, Herbert gets really depressed and starts searching for a job. He finally finds one in a big house which is inhabited by many, many women. Can he live in the same home with all these females?

Students at the Davis School of the Theatre are assigned "Antigone" as their class play, but they conspire to do a swing musical instead.

Framed for two crimes he didn't commit, and betrayed by his girl, Cliff Banks finds himself on the run from the police. Now distrustful of everyone, he finds a safe haven hiding out at a quaint country cottage under the care of a kindly old farmer and his daughter, a Cinderella-like blind woman who seems to be able to communicate with nature. There he is forced by their love to question his misanthropy.

Linda Wadsworth rebels against her millionaire grandfather, J. H. Wadsworth, and runs away from home. Unknown to Mr. Wadsworth, she gets a job at one of his many five-and-ten-cents stores as a clerk.

A child from the New York tenements sings on a radio quiz show and is eventually hired to a big-bucks contract, which allows her and her family to move into a posh apartment, with all the usual problems that accompany sudden wealth.

Never Give a Sucker an Even Break is a 1941 film about a man who wants to sell a film story to Esoteric Studios. On the way he gets insulted by little boys, beaten up for ogling a woman, and abused by a waitress. W. C. Fields' last starring role in a feature-length film.

Two zanies get mixed up with a Southern colonel, his beautiful daughters, a nightclub and a haunted mansion.

Tasked with training a group of untested new recruits, a no-nonsense Navy commander faces a host of challenges as he attempts to transform the greenhorns into a squadron of crackerjack jet pilots. Don Haggerty co-stars as the unit's second-in-command who clashes bitterly with the cocky young upstart of the team after the lad shows off with some reckless aerial acrobatics.

A Gay-Nineties musical set in NYC's Bowery and East-Side explores the life of its inhabitants---an Irish policeman and his tap-dancing daughter and music-hall wife; a German professor of music and his singing daughter; and an Italian café-owner, a kindly priest, a struggling young doctor and a saloon-keeper. And a political ward-heeler, Terrence Dowd, who has a deceptive and dishonest plan to sell them all out in order to build a fight arena. But he meets his match in property-owner Claire Adamson.

During World War II, all the studios put out "all-star" vehicles which featured virtually every star on the lot--often playing themselves--in musical numbers and comedy skits, and were meant as morale-boosters to both the troops overseas and the civilians at home. This was Universal Pictures' effort. It features everyone from Donald O'Connor to the Andrews Sisters to Orson Welles to W.C. Fields to George Raft to Marlene Dietrich, and dozens of other Universal players.

J. P. Courtney wants to update the music on the radio program he sponsors, but his wife, Agatha Courtney, is the final authority and addicted to the classics and won't allow him to replace Professor Bistell and his symphonic orchestra. Conspiring with his daughter Sue and her friends, Marvo the Great, the Andrews Sisters, Anne Payne and bandleader Woody Herman, they devise a sabotage plot that gets rid of Professor Bistell, and a new sound is soon heard on the program.

By popular consensus, Allan Jones' best Universal mini-musical of the 1940s was the timely When Johnny Comes Marching Home. Jones is cast as war hero Johnny Kovacs, who wearies of the adulation heaped upon him and takes refuge under an assumed name in a theatrical boarding house. Here he befriends orchestra leader Phil Spitalny and his all-girl aggregation, including the inimitable Evelyn and Her Magic Violin. When Army officials trace Johnny to the boarding house, his new friends assume that he's a deserter and try to convince him to return to duty.

Construction worker Buzz Blackwell becomes the guardian of 12-year-old Pat Johnson after one of his buddies, her father, is killed. Buzz and Pat, along with their chum Axel Swensen, head to New York to look for the girl's uncle. The trio soon unexpectedly become owners of a tired restaurant.

A young city girl from a poor family is invited to spend the summer at a camp for girls from wealthy families. At first made fun of and ridiculed because of her background, she determines to show the snooty rich girls she's just as good as they are.

Patty Nelson lands a job as a singer with orchestra leader Al Tyler, and tours with the band as "Patty Hart." Patty's father Russ is dismissed from his radio-station job, and the disc jockey selected to replace him is Al Tyler. Patty rushes home to keep Russ company on the air for the final few days, and Al wonders why she suddenly walked out on him. The new "Patty and Russ" radio show catches on, causing complications with Al and the radio-station bosses.

This modest bit of comedy and romance in the adolescent vein is about a couple of spirited juveniles, Donald O'Connor and Gloria Jean, who carry on a flirtation parallel with that of their elders, Louise Allbritton and Ian Hunter.

Documentary directed by Joseph Adamson.