Acting
In the center of the plot is a senior investigator named Masha Shvetsova and her male colleagues. The plot is the most vital, but, like in “Streets of Broken Lanterns,” it is seasoned with a fair amount of humor - otherwise, how can the audience (and the heroes) endure countless morgues, identifications and other “cute” charms of the investigative routine?
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Collection of satirical sketches, telling about the decent inhabitants of the Patriarchal Ponds and their obscene stories. The series includes touching, outrageous and full of love intimate stories that are not accepted to speak out loud.
Albina's life changes in an instant: under threat of arrest, her oligarch husband leaves her, taking all the money with him. All that remains of the spouse are two children and a Russian factory on the verge of bankruptcy. Now Albina is forced to forget about the luxurious life in a London mansion and remember what she was told in business courses. Just to start life from scratch in a provincial town without a penny in her pocket, no one taught her.
Igor is ready for anything for the sake of Polina’s happiness, and in order to compensate for the loss of her son, the couple opens up to a new child. But instead of an ordinary boy from a shelter, a mystical creature that can recreate the memories gets into their family ... There has not yet been found a recipe for centuries of suffering, but perhaps the key to salvation in selfless love for each other ... Open your heart! Let her in ...
Experienced Moscow police officer Maksim Pokrovskiy is sent to Northern Russia to investigate the murder of the local Oligarch's daughter.
Based on real events. In a densely forested area north of St. Petersburg people have been going missing for three decades. The few corpses ever found were naked. On October 14, 2017 a team of volunteers went out into the woods in search of a missing teenager. Soon, all communication with them was lost. Locals believe they were taken by the same dark spirit that took the others. They call it the Limping Widow.
The story is based on the real events of 1985. The team of a Russian polar icebreaker “Mikhail Gromov” discovered a giant iceberg. The ship came into collision while attempting to take cover from the weather and is forced to drift with ice along the Amundsen Sea coast. The crew of “Gromov” spent 133 days of polar night trying to find a way out of their icy trap. They have no room for mistakes; one wrong move and the vessel is crushed by ice.
Petr is not only a successful writer but also is the owner of the agen- cy called Alibi — that creates alibis for the clients who need to hide their lies and failures. His second business is hidden, so he himself has a double life. But his attitude to lies changes when his own wife appears at the agency asking for an alibi. From this moment on, he will solve not only his client’s problems, but his own. Unfortu- nately, he’ll be able to help everyone but himself.
In the Far Eastern village of Chernovka, surrounded by taiga and swamps, an emergency occurs: a sawmill burns down, and in the morning bodies are found there, burned beyond recognition. A young investigator, Evgenia Rakitina, arrives from the district center. The local authorities and the villagers themselves are trying in every possible way to hush up the case, writing everything off as an accident, but Evgenia's professional instinct tells her that something is wrong here. And the deeper the heroine delves into this matter, the more she realizes that the people here are not only related to each other. Comparing the testimony of witnesses, she concludes that she will have to look for the solution to the mystery in the past.…
Irina Evteeva’s debut quickly became a kind of manifesto for the one-room experimental studio: it defines classification by interweaving animation, appropriated footage, feature and documentary to form a unique whole, a film that rushes backwards into the future, thereby re-inventing Futurism. Mayakovskiy is the star; his occasional presence holds together a film driven by the sound, the beat, of his poetry. Evteeva develops a dramatic structure of flaring, fading, being from light: violin strings become rays, quivering dull yellow spots, pictures. The plot assails the material from which it derives energy from material. History, growling and roaring, finds its form.
The souls of dead young men and women are released back to Earth for a short time to find true love.
On June 21, 1941, the artists of the traveling circus tent under the direction of the famous hypnotist Andrei Belov, who performs under the pseudonym the Great Armando, give their first performance in a small Latvian town. During the performance of the number under the dome, Belov's wife, the aerial equilibrist Elsa, sees a little girl among the audience, meets her eyes, loses her balance and falls into the arena. This girl is a copy of Masha, the daughter of Elsa and Belov, who died five years ago.
The Gromov family, which consists mainly of women, decides to separate. The apartment's buyers have been found, the advance has been spent, and plans have been made. There is only one problem: Dima, an alcoholic who left the family several years ago, is registered in the apartment.
A group Russian soldiers is send to an outpost to guard the area. They pass the day patroulling the area, while being shot at from the forest. They never know if the civillions are hostile or friendly to them.
