Kishore Kadam

Bharat Ek Khoj is a 53-episode Indian historical drama based on the book The Discovery of India by Jawaharlal Nehru, that dramatically unfolds the 5000 year history of India from its beginnings to the coming of independence in 1947. The drama was directed, written and produced by Shyam Benegal with cinematographer V. K. Murthy in 1988 for state-owned Doordarshan. Benegal's regular script collaborator Shama Zaidi also co-wrote the script.

In this fictional tale set in 1960s Mumbai, an enterprising cotton trader who craves legitimacy and respect, starts a new gambling game dubbed ‘Matka’, that takes the city by storm and democratizes a terrain previously reserved for the rich and elite.

Janaki, a divorcee trying to find meaning of life in a sea-turtle conservation project run by the conservationist Dattabhau in a coastal village, accidentally meets an young man. Janaki, with her empathy for the young man, Manav, tries to create a non-judgmental, non-intrusive, warm atmosphere to help him bloom. Janaki herself, her driver-assistant Yadu, conservationist Dattabhau, servant Bablya and street-kid Parshu - none of them not related to each other - become the vulnerable young Manav's support system.

The story follows Avli and Dadarao, a couple from Dongav Boodruk village. Dadarao, a two-term Sarpanch deeply rooted in politics, believes his wife Avli an educated yet modest homemaker lacks understanding. When the Sarpanch seat is reserved for OBC women, he reluctantly nominates her. After Avli wins, she gradually realises her strength and responsibilities, taking charge of village affairs while balancing her household. As she grows into her role, Dadarao’s male ego is challenged, and he ultimately accepts her leadership. The story portrays Avli’s empowerment and their shared journey of transformation.

Suman, the trapped wife in Maharashtra's Gondhal rituals, conspires with Gondhali Saheba to kill Anand's cousin. They carry out an escape that jeopardizes her soul amid drum-driven ritual and divine omens, blurring the distinction between salvation and damnation in a citywide verdict of fire, blood, and awe.

Bored, privileged, and convinced his life has zero plot, a drama-hungry Gen Z cinephile leaves the city for his ancestral village in search of some main-character energy, hoping life will finally give him something worth talking about, but an unlikely friendship, a new world, and one unexpected twist soon turn his own life into the story he's been waiting for.

Seven murders; Unsolved for over one & half year. Will the ace cop from Mumbai, Ramakant Kulkarni be able to bring Justice?

Swathi dreams of owning a restaurant. But when a murder derails her plan, she and her lover take an outrageous step — to replace him with her husband.

Highway is a film of that escape which all of us yearn for. It is an attempt to see our own reflections in today’s time.

During the 1980s in India, a group of con artists rob businessmen and politicians by conducting fake raids, posing as officers of the CBI or Income Tax Department . They plan to execute their biggest con as a final job while a relentless cop is on their trail.

The story of ‘Pangira’ is all about how rapidly Indian villages have changed, over a period of time. Old rural hospitality and contented, peaceful village life – is now a History! Right from natural resources to local politics – ‘Indian village’ has changed and IS still changing from every aspect. Miss-use …of drinking and farming water, un-imaginable destruction of natural resources by cutting down trees in and around villages is normal. Development is happening, but with ‘Jilha Parishads’ and ‘Panchayat Samitees’, politics and courruption has become integral part of the system. At the end, a farmer, a common man, still does not get the price he deserves for his hard work.

Santya is an aggressive young chap, who is a matter of worry and fear for his family. When an Adivasi woman from Santya's neighborhood is raped and murdered by an upper caste man, Santya must make the journey towards becoming an Ambedkarite, in order to emancipate himself and help his community get justice and prosper.

Film with a soundtrack featuring Kirti Killedar & Pranjal Deshpande

The movie is based on the concept of roaming cinema which was one of the oldest traditions in the bygone era of Indian cinema where the movies were showcased in tents for the local folks also knows as Touring talkies. For the past few decades these films have made a common recurring occurrences in most of the Carnival Fun fair taking place across villages where the Marathi Cinema is adored in a completely distinctive fashion.

A family entertainer, Zindagi Virat is based on the relationship shared between a father and son and features some of Marathi cinema's finest actors such as Kishore Kadam, Atul Parchure, Bhau Kadam and Usha Naik playing important roles.

"Andha Yug"—literally 'Age of Blindness'—is an allegorical play written in the aftermath of the Partition of India by Shri Dharamvir Bharti. Rooted in the epic Mahabharata, this landmark 1989 Delhi performance was staged for the Nehru Shatabdi Samaroh Festival and has since been preserved by the Natya Shodh Sansthan, Kolkata (NSS). Set on the final day of the Kurukshetra war, the narrative chronicles the end of the Dvapara Yuga and the immediate descent into the dark Kali Yuga, triggered by Lord Krishna's demise. This five-act masterpiece explores the moral collapse, cycles of revenge, and psychological trauma of war. It depicts the pyrrhic reality of the Kali Yuga—the worst, shortest, and darkest of the four cosmic ages—in which recursive violence degrades the fabric of civilization, blinding individuals to reason as they are forced to reckon with the devastation's fallout.

Located in a seaside village in Maharashtra during the 60s, the film unfolds over two decades. It is a tragic tale of how the best of friendships can rupture over a trivial quarrel. Once a rupture takes place, there are always people who know how to turn a quarrel to their own advantage, even if the main adversaries are completely destroyed in the process.

Anand, a retired teacher, has dedicated the past decade to bringing film literacy to children in remote villages through his Children's Film Club. Despite public opposition, he passionately promotes cinema’s educational power. When young filmmaker Omkar decides to document Anand's work, the challenges of delivering quality cinema to these underserved communities become evident. During a screening in a remote village, a sudden power outage leaves the children watching only half of the film. Among them is Ankur, a clever and spirited 9-year-old, who improvises a captivating story based on the incomplete movie. Inspired by Ankur's creativity, Anand and Omkar embark on an unexpected journey that takes them from the villages of India to Hollywood. This journey bridges cultural divides, highlighting the universal impact of cinema and the connection between grassroots efforts and global recognition.

Bombs tear through Bombay in 1993, wreaking havoc and polarising the citizens. With perpetrators at large, the state launches a massive man-hunt to unmask the perpetrators behind these events.

In a picturesque village in Maharashtra lives Raghunath aka Raghya (Vivek Chabukswar), studying in seventh standard. His father (Girish Kulkarni) works with Mumbai police as a constable; he visits his family in between. Shankar aka Sada (Abhishek Bharate) is Raghya’s classmate and close friend. His father is an officer with the Indian Army. Sada believes his father’s profession is more prestigious than Raghya’s father while Raghya feels vice-versa. Once, their school teacher (Kishore Kadam) hands over a voluntary task of collecting funds for a noble cause to the students. This exercise becomes the turning point in the friendship of Raghya and Sada.