Lorraine Dufour

A l'automne 1964, la construction des 52 derniers milles du chemin de fer du Grand lac des Esclaves est en voie d'achèvement. Une bande hétéroclite de travailleurs instables, ivrognes et voleurs, est recrutée dans les tavernes par Fisk, contremaître aux poings d'acier. Martin Bishop, dix-huit ans, arrive comme nouveau pointeur au sein de cette équipe, le précédent pointeur ayant « disparu ». Bishop découvre rapidement des faits anormaux dans ce camp isolé; celui qui ne suit pas les règles de Fisk risque d'être expulsé du camp dans la nature sauvage et hostile. Fait surprenant, tous les hommes qui ont été expulsés demeurent sur la liste de paie... Le refus de Bishop de jouer le jeu de Fisk lui vaut d'être expulsé dans la forêt, dont l'immensité devient sa nouvelle prison. Incapable de s'échapper, Bishop découvre des aptitudes à la survie qu'il ne croyait pas posséder.

In the middle of the night, in the Québec countryside, all hell breaks loose as a black teenager is caught smashing a racially denigrating lawn ornament. Together the neighbours attend to justice against the vandal. Thorough the night there is mounting racism, fueled by alcohol, and violence. Le Nèg' opens the morning after when the police investigators arrive at the scene to take depositions.

After spending a decade in prison, Annie returns to her hometown, and tries to reconnect with her now-adolescent daughter Sophie.

On the morning of Sept. 11, 2001, six people become suspicious about a stranger in their neighborhood.

Jacques is an actor who runs away to the countryside to escape his gambling debts. He meets Simon, a rough and wily farmer who manipulates him into a business relationship. After a difficult start, the men help each other grow marijuana. They happen to meet Francesca, a sharp young woman who soon embraces their venture. By the time they get to the winter harvest, the three have learned to live together, but outside forces threaten the delicate balance of their little business...

This is the story of Mr. Brochu, whose friends like to call "the Boss". He runs his gas station the best he can and tries to stay happy no matter what happens. This movie relates all the small tragedies surrounding the gaz bar, such as hold-ups, competition from the big companies invading the neighbourhood, and the fact that is sons don't seem to be interested in the gas station.

Despite the fact that he is completely unrepentant about his crimes, when Regis Savoie's son asks to visit him, prison authorities grant permission for the boy to come. The thief and murderer (Gildor Roy) takes advantage of the moment of his son's arrival to steal a gun and take flight. He settles some old scores, gets together with his girlfriend, and heads for the hills, pursued by a detective who is not to be swayed in his efforts to follow and recapture him.

A mother who supports her child with a credit card scam and an accused rapist meet and form a unique bond.

Native Americans clash with the Canadian government as they struggle for independence in this factual Canadian drama set in Quebec during the summer of 1990. Eddie Laroche, a rebellious native leader spawned a national crises when he and his supporters declared the independence of Aki territory in a far-flung area of northern Quebec. He refused to negotiate without the presences of television cameras to record his people's plight. Jean Fontaine was the reporter assigned to the story and much of the film is told from his viewpoint. To reach Laroche's land, negotiators, government officials, and the film crew had to travel by boat. Fontaine is initially cynical and reluctant to do the story, but after he spends time on the boat interviewing it's passengers, his cynicism has dissolves and he realizes he is faced with the presentations of a terribly complex situation. His dilemma provides a main focus for the film.

Yvonne is a young woman living in Quebec in the latter half of the 19th century, under the controlling influence of both her elder sister, Hélène, and the repressive Victorian society that pervades the area. Yvonne has a sensual passion that her sister hopes to extinguish by placing her in a convent. As summer arrives, a strange dream suggests a different future, and Yvonne confronts the unexpected return of both her mother and her first love.

Pierre is a dwarf, as are his parents, who are celebrating their 25th wedding anniversary. He has difficulty sharing their joy because he is single and lonely and dreams of a normal life.

Jeannot has Down’s Syndrome. Living in a claustrophobic suburban setting, he is treated like a child by his parents and denied any responsibilities of his own. Things change when a young woman named Pauline is hired to take care of Jeannot, and his world opens up beyond the restrictive one imposed upon him.

The Reception takes place in an isolated mansion on an island, but the host is mysteriously absent. A storm traps everyone inside, and the atmosphere turns sour when it is revealed, by way of a video, that each of the guests has a criminal past. A death ensues, and then another... the mansion quickly turns into a jail. Inspired by Agatha Christie's Ten Little Indians.

"I joined the army so I could travel and see the country. I saw Northern Ontario during training exercises. In the first few days, I fell secretly in love with another soldier. That's when I asked to be released from the army. I had a super 8 camera with me, so I could film stuff to show my mother on leave. This film tells a story, but not exactly the one I'd intended..."

No description available.

A man loses his job and starts to tumble. Social assistance awaits him at the first level, a poor neighborhood in the second. In the third, the wildlife of its neighbors affects its mental state. Believing that he has hallucinations in relation to those around him and to restore his objective banality, he begins to film him, secretly, like a thief, from the window of his slum. Once developed, rather than reassuring him, the films will make him go from disarray to psychosis.

Marie, a Canadian editor specialized in testimonies of Genocide survivors, starts to receive anonymous large envelopes with the narrative of Ali, a young Palestinian who grew up in a refugee camp in Lebanon. Intrigued, Marie investigates the origin of these envelopes and finds out who is the anonymous writer. This is how she establishes a connection with Joseph, a Lebanese worker hired to paint the offices. A strange relation develops between these two persons who come from very different worlds. But after a while, Joseph abruptly disappears and Marie, overwhelmed by the mission fallen on her, starts a journey into the past, through a small village in Lebanon, in the heart of a bloodthirsty culture were lies the key of all the enigmas.

In a country bar, Mario, a regular, spontaneously decides to integrate his stunt routine into the nude dancer's performance, which leads to a quasi-orgy. After things have calmmed down, Mario's girlfriend confronts him to what he considers to be his true calling: a double career as stuntman and upholsterer.

In the heat and desolation of Santa Fe, California, three people are connected and disconnected by proximity, nature and circumstances. Dwight is a New Age DJ. Ramon is an experimental composer and filmmaker. Ash displays numerous tattoos. Each elaborates on central and sometimes disturbing chapters of their lives. The tape culminates with Ramon's harrowing account of a friend's downward spiral.

No description available.