Sulabha Deshpande

Bharat Ek Khoj is a 53-episode Indian historical drama based on the book The Discovery of India by Jawaharlal Nehru, that dramatically unfolds the 5000 year history of India from its beginnings to the coming of independence in 1947. The drama was directed, written and produced by Shyam Benegal with cinematographer V. K. Murthy in 1988 for state-owned Doordarshan. Benegal's regular script collaborator Shama Zaidi also co-wrote the script.

Seven teenagers Ashutosh, Raja, Julie, Shiva, Ronnie, Sanjeev and Rahul who battle an evil force that takes the form of a clown called Woh that kidnaps children.

In the United States for the first time, an Indian housewife with a limited command of English turns Manhattan into her personal language school.

Young Krishna is abandoned at the Apollo Circus by his mother, who informs him that he can only return home when he can afford ₹500 for his brother's bicycle that he destroyed. The circus leaves Krishna behind and he travels to Bombay, where he delivers tee and befriends a heroin addict and a young prostitute. Krishna dreams of saving ₹500 to return home, but Bombay street life isn't easy.

Ek Packet Umeed is a weekly show that airs on NDTV Imagine every Tuesday.

After completing his studies in London, England, Shakti Thakur returns home to India in a small town where his family resides.

An Indian has no faith in the existence of God. His friend recounts numerous tales depicting the miracles of Sai Baba. Unconvinced, he visits Shirdi himself and begins his journey towards discovery and faith. The movie is focused on the story of Sai Baba - his birth, teachings, miracles and his physical death. For the first time, a film has been shot in Shirdi, the holy temple of Sai Baba.

A young woman falls in love with a handsome playboy, while aboard a Singapore to India cruise. They make plans to meet again, but fate may have other plans...

The film follows the life of a successful film star, revealing her increasing alienation in a role both glamorized and patronized by society. After being forced into show business by her family, she spends her time between studios and disastrous love affairs, and feels more and more dissatisfied.

One of a four-film series on the AIDS epidemic in India, this film examines the virus as Indian society's great class leveler, following its transmission through interweaving stories that link urban and rural India.

Two siblings decide to share a pair of shoes till their father can afford to buy another. But things look bleak when their father is unable to find a job and is also suspected of criminal offences.

Vijeta (The Victor) is the coming of age story of Angad (Kunal Kapoor). Confused like any other teenager trying to find himself and caught in between the marital problems of his mother Neelima (Rekha) and father Nihal (Shashi Kapoor). It is time for him to decide what he wants to do with his life. To select a profession and be someone, Angad chooses to become a fighter pilot with the Indian Air Force. What follows is his struggle to become a victor both with his self and the outer world.

Framed for a crime he didn't commit, Mohan Kumar loses his wife, son and freedom, then he emerges from prison, vowing revenge.

A woman, depressed that she is unable to bear children, abducts a child, and wants to keep him for her own. The child belongs to a large family consisting of 11 other children.

A cabaret dancer who was raised in a brothel sets out to find her biological mother.

The year is 1975, the place is Mahim, Bombay, and this is the story of Tikku, a eunuch, the only child of yesteryear Bollywood actress Nazneen Begum, who has fallen upon hard times, is virtually destitute and is dependent on Tikku, who does make-up/hair-dressing of Bollywood actresses. When she passes away, Tikku is beside himself with grief. After the funeral, he witnesses a woman leaving a child in a garbage bin.

'Albert Pinto Ko Gussa Kyun Ata Hai' revolves around the Pintos and the people connected to them. There's Albert who's pretty much angry at everybody. His brother Dominic who thinks it's better to be jobless than to work an underpaid job, his patient sister Joan who works at a sari shop, his independent girlfriend Stella who feels under-appreciated by her boyfriend, his father and his colleagues, client and Stella's family. The film is very much a social commentary about Middle-class life in Bombay during the late ’70s and the conflicts arising in the labour force because workers were getting severely underpaid.

The Verma family consists of two brothers, Vijay and Sharad (Jeetendra and Govinda respectively), Vijay's wife, Ganga (Reena Roy), and their daughter. Sharad is unmarried and is studying in college, while Vijay runs the household on his income. In college, Sharad meets with Punam (Meenakshi Sheshadhri) and both are attracted to each other. Ganga and Vijay get them married, but permit them a married life only after they complete their studies, which they do so. They are devastated to learn that Punam cannot be a mother, so Ganga lets Punam mother her child. Soon Sharad gets a job, which gets him to re-locate to another city, and there are tearful good-byes. Punam decides to keep Ganga's child with her. But Ganga has been kind to Punam and Sharad for a reason, and now the time has come for payback.

The film involves the life of a young man who comes to believe that he has been bestowed supernatural powers. As the story unfolds, this boon eventually leads to a tragedy.

Rahul, the son-in-law of an old industrialist and one of the heirs to his fortune, clashes with Dinesh, the industrialist’s nephew who is openly unscrupulous. Rahul, on his part, conceals his personal ambition under a cloak of liberalism and encourages indigenous production.