Tokuko Watanabe

Kizaki kidnaps Yuriko and engages in a rape and torture session with her, which he photographs. With the photos, he blackmails flower arrangement teacher Yumeji, Yuriko's older sister. Rather than allow him to shame her clan by sending the photos to the media, Yumeji goes to Kizaki. Kizaki then proceeds to rape and torture Yumeji, who was his true desire all along.

Hikaru is a female teacher at an all boy's high school. Yata is a mysterious student who transfers from another school. He is the younger brother of a boy who had committed suicide because of his obsession with Hikaru. Yata wants to avenge his brother's death so he recruits two more boys and they rape Hikaru on the school roof. When she discovers the reason for the attack, she stalks them before they can do any more damage.

A shiftless resident in a boarding house spends his days crawling in the attic and spying on the renters below. One day he spies an elegant lady enter a room where a clown awaited her and watched as he pleasured her. But she spotted him watching and it aroused her more. Thus begins a story of two people who find they share similar desires and deadly passions.

Toward the end of World War II, middle-aged soldier Keita is entrusted with a postcard from a comrade who is sure he will die in battle. After the war ends, Keita visits his comrade's wife Yuko and bears witness to the tragic life she has led.

Zenjiro (Masaru Shiga) is a lowlife criminal, roaming the country with his merry band of crooks, gamblers and rapists. When he gets done with his latest escapade of banging a samurai's wife, he finds that his love Okoyo (Eiko Matsuda), has managed to be recruited as one of Shogun Tokugawa Ietsuna's (Kantaro Suga) concubines. While attempting to win her back, Zenjiro becomes involved in increasingly murderous palace intrigues.

A horny college student is spotted peeping and is chased into a dark tunnel. He mysteriously emerges into a topsy turvy erotic dreamland.

Fuyuko, a married woman filled with grief after a miscarriage, has an affair with a younger man and finds herself involved in a robbery plot. For Fuyuko, who is at an impasse, there is no longer "family", "love" and "freedom".

One day a sexually frustrated wife is led to a gypsy fortune teller. But when the gypsy reads the tarot cards the wife is told that she must have a man soon or she will die. Not believing this the wife leaves but is soon confronted with several near death experiences that lead her to strange and disturbing erotic encounters.

The background is Yuraku-cho in Tokyo and the film shows how desperately the women, who had led sheltered lives before the war, struggled to keep alive and the innate strength of post-war women.

A troubled ex-prostitute turned barkeep is enchanted by the love of a younger man named Kenichi. After trusting a violent junkie to help with her young lover’s singing career, she is sent to prison for murder. Now known only as Prisoner 101, she spends her days in the dirty prison system full of violent guards and sexually-aggressive inmates.

The men who surround and torment the young protagonist (demanding teacher, owner of the company that rapes his own daughter, despotic and uncompromising father) are opposed to women (victims of men) as embodiment of salvation.

Time passes quietly without incident. Shizue lives peacefully as a wife. Masako, who is Shizue's friend and lives in Nagoya, uses Shizue as an alibi and comes to Tokyo several times a month to have an affair. When Shizue learns that Masako's cheating partner is Akira, a star athlete back in high school, a faint feeling of jealousy runs through her...

After having dropped out of school and given birth at age 16, Mako has little choice but to move in with the baby's deadbeat father. Struggling to make ends meet by working at a bar and in constant conflict with her conservative parents, Mako has to find her way in a harsh world.

A cruel and sadistic landowner buys the daughter of a fallen samurai family to be his wife and subjects her to escalating sexual torture, especially after discovering that she has been harboring a secret passion.

Utamaro was an artist who lived in Edo (which was later to become modern-day Tokyo) in the late 18th century. This film, which has a complex and wide-ranging storyline, recreates the world of that time, as it appeared in Utamaro's paintings.

After a bungled robbery attempt, two thugs kidnap a bride on her wedding day.

A three-member motorcycle gang spends its time raping women until one member’s sister gets involved.

Taken out of the pages of history itself, this is the story of the sizzling love between Kenreimon-in of the Taira Clan and Yoshitsuné of the Minamoto Clan. When the Taira Clan had met ignominious defeat at the hands of Yoshitsuné, Kenreimon-in had jumped into the sea with her son, the infant Emperor, but only she had been rescued by Yoshitsuné. A rough-hewn warrior, Yoshitsuné had taken her by force until he awakened an answering love in the Empress with his chamber techniques.

It is based on the story of The Ballad of Narayama updated to the present day, with the substitution of putting a parent into an old people's home for the abandonment of the original. The film won the Golden St. George and the FIPRESCI Prize at the 21st Moscow International Film Festival.

Following a stint in reform school, Ryu (Shinsuke Shimada) returns to his home, the Minami area of Osaka, accompanied by his new friend Ko (Takeshi Masu). He's greeted by his friends, Chabo (Ryusuke Matsumoto) and Ken (Bang-ho Cho). They seek to forge their own path through a multitude of rival gangs in Kita and Minami, including the Hokushin Alliance, backed by the yakuza, the Hope Association, and various other minor factions, including Zainichi Korean groups. What follows is a wild, fast-paced story of violence, revenge, betrayal, and discrimination, that never loses its sense of humor.