Daniel Aragão

An independent private security firm arrives at a middle-class neighborhood in Recife, Brazil.

Iris lives alone in a spacious apartment by the sea. The green horizon seems to distance it from the city in comfortable isolation. At nightfall, the place hosts known and unknown in a frantic party flow. Iris is the main attraction. But on a hungover morning, she finds a corpse in the living room. As in the distorted reflection of a crooked mirror, Iris feels repeating steps of her childhood friend, Tiara, a medical student who had run over a guy at the exit of a nightclub. After the incident, Tiara plunges into a spiral of self-pity, sentimental emptying and violence. The case is well known in town and Iris does not want to become another ghost in this dark repertoire of stories. In All the colors of the night, reality works as a dimension of imagination, memory and madness.

A small-scale romantic love story, shot with a digital camera in black & white and in a documentary style. We follow the conversation between two lovers, each on a different side of the world; he is in Recife, she is in Kyiv. On one side is dark, on the other light, but both experience the same emotions and hence feel nearness and contact.

Joli returns home after spending a long period in rehab. Her father, Anthony, a famous city politician, is quite concerned about her conduct and reintegration into society. This is the time when father and daughter will fix the broken ties of the relationship.

Dirceu, 30 years old, has origins that go back to the aristocracy of Northeast Brazilian backlands. Settled in a kind of subjective amnesia, Dirceu tries to bury his family's past. He is a demolition man in Recife, an urban landscape undergoing an uncontrolled process of transformation. Maria shares the same country origins, but she uses the city for a different purpose. She is a carefree and joyful music student. If Dirceu aspires to a world that is stable and present, Maria lives in discord with the present. To her, nothing is as it should be. Maria's apparition unleashes in Dirceu an urge for being somebody else. On a route of escape through the desert of the backlands, a unique encounter is set to happen. Boa sorte, meu amor (Good luck, sweetheart) is an anti-romance of the impact between music and silence.

Brazilian philosopher Olavo de Carvalho's thinking, presented through his presence, his daily work routine and his family life in Virginia (USA).

A middle-class family living in a house filled with superfluous electronic appliances see the arrival of a new item, a 29" TV-set.

Tropical Recife. A Dutch architect is there to study colonial past - or is she looking for erotic freedom? An actress who wants more professional opportunities than Recife can offer. A musician, who revels in melancholy self-flagellation and hatred for the city he can't do without. A tragic love triangle of romantic young people.

Nara is pregnant. They say she won't be a good mother. But everything in life is a matter of choice.

In a decadent and melancholic metropolis, the poet Jeová seeks inspiration and recognition. His life begins to change after a mysterious figure starts buying his poems, and he meets Maria, a prostitute. Having to face their ghosts and desires, in a society where everything is calculated by money, these marginalized characters embark on a journey of poetic and delirious self-discovery.

Lovers attempt to shut out the harsh realities of life.

No description available.

asking people on the street to take a seat in front of his camera in a big white tent. He offers them three real (about one euro) for three minutes of their solitude. The tent is located on a square in Recife, a large Brazilian city. people smile stiffly, wave, make the sign of the horns, defiantly lick their lips, or shed their tears.