Pablo Lamar

Sergio travels to a metropolis in West Africa to work for an NGO as an environmental engineer on a road project between the desert and the forest. There, he becomes entangled in an intimate yet unbalanced relationship with two inhabitants of the city, Diara and Gui. As neo-colonial dynamics among the expatriate community unravel, this fragile bond becomes his only refuge from an impending collapse into solitude or barbarism.

Gilberto and Jacira promised to grow old together – for better, for worse, for richer, for poorer, in sickness and in health. Till death them do part.

An independent private security firm arrives at a middle-class neighborhood in Recife, Brazil.

André is a broken man, who lives isolated in a forest. The forces of nature embrace his body as he drowns in his effervescent inner world. Between the insomnia and the dreams, André is haunted by his past. He wishes to deconstruct himself, heal his sorrow and take the responsibility from his acts. He puts himself before the abyss where he must embrace his ghosts and change his skin in order to survive.

Through her child’s eyes, Patpro will go through three periods of the history of her indigenous people, in the heart of the Brazilian forest. Tirelessly persecuted, but guided by their ancestral rites, their love of nature and their fight to preserve their freedom, the Krahô never stop inventing new forms of resistance.

Denying his duty and in order to escape a crucial process of becoming a shaman, Ihjãc runs away to the city. Far from his people and culture, he faces the reality of being an indigenous in contemporary Brazil.

In precise, unhurried compositions of image and sound, Lamar’s feature debut portrays a man and his dying wife, living in a remote hut in the hills of Paraguay. All the stages of mourning are passed through in a single day in this wordless account of an emotional earthquake.

In a snowy and industrial city in the south of Argentina, Paula, a 23-year-old girl from Buenos Aires, starts an intense job hunt with the sole purpose of saving money. The lack of a job, a home and a stable emotional environment will end up turning that search into a personal and introspective journey.

For the last 500 years, Edilson has been cutting sugar cane in Brazil. One day, the machines arrive and he leaves his job to engage in his first space mission. A small step for him, a giant leap for the nation.

The newlyweds have already left the party where the guests are still dancing. The bride has bled to death and the groom carries the body. He drags her down the stairs and along a long corridor until they fall down. At the shore the groom gives her away to the river, floating in a boat.

No description available.

The young Jimena searches for her identity. The film follows the life of the young woman with her mother and grandmother, white middle-class women, and the exchange of letters with her father, a foreign and black man, whom the young woman resembles. Seeking to free herself from the feeling of inadequacy, Jimena rewrites her family relationships and creates other ways of experiencing love, friendship and work ties. Through her eyes, the film considers questions about class, family, tradition, race and gender.

In an inhospitable place, a boy and his family struggle for survival.

The man, the hill, the shack.