Directing
During a fire, Pina is saved by her young cousin Enrico, who is blinded by the flames. The girl becomes Enrico’s guide, and the two earn their living as street musicians. Pina falls in love with Count Manlio, who sets her on the path to a singing career. For the sake of success, she abandons Enrico, but years later, overcome by remorse, she decides to leave Manlio in order to care for her cousin once again.
Dr Faust is continually obsessed with his quest for knowledge and absolute pleasure. One day, the demon Mephistopheles appears to him in his study in human guise and offers him a deal: a lifetime of total pleasure in exchange for the life of his fiancée Margaret. Faust accepts but is soon forced to realise the impossibility of crossing the boundaries of knowledge and the limits imposed by God.
In ancient Rome, tyrannical Emperor Caligula is assassinated through the machinations of Messalina. She then makes a conquest of Marcus, who forces the Senate to name her husband, Claudius, as emperor. Messalina's wicked ways continue when she falls in love with Ennio, a slave. Ennio is also loved by Egyptian princess Mirit, but he loves neither of them, preferring the company of Ela, a Greek slave.
Attempting to cover the fault of one of his subordinates, an officer of the Napoleonic army is condemned to death for treason.
Antamoro's CHRISTUS, epic in scale and ambition, and featuring decidedly otherworldly special effects, was released in 1916. Telling the story of the Life of Christ, the film is divided into three segments-- three Mysteries. The first of these includes the Birth of Jesus, the arrival of the Magi, Herod and the slaughter of the innocents, the flight into Egypt. The second Mystery features the expulsion of the merchants from the Temple, Mary Magdalene's conversion and Christ's entry into Jerusalem. The third Mystery is itself divided into three separate parts, which are The Passion, The Death and The Resurrection.
In "Agrippina" (1910), Guazzoni recreates the particular and troublesome relationship between Agrippina, the second wife of the Emperor Claudius, and her son Nero.
A rich Sicilian farmer has to move from Sicily to Rome to help his grandson, University student, who has been put in jail.
No description available.
Directed by Enrico Guazzoni.
The film is set during the Crusades and describes Godfrey of Bouillon's conquest of Jerusalem in 1099.
In "Fabiola" (1918) Herr Guarzzoni moved from the earliest days of Christianity when the new faith was struggling to just survive to a later period in the Roman Empire when the religion was a major force and attempting to win over Rome.
Miryam, the adopted daughter of the tribal chief Jamet, meets Marco Palmi, an Italian scientist in Libya for research, in the desert. Their first approach is not cordial and when Mario falls prisoner to the marauders she offers to guard him so she can humiliate him. However, over time she falls in love with the young Italian and becomes pregnant by him. Ibrahim, a bandit who desires the girl, arranges for Mario to be abandoned in the desert and tells Miryam that he died trying to escape. But Mario was saved by another tribe and is cared for by Ulema, a friend of Miryam. Ibrahim tries to harm the two lovers again, but Jamet intervenes and kills the bandit, submits to Italian power and allows the couple to leave for Italy together with their recently born son, called Italo.
Two siblings lose their parents amidst turmoil in revolutionary France and are adopted by a peasant family. Once grown up, the older brother enlists in the Napoleonic Wars.
During the latter years of the reign of the tyrannical Roman emperor Nero, Marcus Vinicius, one of Nero's officers, falls in love with a young Christian named Lygia, attempting to enslave her. Lygia's protector, the noble and burly Ursus, works to save her from Vinicius' clutches. Pursuing Lygia, Vinicius finds himself at a catacomb prayer meeting led by the apostle Peter and finds his conscience stirring-- just as Nero orders Rome burned. A landmark in epic film, Enrico Guazzoni’s grand-scale masterpiece laid the foundations for what colossal Italian spectacles would become. The film had tremendous influence on Giovanni Pastrone’s Cabiria (1914) and D.W. Griffith’s Intolerance (1916).
A young girl learns that she is the daughter of an executed politician and conspires to avenge her father's memory.
Based loosely on Shakespeare's play, Plutarch's "Life of Antony", and Pietro Cossa's dramatic poem, "Cleopatra", this movie was spectacular for its time. It offers location shots made in Italy and Egypt, large crowd scenes (e.g., the Roman army embarking in Alexandria), lots of emotional drama (Marc Antony & Cleopatra, his wife Octavia, sister of Antony's rival Octavian, unhistorically coming to Alexandria to beg him to return to her, and some mean, mean looks exchanged between Octavia and Cleopatra.
