Writing
Pauw & Witteman is a Dutch late-night talk show, hosted by Jeroen Pauw en Paul Witteman. It is generally focused on current affairs and politics. It is broadcast every weekday at 11 pm on Nederland 1. It is produced by Dutch public broadcasters NPS and VARA. During summer Pauw & Witteman are replaced by Knevel & Van de Brink, a talk show hosted by Andries Knevel and Thijs van den Brink, produced by the dutch evangelical broadcasting company, the EO.
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What does Pim Fortuyn's legacy mean for the Netherlands today? How have his rise and his assassination changed the political and societal debate on migration? And what does that say about Dutch views on tolerance and diversity? In the eight-part KRO-NCRV documentary series Fortuyn: Un-Hollands, producer mint film office gives a voice to people who were barely heard at the time, but who were right at the center of the Fortuyn debate. Critics, political allies and opponents, men and women, with a bicultural background and white, tell how they experienced the Fortuyn revolt and what influence Pim Fortuyn had – and still has – on their lives and positions in the Netherlands.
Director Leon de Winter has taken a thriller with political and psychological overtones, and scrambled it into a series of vignettes that are mixed-up in time and in location, thereby dashing any hope of following the story. A journalist goes to a southern European country to interview a well-known terrorist who has refused to stop his activities even though the revolution he fought for ended successfully five years earlier. Questions are raised about adopting violence as a way of life without at first realizing it and about the seeming impossibility of raising the consciousness of backwater cultures. Perhaps because of the way the story has been filleted into fragments, characters like the journalist and terrorist do not have enough continuous screen time to build up their individuality, a second factor that makes it difficult to become involved in the drama.
Three washed-up actors must deliver the most convincing performances of their lives as part of a dangerous plot designed to finance their triumphant comeback.
A young sailor learns that his friend has died of a heroin overdose. He watches the 8mm films he has made of his friend and discovers that he keeps the world at a distance from behind his camera.
After his wife Marjan has died in a car crash, Philip de Wit becomes a total wreck. Only after months does he return to a more or less normal life and even then he only works in his wife's bookstore. A year later Eileen walks in the store, a girl from Northern Ireland with her baby in her arms. When Philip sees her, he's dumbfounded, for she's the spitting image of his dead wife. Obsessed with her, he goes and tries to find her again, but he soon finds out that he's not the only one who's looking for Eileen.
A philandering husband unknowingly falls back in love with his wife over the phone when she pretends to be another woman.
A mentally imbalanced mathematician is dead sure he has stumbled onto the mathematical principle that generates the universe.
It tells the life story of the Flemish poet Jotie 't Hooft, a notorious drug user who made several suicide attempts and died in 1977 at the age of 21.
Born in Amsterdam in 1943, Paul, a Jewish man, attempts to locate his twin brother (or perhaps his alter ego), who was abducted forty years ago and sent to a Nazi concentration camp. As he searches, he becomes increasingly immersed in the story of his life, as well as in an analysis of post-war Jewish identity.
Feature film based on Leon de Winter's book of the same name, in which protagonist Herman Dürer hitchhike south after a stay in a juvenile detention center and ends up stranded in Munich.
