Directing
Fury is an American western television series that aired on NBC from 1955 to1960. It stars Peter Graves as Jim Newton, who operates the Broken Wheel Ranch in California; Bobby Diamond as Jim's adopted son, Joey Clark Newton, and William Fawcett as ranch hand Pete Wilkey. Roger Mobley co-starred in the two final seasons as Homer "Packy" Lambert, a friend of Joey's. The frequent introduction to the show depicts the beloved stallion running inside the corral and approaching the camera as the announcer reads: "FURY!..The story of a horse..and a boy who loves him." Fury is the first American series produced originally by Television Programs of America and later by the British-based company ITC Entertainment.
Popular crooner Russ Raymond abandons his career at its peak and joins the Navy using an alias, Tommy Halstead. However, Dorothy Roberts, a reporter, discovers his identity and follows him in the hopes of photographing him and revealing his identity to the world. Aboard the Alabama, Tommy meets up with Smoky and Pomeroy, who help hide him from Dorothy, who hatches numerous schemes in an attempt to photograph Tommy/Russ being a sailor.
An insurance agent's greedy girlfriend with a taste for mink leads him to a life of crime.
The Army takes a bandleader (Kay Kyser) away from his bride (Ellen Drew) and sends him on a spy mission with a woman (Jane Wyman).
A mysterious plague, the Purple Death, ravages the earth. Dr. Zarkov, investigating in his spaceship, finds a ship from planet Mongo seeding the atmosphere with dust. Sure enough, Ming the Merciless is up to his old tricks. So it's back to Mongo for Flash, Dale, and Zarkov.
When a barnstorming stunt pilot decides to join the air corps, his two goofball assistants decide to go with him. Since the two are Abbott & Costello, the air corps doesn't know what it's in for.
A 17th-century Caribbean port rumored to have frequented by pirates rises from the ocean floor, where it came to rest after an earthquake many years before. A scientist wants to study it, some thugs want the treasure alleged to be stored there, a bunch of mutated giant crabs living there attack them all.
Two peanut vendors at a rodeo show get in trouble with their boss and hide out on a railroad train heading west. They get jobs as cowboys on a dude ranch, despite the fact that neither of them knows anything about cowboys, horses, or anything else.
A married couple watches a documentary program which presents the hazards children face in the home.
The Phantom, along with canine companion Devil, investigate wicked doings at the plantation of Mrs. Harris. An unsold TV pilot based on the popular superhero.
During a test, a race car using an experimental oil fueled engine blows up, killing the driver. Lucky Taylor, a stunt driver, is initially blamed for the accident, but is later cleared. He thinks the engine design has a real chance to win races, but the racing association has banned it since the accident. He devises a scheme to have a car equipped with the engine entered into a race, without race officials-- or the engine designer's sassy daughter -- finding out about it.
A Texas oil millionaire, after failing to secure oil lands in Argentina, seeks out a famous racehorse in Buenos Aires and orders his representative to buy the nag at any price. The representative, Tim Kelly, has a love affair with Lolita O'Shea, the beautiful daughter of the prize horse's owner.
Annabelle Lee was filmed starting in August 1968, concurrently with Diabolical Wedding, with technical and equipment support from Panamericana TelevisiĂłn, which invested heavily in its attempt to promote its young stars, "Chacha" Hornazábal and Patricia AspĂllaga, who headed the cast of this adaptation of Edgar Allan Poe's poem. Panamericana TelevisiĂłn lent its sets for interior shots, while exterior scenes were filmed at the Municipal Theater, the Entre Nous Society, Chancay Castle, and Quinta Heeren. The film's editing and laboratory processing were done in Mexico.
In this musical comedy, a motley band of musicians have only their extreme poverty in common. They end up writing a hit and getting a recording contract. The trouble is, the composer's works are never played without another band member doctoring them up to make them swingier. Fortunately, the composer isn't too averse to the changes as he has just won the heart of the beauty who sings his revamped songs.
Medieval French monks find a freezing, ill juggler and take him in. Upon recovering, the impoverished man wishes to illustrate his tremendous gratitude. He eventually finds a way to.
Young Dave Austin hunts down the varmint who murdered his father in this B Western. Austin tracks killer Jim Hatfield to his hideout, a Mexican cantina where Hatfield and his ruthless gang terrorize the locals. After being deputized, the courageous Austin allows himself to be captured by the gang and devises an ingenious plan to turn the bad guys against one another.
A drifter riding the rails gets mistaken for the new sheriff of a small town. He takes the police job and is immediately pressured to crack down on local organized crime.
In 1957, director Harold Daniels was hired by producer Michael A. Ripps to oversee BAYOU, a cheaply made, overly melodramatic tale of swamp life. The low budget film starred a pre-MISSION IMPOSSIBLE Peter Graves, Corman regular Jonathan Haze, and the effortlessly bizarre Timothy Carey. But despite this eclectic cast, BAYOU was a major flop at the box office. So Ripps recut the film, adding an off-camera rape scene and a new, bloody conclusion to its climatic fight. Of even greater importance was Ripp's new title: POOR WHITE TRASH.
Stony Brooke, Rusty Joslin and Rico, known as The Three Mesquiteers, return to Oklahoma at the close of the Spanish-American War, and are concerned that some of their wounded buddies have no prospects for a satisfactory future. When the government offers preferred homesteads in the newly-opened Oklahoma territory to war veterans, they send word for their pals to join them there. Once there, the veterans meet a hostile reception as the cattlemen resent the influx of "nesters" and are determined to drive them out. Mace Liscomb and his brother Orv plan not only to drive out the homesteaders, but to also double cross the cattlemen and gain exclusive titles to the range lands for themselves. Stony and his pals eventually show the honest cattlemen that there is room for the settlers and that both are fighting a common enemy. Written by Les Adams
Two warlock brothers use their powers and covens of witches to battle over the family fortune.
