Lissy Arna

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A 19th-century London cabaret singer is deported to prison in Australia. Her crime? Taking the blame when her lover bounces checks.

A taxi driver, (Piel), finds an odd contraption on the back seat that renders him invisible, but his friend steals the device to rob a bank. An inventive comedy.

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Portrait photographer Lu Tiemann owns a white wire-haired terrier named "Stork." For Lu, the charming dog has a very specific purpose: to either jump into parked cars with men at the wheel, thereby attracting their attention, or to hide inside the car and emerge while it's moving – with the same result. When the driver then wants to get a closer look at the "crazy" dog, the following inscription can be read on his collar: "My name is Stork, owned by Lu Tiemann, Regentenstrasse 17." Many well-to-do gentlemen fall for this approach, such as a portly consul or a factory owner and privy councillor, next to whom "Stork" brazenly positions himself on the passenger seat.

Four battle-weary American soldiers under fire reflect on the women they left behind.

Paul and Peter share a garret flat. Paul is smitten with Anni, but her father forbids their match. Then Paul inherits a fortune—on one condition: he mustn’t marry “a girl.” Desperate, they scheme a sham marriage: Peter weds Anni so she’s no longer “a girl,” allowing Paul to claim his inheritance. Jealous at first, Paul watches as Peter and Anni wed, until, after their quick divorce, Paul finally wins Anni’s hand for real.

Else Riedel (Lissy Arna), locked out by her authoritarian father, seeks refuge with her boyfriend Hans. Complications threaten when Hans's roommate Max falls in love with her, but the situation is resolved: the three remain friends, and decide to form a music hall act. They want to ascend, but how? A way out beckons when a theatrical agent named Nevin enters Else’s life. He is played by Hubert von Meyerinck as a slick and oily villain, who oozes refinement; his experience behind bars is waved away with a silk scarf. He is cunning to the point of perfidiousness, but is not completely unsympathetic. He also embodies a new type - the scrounger.

They meet on the plane from Dakar to Casablanca: the well-known American defense lawyer Vandegrift, his daughter Jessie and the arrested Peter Roland, who allegedly kidnapped and murdered the famous film child Binnie Casilla in Stockford in 1928. Vandegrift, convinced of Roland's innocence, decides to represent the man at his upcoming sensational trial. But just as public opinion is increasingly questioning Roland's guilt, he testifies under pressure from prosecutor Adams. Now only Binnie herself can save the young man, but the search for her has so far been in vain...

A very naive Viennese vinyl records saleswoman falls in love with a well-mannered young man. Due to a combination of circumstances, she was involved in the endless series of accidents, intrigues and piquant situations perfectly emphasized by the morals of those times, a subtle satire on the bourgeoisie and an atmosphere of innocent romance.

Remake of a 1929 German film by the same title about a man and a police dog.

A struggling composer gets one of his pieces into a film program and his wife captures the lead part in the production as well.

In this theatrical adaptation, a well meaning eccentric tries to patch up a rift between his niece and her fiancé.

Silent film social drama

Ahab pursues a whale that chewed off a leg when his brother, vying with him for the hand of a minister's daughter, pushed him overboard. When he has caught the monstrous whale he will then deal with his brother.

Two of Germany's best and busiest directors collaborated on Berge in Flammen (Mountain in Flames). The storyline should be of interest to pro-ecologists, inasmuch as the directors take to task the warmongers of the world for despoiling the natural beauties of the European mountain ranges with their shell-fire. The final outrage occurs during a battle between the Austrians and the Italians in the Dolomites, culminating with the destruction of an entire mountain (hence the film's title). The harrowing images on screen were complemented perfectly by the musical score of Giuseppe Beece. Also known as The Doomed Batallion, Berge in Flammen was filmed in three different languages -- German, English, French -- for a total cost of $150,000.

A well scripted and captivating thriller about the owners of a small private bank in Berlin, squeezing money out of honest business firms, causing their bankruptcies, and then trying to smuggle the cash into Switzerland.

Die elf Teufel / The Eleven Devils was made in Berlin in the summer of 1927, in the last throes of the silent movie era. But Die elf Teufel strikes one today as a prophetic film. One of its early captions is "Football, the sport of the century ". We are shown a ball bathed in light like some sacred relic, and observe how, even in those early days, fans on the terraces wouldn't shy away from using their fists.

A sordid tale of poverty and greed set within a quayside milieu of crime and prostitution, the narrative centres on the quest for a sparkling pearl necklace stolen by a beggar under the gaze of a prostitute, who persuades her unemployed friend to steal it back, with tragic consequences. The story unfolds in flashback, without irony or a hint of redemption: life simply goes on.

This is the German-language version of 1930's "The Way of All Men", shot by Warner Bros. in Hollywood with a German-speaking cast.