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Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.
In 'Sidosa', the director and actor Eduardo Casanova makes the most intimate and significant revelation of his life: he has HIV. There is no precedent in Spain for a public figure to disclose that he is living with HIV — a step that organizations and activists have been calling for for years to help end the social stigma still associated with the virus.
In 2010 a delegation of Chinese architects travelled to Cadaqués, on the Costa Brava, to take notes for the large-scale replica of the town they were planned to build in Xiamen, on the southeast coast of China. Six years later, young entrepreneur Tingting sets off to spend the weekend in her flat in Kadakaisi, the Chinese Cadaqués. The film weaves between the original and replica, reality and dream, time and memory, through the landscapes of Cadaqués, Kadakaisi, Xiamen and Cap de Creus.
"Caracremada" ("Burnface" in Catalan), a nickname given by the Spanish Civil Guard to Ramon Vila Capdevila, reflects about the libertarian resistance against Franco's regime through the last active guerrilla fighter. In 1951 the CNT ordered the retreat of its militants; however Ramon Vila remained in the woods of inland Catalonia where he restarted the fight operating on his own.
Summertime. In a camping, three little girls listen to an old mysterious story about a missing kid. They start to investigate.
An analysis of the impact on the United States Latino community of immigration policies promoted by President Donald Trump.
This is chapter 451 of Ohio Sonata, a neverending Tolstoyan novel of stock images. An ungovernable soap opera of imposterous photos where film genres devour each other. Filmmaker Lluís Galter reorders and rewrites the meanings of these packets of commercial images, which in turn had phagocytosed thousands of other images, forming a mocking composition that goes from the origins of cinema to the next chapter.
Adaptation of a poem included in Ramon Llull's "Llibre de meravelles".
