Directing
Réb went to the United States about 20 years ago and in the eighties he returns to Budapest with his teenager daughter...
Ambrus, the canon pretender and Gerzson, the stinking rich lawyer, taking advantage of a sect and a fake hospice, are engaged in doing unsuspecting old people out of their money.
During the years following World War II, a new boy arrives to class 7/c, and the audience learns to know the lives of the drunkard teacher, his husband-cheating wife, the lonely music teacher hiding behind her paper flowers, the wise count deprived of all his properties, the jovial parish priest and especially the buffalo owner of tragic fate who lost his four daughters, alongside with the young protagonist.
Reconstructions of unrealized Hungarian films in cooperation with the greatest Hungarian film directors.
1859. Exploiting the Austrian-French-Italian conflict, Kossuth sends Batiszy Kristóf back from the emigration to organize the Hungarian Legion. Batiszy's company gets into trouble, Austrians are waiting for them, Hungarian authorities chase them, people stand still. Demolition of the troop is the task of Görgényi László chief district administrator, who used to be an officer in the revolution once.
Two old women who happen to be pickpockets stole money from Simon, the taxi driver. The police are unable to find the thieves, so Simon decides to find them himself.
Imre Horváth and his friends gather to celebrate his wife's birthday. They are confused because of the changes in the country's politics and want Horváth to be much more active politically, but he is more concerned about his affair with his best friend's daughter.
The devil arrives in Budapest because he has got wind that a hermit scientist has discovered the elixir of eternal life. Soon the lives of oh-so-some upstanding citizens living in the peace of the peaceful little people are in turmoil. Irén Psota, Zoltán Bezerédy and the unforgettable Buczella brothers.
The film condenses the awkwardness of country and functionary existence, consumer thinking based on paternalistic relationships into the sequence of events of 20 August, the feast of the Hungarian new loaf with sentimental irony and documentary credibility. A railwayman's family on the Balaton highlands expects the Budapest relative with his functionary boss and family.
